SlabFace 2010 is a font that elegantly bridges the gap between the traditional and the contemporary, making it a versatile choice for various design projects. As its name suggests, SlabFace is a slab...
Ah, Louvaine by Paul Lloyd Fonts – the typographic equivalent of that one friend who insists on wearing a monocle and top hat to every casual brunch. In the grand garden party of fonts, where Helveti...
The Brandywine™ font by The Scriptorium is a distinctive and artistic typeface that exudes a unique blend of historical charm and creative flair. Named after the Brandywine River in the United States...
The font “FD Messed Up” by Font Duster encapsulates a unique blend of chaos and creativity, an artistic paradox that draws in enthusiasts of unconventional design. Imagine letters that seem to have b...
Oh, nekoFont! Picture this: if fonts were a grand, elegant ball, nekoFont would be the spirited cat that sneaks in, knocks over the vases, plays with the grand chandelier, and yet, somehow, ends up b...
Welcome, typographic enthusiast! Bask in the boldness of Prescript Bold, the font that decided "subtle" was a word best left in the dictionary, untouched. Picture the confident brushstrokes of an elo...
"Lady Ice - Extra Light" by Apostrophic Labs is a font that effortlessly captures a blend of sophistication and minimalism. This typeface, with its extra light weight, exudes elegance and delicacy, m...
RaveParty Offset by the creative foundry Three Mile Island is a font that captures the electric energy and dynamic spirit of the rave culture and underground parties that have captivated the hearts o...
"Lucy Said Ok Personal Use" by Billy Argel is a captivatingly unique and expressive font that encapsulates a wonderful blend of whimsicality and artistic flair. This font stands out due to its hand-d...
Briaroak Shire by Unauthorized Type is a distinctive font that captures the essence of enchantment and whimsy often found in the pages of fairy tales and fantasy novels. Its design evokes the feeling...
The Lobster font, created by Pablo Impallari, stands as a notable achievement in the realm of typeface design, particularly known for its unique and engaging personality. Introduced as a high-quality...
DejaVu Sans Condensed is a versatile and modern sans-serif typeface, part of the DejaVu fonts family. It stands out for its clear and efficient design, making it suitable for a wide range of applicat...
The Underwood1913 font by Gilles Le Corre is a striking typeface that vividly captures the essence and nostalgic charm of early 20th-century typewriting. Inspired by the Underwood No. 5 typewriter, w...
Oh, the enigma that is Rusted Plastic, a font straight out of the dystopian DIY workshop of Last Soundtrack, a name that hints at its creator's possible final act in the font-making saga—an exclamati...
Quad Ultra, crafted by the innovative minds at Font Fabric, stands out as a distinct and powerful typeface designed to capture attention and make a bold statement. This typeface is characterized by i...
The font named "Jean-Claude's Hand" by Philippe Blondel is a handwriting style font that captures the essence of personal, hand-crafted correspondence. This particular font is characterized by its or...
Imagine a font that struts in with a leather jacket flung over its shoulder, slides a comb through its slick-back hair, and orders a milkshake with an extra cherry on top. That's the 50's Headline DS...
The Asrafel font, crafted by the talented David F. Nalle in the late 20th century, is a remarkable creation that beautifully bridges the gap between history and modernity. This font takes its name fr...

