A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects - editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed with legibility in mind and is well suitable for body text at small sizes. In the same time Basil is equally able as titling and headline font due to numerous distinctive visual features that shape its attractive appearance. A true workhorse, packed with lots of OpenType features and full multilingual support, the type family consisting of six weights, with Regular available for free! Basil type family received Special Mention in Cyrillic text Typeface category at 7th International Type Design Competition for non-Latin typefaces - Granshan 2014. It also was exhibited at New Bulgarian Typography exhibition part of Sofia Design week 2013 and then took part in several travelling exhibitions.

Siera Leone - Display Font. Siera Leone is a super unique modern display typeface. The classic, fun and trendy impression is very visible. But in Siera Leone font I combine several variations such as the ligature. It makes this font even more unique and different. Siera Leone font inspired by elegant typeface and posters with display themes. Siera Leone is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. Siera Leone is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. Siera Leone is also support multi language.

Bio Sans is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is the same as Bebas Neue which is our most popular free font and used all over the world, that is to say, Neutral, Natural, Minimal, Harmless, Super-flat, Transparent and Legible. The basic skeleton of their letterform was designed geometrically and the sophisticated design gives them universality, neutrality and sense of unity for the use in all media, all purposes and their large x-heights makes this family legible and readable even on small size screen. Bio Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

Slow Tempo is a relaxed, loose-fit font that you can easily enjoy. Slow Tempo has basic, natural and neutral letterforms and skeletons for a wide range of usage. Though, there are some distinctive features. As you can see, Slow Tempo has low curvature of the intersections between stem & shoulder or bowl and also has large and open apertures. This makes this font relaxed. The letterform has low contrast and geometric shape to be neutral design, large x-height and humanistic terminal to be legible and distinguishable. Slow Tempo consists of 8 weights and their matching Italics for a wide range of usages. Further, Slow Tempo is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

Capraia is a book typeface, with a heavily quirky look when shown at big sizes, and with an irregular but attractive rhythm at text sizes. Capraia Book and Regular are designed specifically for continuous texts: Book meets a current preference of Italian publishers for lighter faces, while the slightly heavier Regular is intended for the wider international market. True to its vocation for publishing, Capraia has a big x-height, medium contrast and wide bracketed serifs. Furthermore, its slightly flattened curves, some unconventional roman letterforms (a, G, Q) and the 'slanted roman' italics, along with design details such as ball terminals, give to the whole family a very contemporary appeal. Originally the design was intended as a tribute to Caslon's Great Primer but at a certain point the designer was enthralled by Baskerville. Capraia is the unpredicted and original result of that intense experience.

Whiteblack is a slab serif with a soft touch, designed for contemporary typography and comes up with 6 weights for positive and negative settings plus handslanted obliques. In dark backgrounds, especially for signage and on screen, negative settings glow and appear heavier than positive settings. To avoid the „glow-effect“ the typeface contains special weights for an optimal balance between white and black. A large x-height and open apertures not only creates space for smaller sizes, but also lends Whiteblack a solid balanced and generous character for print and screen. Many OpenType features including 324 ligatures, contextuel alternates, and stylistic set built into all cuts. The font contains 1.076 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Whiteblack brings elegance and a certain warmth wherever a contemporary slab serif typeface is needed, special for signage, brands, magazines and corporate design.

Friendly Monster - Character Monster Font. Friendly Monster funny font is a kid's friendly spooky monster for your projects. When we talk about monster, it's not always the one that really scary. We can all have a cute, adorable, and friendly monster as well. Friendly Monster comes just like that. Friendly Monster has a strict style, but still gives a cheerful impression, making it very easy to read and apply in all design projects such as poster designs, clothing, logos, quotes, album covers, books, business cards, product designs, and many more design projects The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Melissa Gweny is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. The ZIP file are include: Melissa Gweny.otf To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). Thanks for your visit.

Behance presentation https://www.behance.net/gallery/51305239/Geometrica Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet modern and minimalist. The font was inspired by the idea of creating a typeface with uppercase/lowercase characters and small caps having the same proportion. The result is a font with a moderate width, generous x-height, and short ascenders and descenders, giving it a compact and clean look. Geometrica comes in 10 weights plus italics—each variant with 589 glyphs—and contains a number of OpenType features that allow you to create very ‘good looking’ designs. Geometrica provides a wide range of choices for any design project and it is especially recommended for UI/UX and app design, branding and corporate design, in 2017 it was selected as one of the 10 best Sans of the year by FontShop.

Zimbara script is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Zimbara scrpit, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include OTF & TTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products. Thank you for purchases.!

Corner D is a part of Corner type family. This subfamily is designed with inverse rounded shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal ( Corner B ), curvature ( Corner C ), or inversion curvature (Corner D), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Sporty and brawly, Magnesit creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit Stencil and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. Magnesit works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect. Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Retro Rock - Classic Display Font. Retro Rock font makes for more fun, trendy and more lively. Retro Rock is inspired by the classic style and well display curves. Retro Rock has a surprise from alternate that will make your work even more beautiful. Retro Rock is perfect for a professional touch which makes it even more unique display and classic themes. But Retro Rock is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. Retro Rock is also support multi language.