With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still as desirable for all areas of graphic design as it has ever been. Its usage spans the design of headlines to exterior design. Game manufacturers adopt this spry typeface, so reminiscent of the Bauhaus and its geometric forms, as often as do architects and web designers. The creative path of the Bank Gothic from hot metal type via phototypesetting to digital variations created by desktop designers has by now taken on great breadth. The number of cuts has increased. The original Roman weight has been augmented by Oblique and Italic variants. The original versions came with just a complement of Small Caps. Now, they are, however, enlarged by often quite individualized lower case letters. In order to do justice to the form changes and in order to differentiate between the various versions, the Bank Gothic, since 2007 a US trademark of the Grosse Pointe Group (Trademark FontHaus, USA), is nowadays available under a variety of different names. Some of these variations remain close to the original concept, others strive for greater individualism in their designs. The typeface family which was cut by the American typefoundry ATF (American Type Founders) in the early 1930’s consisted of a normal and a narrow type family, each one in the weights Light, Medium and Bold. In addition to its basic ornamental structure which has its origin in square or rectangular geometric forms, there is another unique feature of the Bank Gothic: the normally round upper case letters such as B, C, G, O, P, Q, R and U are also rectangular. The one exception is the upper case letter D, which remains round, most likely for legibility reasons (there is the danger of mistaking it for the letter O.) Because of the huge success of this type design, which follows the design principles of the more square and the more contemporary adaption of the already existing Copperplate, it was soon adopted by all of the major type and typesetting manufacturers. Thus, the Bank Gothic appeared at Linotype; as Commerce Gothic it was brought out by Ludlow; and as Deluxe Gothic on Intertype typesetters. Among others, it was also available from Monotype and sold under the name Stationer’s Gothic. In 1936, Linotype introduced 6pt and 12pt weights of the condensed version as Card Gothic. Lateron, Linotype came out with Bank Gothic Medium Condensed in larger sizes and a more narrow set width and named it Poster Gothic. With the advent of photoypesetters and CRT technologies, the Bank Gothic experienced an even wider acceptance. The first digital versions, designed according to present computing technologies, was created by Bitstream whose PostScript fonts in Regular and Medium weights have been available through FontShop since 1991. These were followed by digital redesigns by FontHaus, USA, and, in 1996, by Elsner+Flake who were also the first company to add cursive cuts. In 2009, they extended the family to 16 weights in both Roman and Oblique designs. In addition, they created the long-awaited Cyrillic complement. In 2010, Elsner+Flake completed the set with lowercase letters and small caps. Since its redesign the type family has been available from Elsner+Flake under the name Bank Sans®. The character set of the Bank Sans® Caps and the Bank Sans® covers almost all latin-based languages (Europe Plus) as well as the Cyrillic character set MAC OS Cyrillic and MS Windows 1251. Both families are available in Normal, Condensed and Compressed weights in 4 stroke widths each (Light, Regular, Medium and Bold). The basic stroke widths of the different weights have been kept even which allows the mixing of, for instance, normal upper case letters and the more narrow small caps. This gives the family an even wider and more interactive range of use. There are, furthermore, extensive sets of numerals which can be accessed via OpenType-Features. The Bank Sans® type family, as opposed to the Bank Sans® Caps family, contains, instead of the optically reduced upper case letters, newly designed lower case letters and the matching small caps. Bank Sans® fonts are available in the formats OpenType and TrueType.

The Crafty ! a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 242 of glyphs Multilingual Language PUA Encode 25 Ligatures Alternate The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). To Access Alternate Characters Click The Link Below: Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q Check my other Font here : https://gilarstudio.com/

Say hello to Golden Clouds :) A charming and cute font duo with handwritten letters and doodles!! Bring some irresistible fun to your design with Golden Clouds Font Duo! This playful font duo consists of a fast-flowing signature font and a charming font with small capital letters as the perfect companion. But that's not all - the set also includes a bonus Doodle font containing hand-drawn drawings designed to give your "Golden Clouds" fonts the appeal of handmade. Golden Clouds Script • A clean, smooth handwritten signature font containing uppercase and lowercase characters, numbers and a wide range of punctuation marks. Golden Clouds SmallCaps • Clean, charming handwritten font with capital letters. Golden Clouds Doodles • A set of hand-drawn drawings designed in combination with Script and Small Caps fonts. Just set it as your own font and enter any character to create each drawing. "Golden Clouds" is ideal for everyday use in greeting cards, illustrations, quotes, original branding, book covers, children's books, packaging and much more :) Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Ikan Salmon Ikan Salmon a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 254 of glyphs Multilingual Language PUA Encode 27 Ligatures Alternate The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). To Access Alternate Characters Click The Link Below: Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q Check my other Font here : https://gilarstudio.com/

Yafferbuddle comes in the category of 'a funky fun font' with a pleasing rounded shape, but it still has the extensive range of features you'd expect in a modern OpenType font. It's especially useful for posters, headlines and comics. There's 5 weights and a Shadow version in Regular and Italic, making 12 fonts in all. To let you know what's in the font that you might otherwise not suspect . . . With Discretionary Ligatures on, you get special characters if you type Mc St. Rd. Bd. Ave. c/o No. (p) (P) - include the full-stop/period where given. With Stylistic Alternates switched on, you get plenty of extra characters - including a WiFi symbol (type Wifi or WiFi) / bullet numbers instead of ordinary numbers / that different U-dieresis / special characters for c/o No. Mc / an upside down ~ / a huge bullet, and different forms for cent, dollar, percent, per-thousand. As you'd expect, there's all the accented characters for all Western European scripts using Latin letters, and standard ligatures, plus other Open Type features including Class Kerning, Slashed-Zero, Historical Forms, Sub- and Superscript numbers, fractions for halves, thirds and quarters, Ornamental forms giving bullet numbers, etc. There's even some of the more obscure stuff like the main mathematical operators, symbols like card-suits and male/female signs and so on, schwa, U-horn O-horn, and there's more if you can Access All Alternates. Much will depend on what features your software recognises.