Corner A is a part of Corner type family. This subfamily is designed with square shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters (Corner A) to the shape of diagonal ( Corner B ), curvature ( Corner C ), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Introducing Winter Brush is a new font with textured stroke detail, also provided some ligatures and swashes extra. Winter Brush can used for various purposes. such as the title, logo, correspondence, signage, labels, newsletters, badges, t-shirt, etc. Also supports in program, Adobe Illustrator, Adobe Photoshop, Adobe InDesign, Corel Draw X version, Microsoft Word, etc What included: Comes with Uppercase and lowercase characters, large set of punctuation glyphs, numerals, supports international languages, stylistic alternates for several key lower case characters And this Font has given PUA unicode (specially coded fonts). Features: - Winter Brush To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. I hope you all enjoy with this stuff. If you have any question, please contact me Via e-mail : barmawymuchtar@gmail.com I'll try to respond as quickly as possible. Thank you for purchase!

Ceebo is a friendly sans-serif, which show some aspects of a humanist and grotesque typeface. It retained more details of writing and got some forms and characteristics of an italic. The font contains some alternative glyphs. It also contains some ligatures and discretionary ligatures. In addition, there are adjusted figures and additional character for uppercase letters, lowercase letters and small caps, which react by OpenType-Feature. The font was designed to stay legible also in small sizes: beside as possible open counters, a tall x-high, distinct vents and cuts, it especially are the details of the glyphs which make it discernable. The regular weight is slightly thinner than other sans-serif fonts, moreover the diacritics and small glyphs were designed for small sizes by taller and more open forms. The resulting “ruggedness” is mellowed by half-rounded stems and pointed stem ends.

Solistaria Script is new quality calligraphy font with modern and vintage touches. Inspired by a mixture of copper calligraphy with hand-lettering style. OpenType feature includes Stylistic Alternatives, Swash, Ligatures, Stylistic sets. It allows you to mix and match letter pairs to fit your design, and also comes with modern ornaments to make this font look elegant and perfect. Solistaria Script is attractive, smooth, clean, feminine, sensual, glamorous, simple and very easy to read. The classic style is perfect to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, books, greeting/wedding cards, packaging, labels, and more. Solistaria Script can be used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, Corel Draw X version, Microsoft Word. Language Support : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, German, Icelandic, Italian, Malagasy, Norwegian, Portuguese, Spanish, Swedish.

Corner B is a part of Corner type family. This subfamily is designed with diagonal shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal (Corner B), curvature ( Corner C ), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Bertholina is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me Thanks for your visit.

Anamelia Srcipt is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Anamelia Srcipt, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products:https://My Fonts.net/strong Thank you for purchases.!

A high lower-case x-height geometric sans with open counters, Regulator Nova is extremely legible at text sizes and in extended settings while the range of weights also make it suitable for headlines. The stoke terminals are all cut at close to 90 degrees, lending a sharp precision to the characters. Alternate versions of the g, j, r, w, K, R, W, # and ampersand are available in both upright and italic, and can be toggled on and off in the Opentype panel or the Glyphs palette. Clean, elegant and legible, Regulator Nova has a classical proportions based on a circumscribed circle and square, and shares structural similarities to early sans serifs such as Rudolf Koch’s Kabel, while adopting more British forms for the M and R. Regulator Nova is an extension and reworking of Regulator, now with extra weights, reweighed italics, Opentype-savvy alternates and a full European character set.

Square Sans Pro is one of Parachute’s most popular typefaces. It has been used by the likes of companies such as Samsung and organizations like the European Commission. Now a new version has been released. Square Sans Condensed Pro is a square-shouldered, modern and self-assured text typeface which lends style to a variety of projects. With its generous x-height, full-bodied counters and uniform stroke weight, it provides high legibility and uniform typographic color at all sizes. This is an exceptionally warm and comprehensive type family -with slightly rounded edges and softened curves- which possesses a robust and friendly appearance. The family consists of 12 fonts -from extrablack to thin- including true italics. It supports opentype features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Latin, Greek and Cyrillic. Download its complehensive PDF Specimen Manual for further details.

This font is mainly inspired from the engraved characters of a German Map depicting Germany's roads and parts of surrounding lands, edited in Berlin probably in the end of 1700's. The engraver was Carl Jaeck or Jaek (1763-1808). The Map was bought by the French napoleonic general Louis Pierre Delosme (1768-1828) probably during the Napolenic campaign against Germany, circa 1805 or at least 1806, his sole staying in Germany. The font (with two styles, Normal and Italic)is containing standard ligatures and a few alternative characters. It is a "small eye" or "Small x-eight" font, as the Maps' characters are most often very small (some Italic lower cases of the map are 1mm hight, upper cases 2mm) The standard English characters set is completed with accented or specific characters for Western (Including Celtic) and Central European, Baltic, Eastern Europe and Turkish languages.

Dorica is a serif font family optimized for small sizes. It is very sober and simple, with a classic appearance at first sight but the curves and details like the serifs make it very different. The name is inspired by Doric, the simplest of the three orders of organizational systems of ancient Greece. The large x-height makes it perfect for use in magazines and every context which calls for text in small sizes. Dorica comprises 14 styles, from Thin to Black with their corresponding italics. Each font includes small caps, very useful for books, plus OpenType features such as proportional figures, stylistic alternates, tabular figures, numerators, superscript, denominators, scientific inferiors, subscript, ordinals, fractions and many ligatures. The extended character set supports Central, Eastern and Western European languages. The range of styles provides great flexibility for both text and titling, and the ligatures make for an original and creative appearance.

The name “Bicyclette” was chosen because this typeface is all about balance and elegance. The idea was to create a highly contrasted sans-serif family carefully balanced between gentle curves and sharp angles, with large capitals opposing uncommonly short lower case, through six distinctive weights. The letters are wide, and the capitals pop up in headlines while the lower case leaves a lot of white space between the text lines because of its small x-height. The edges are rounded (but not so much for the family to be called rounded), just enough to make the text feel slightly softer, gentler, while retaining some of that technical sans sharpness. The Bicyclette character set supports Western and Central European languages, and includes an extended set of monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Demiela Script is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me. Thanks for your visit.

The Core Sans E family is part of the Core Sans series, such as Core Sans N, Core Sans M, Core Sans A, Core Sans G and Core Sans D. This is a modernized, grotesque font family with horizontal terminals, low-stroke contrast, enclosed apertures and little-line-width variation. Its tall x-height makes the text legible; and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans E family consists of 9 weights, from Thin to Black with italics. It supports WGL4, which provides a wide range of character sets—Greek, Cyrillic, and Central and Eastern European characters. Each font includes support for tabular numbers, arrows, mathematical operators, and OpenType features (such as proportional figures, numerators, denominators, subscript, superscript, scientific inferiors, fractions, case features, and standard ligatures). We highly recommend it for use in books, web pages, screen displays, and so on.

Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces bears different key dimensions and different contrast typical for three different type epochs. Anglecia Pro Text is a typeface designed for general typesetting in average reading sizes. Although it features a vertical axis, its soft skeleton, relatively small x-height and prominent ascenders and descenders give the typesetting a traditional warm texture with a slight contemporary touch. Anglecia Pro Title incorporates proportions of familiar transitional serif typefaces but exposes higher-than-average vertical contrast which makes it useful for setting captions, pull quotes or general purpose text in sizes of 12 pt and above. Anglecia Pro Display, still having non-rectangular serifs and the same soft skeleton as the rest of Anglecia Pro system, features extreme contrast, much thinner serifs and exaggerated ball terminals typical for Didone modern serif families. Its large x-height and tighter letter spacing suggests larger text sizes e.g. in decorative headlines, extra large pull quotes or logos. Altogether these three typefaces form 36 styles – each supporting numerous Latin-based languages as well as major Cyrillic languages. In roman styles the Cyrillic script comes in two flavours accessible via OpenType alternates – to choose either more traditional and curvy (default) or more formal and rigid type texture. In italics this feature affects uppercase and small caps. Also, each style is packed with OpenType features: ligatures, small caps, six sets of digits, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Polish kreska, Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for Turkish/Azerbaijani i/ı. Some of the styles of Anglecia Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Well lookee here: an authentically distressed "rough" version of our best-selling Cornhusker font! Standing tall as an Illinois cornfield in September, Cornhusker Rough is a faux-printed, condensed sans designed by a champion cornhusker. Inspired by 1940s Midwestern signage, it's warm & inky characters are perfectly at home in logos, beverage bottles and food packaging, restaurant menus, travel advertisements, websites, stationery, handmade product packaging and so much more. If you're looking for a hand-crafted typeface with punch (who can fit into tight spaces!) then Cornhusker Rough is the font for you. This inspired revival excels in both retro & modern designs. Cornhusker Rough includes capital letters, small caps, and alternate cuts (with diacritics) of A, E, F, J, X, Y, ᴀ, ᴇ, ғ, ᴊ, x, ʏ, 0, 1, 2, 3, 4, 5, 7 and a sharp German double s in both cap and smallcap. Please note: Cornhusker Rough features a highly detailed, realistic inkplate texture. This font may render slowly in some applications. This font is not affiliated with or endorsed by the University of Nebraska. WHAT'S INCLUDED Cornhusker Regular includes an installable digital Opentype Font file in a single weight. This file contains a basic Latin character set with a full set of uppercase and small caps, multilingual diacritics, numbers, international currency figures, punctuation and pagination symbols. The font also includes alternate cuts for select uppercase and smallcap letters (located in stylistic sets). It is compatible with Adobe CS and CC, Microsoft Word and other type editing apps. SUPPORTED LANGUAGES Afrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, Manx Gaelic, Northern Sotho, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami (Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Spanish, Swahili, Swedish, Tagalog, Walloon and Welsh.

In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase 'g' with its two semi-open counters and the 'k' and 'x' with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the 'v' and 'w' and the uppercase 'M' and 'N'. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome's elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.