The EmbossedGermanica font, designed by the creative talent at Paul Lloyd Fonts, is a font that truly stands out for its distinctive and evocative design. As inferred from its name, this typeface dra...
CoasterPoster by Nick Curtis stands as a tribute to the vibrant and boisterous spirit of vintage amusement parks and circuses, encapsulating the essence of fun and excitement through its design. As y...
Opal, while not one of the most ubiquitous names in graphic design or typography, carries with it an air of elegance, versatility, and clarity. It's a typeface that seems to bridge the gap between th...
Kornucopia, a delightful font crafted by Astigmatic One Eye Typographic Institute, stands out as more than just a collection of characters. It transcends the ordinary, infusing creativity and imagina...
Brassiere Line by Apostrophic Labs is a distinctive and engaging font that captures the eye with its unique blend of elegance and modern flair. From the moment you first encounter Brassiere Line, it'...
The Emoticons font, crafted by the talented George Edward Purdy, is a unique and playful typographic offering that takes the concept of communication through text to a fascinating new level. Divergin...
Alright, picture this: Smiley Font isn't just a font; it's like a burst of happiness captured in typographic form. Imagine every letter you type infusing a little sprinkle of joy into your text, embo...
Alright, picture this: a font that decided it wanted to be the cool uncle of the comic book world, showing up at family gatherings with a leather jacket and a slight lean to one side. That, my friend...
Alright, let's dive into the font HoMicIDE EFfeCt. Just from the name, you can tell this isn't your average, everyday font. It suggests a vibe that's edgy, perhaps a bit dark, yet undeniably eye-catc...
Whirl Cyrillic is a captivating font that stands out for its unique blend of elegance and dynamism. Designed to cater to both the Latin and Cyrillic scripts, it offers a versatility that makes it app...
El Pececito is a refreshing and whimsical font that showcases the creativity and playful spirit of its designer, deFharo. This font stands out for its unique blend of simplicity and eccentricity, mak...
Picture this: you've just stumbled upon a treasure trove of fonts, and there, gleaming in the midst of them all, is "More than Enough" by Kimberly Geswein. This font is like the cool breeze on a swel...
The "DMF Studio D Clear2" font embodies a fresh, modern approach to type design, tailored to meet the needs of a wide range of creative projects. This typeface stands out due to its clean lines, uncl...
The Janda Snickerdoodle Serif, designed by Kimberly Geswein, is a font that captures the whimsy and fun of hand-drawn letterforms while maintaining a serenity that comes from its serif elements. This...
As of my last update in early 2023, the font named "Godzilla" draws inspiration from one of cinema's most iconic creatures, a symbol of immense power and relentless destruction. This typeface embodie...
The Oaxaqueña Tall font, designed by Spanish typeface designer Fernando Haro (deFharo), is a captivating and elegantly structured font that radiates a unique charm and sophistication. Inspired by the...
Sure! The Caliph font is a unique and visually compelling typeface that hails from the calligraphic and decorative script family, bringing with it a strong artistic flair that sets it apart from more...