OBO is a modern interpretation of the classical Italian letterforms with the readability of contemporary sans typefaces. OBO is ideally suited for creating identities for branding, posters, book covers, headlines, logotypes, restaurant menus, beer labels.

Candy Lovely - Cute Handwritten Font make from handlettering ideas in typeface. This font includes full of Alphabetical glyphs, Numerals, and punctuation. This is so perfect for invitations, monograms, wedding, fashion, branding, label, handlettering or logotype.

Display Dots Seven is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Seven has upper and lowercase alphabets, numbers, and punctuation.

October Quirky - Cute Quirky font make from handlettering ideas in typeface. This font includes full of Alphabetical glyphs, Numerals, and punctuation. This is so perfect for invitations, monograms, wedding, fashion, branding, label, handlettering or logotype.

He is round. He is funny. He is Mooncake font. It is perfect for eye-catching signs, posters, headers, product packaging, book cover, logotype, apparel design and etc. Display font Extended latin & cyrillic 600 glifs

Edith is the new elegant sans serif font that will bring in your projects a touch of luxury and style. It's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines and much more.

Display Squares One is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Squares One has upper and lowercase alphabets, numbers, and punctuation.

He is round. He is funny. He is Bagel font. It is perfect for eye-catching signs, posters, headers, product packaging, book cover, logotype, apparel design and etc. Display font Extended latin & Cyrillic 605 glifs

Redmirable is a new, fresh, and modern font with a calligraphy style. It can used for anything from promotional material, logotype, branding, handwritten quotes, to product packaging, signage, labels, newsletters, posters, merchandise and branding projects.

Tasci Kufi is the today’s commentary of the minimalist comprehension of the geometric balance in the epigraphs of the Seljuk period. The typeface offers innumerable alternatives for the balance component needed for headlines and logotypes.

*Mont Specimen: http://bit.ly/montsp *Scroll down for the FREE DEMO fonts Features: • 744 glyphs in 20 styles; • Extended Latin, Cyrillic and Greek; • Perfect for headlines and logos; • Prominent x-height; • Distinctive pointed triangular bracketed “t”; • Coverage of multiple OpenType features; • Suitable for web, print, motion graphics etc. Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together. The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. The typefaceʼs versatility and merits make it easy to confront any graphic design challenge — web, print, motion graphics etc. Up with Mont to the top and beyond!Mont™ Font Field Guide including best practices, font pairings and alternatives.

Brawnie is a very bold, contemporary, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

Modsten-Bold is a modernistic stencil design with two sets of capital letters. Modsten-plain was added to complete the family.

A display style, with protuding bulb round ends at the serifs and mid-points, very bold, lower case originally not designed.

Chendolle is a bold display font, it has a fun and cute style and is perfect for creating playful kids designs.

A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.

A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .

Knoo is a bold typeface with some pretty futuristic characters. This version has new additional characters compared to the previous version.

A quirky handwritten headline font with doodley artwork by Cultivated Mind. This font collection includes three weights (Regular, SemiBold, and Bold).

Queen Bella is a bold and bouncy handwritten script font. Use it for any design project that requires a personalized appearance!

Illustrious is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

Ruthless Bold handmade Rough Brush Font with ligature and Multilanguage support. Best for halloween poster, horror poster, childrenbook, cartoon, comic etc.

Raphtalia is a fun and bold font with a unique vintage appeal! Designed with a distinct retro feel and lovely elements,

Nighthawk JNL is a clean, bold headline sans serif with a slight touch of Art Deco added for a nostalgic look.

BooRush is a display font with a childish touch. The bold shape makes this font very suitable for any playful heading!

Easy Living JNL is a bold Art Deco type face modeled from the name of a 1930s magazine entitled "Country Living".

Based on a revival of one of the popular type fonts of the 19th century, suitable for display, or text, bold.

Pudgie is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

Fragua Pro is a family of 14 fonts (Latin Extended-A and the Cyrillic alphabet) Condensed Sans Serif of geometric construction inspired by the Russian constructivism of the mid-20th century; the typography has a rounded finish in all corners to avoid the coldness of the rectilinear fonts and providing warmth and docility, the ascending and descending short and a high height of the x make it very compact, all this results in a unique typeface with maximum readability due to the careful configuration of metrics and Kerning. The cursive styles have an inclination of 8 degrees and a narrower proportion than the regular ones, they also have their own letters and meticulous optical corrections to compensate for the deformations produced by the inclination. Fragua Sans has Advanced Open Type functions, several alternative letters, full support for numbers, monetary symbols and crypto currencies and more. 681 glyphs. This typography is specially designed for advertising and editorial composition, behaving correctly in both short and medium texts and headlines where horizontal space saving is needed, being an ideal typographic system for signage, editorial or corporate design. This typography is dedicated to the memory of my grandfather C·ndido (Pa), the blacksmith of my town. THE COMPLETE 14 FONTS PACKAGE INCLUDES THE REGULAR VERSION IN "VARIABLE FONT" FORMAT, compatible with Adobe CC 2018.

New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares, and some of the round characters possess an interesting and distinctive asymmetry. The character set supports Central Europe, and there are three figure sets, extended fractions, superior and inferior numbers, and a few alternates, all accessible via OpenType features. Back in 1965, Thomas Lincoln had an idea for a new sanserif typeface, a homage of sorts, to ancient Roman artisans. The Trajan Column in Rome, erected in 113 AD, has an inscription that is considered to be the basis for western European lettering. Lincoln admired these beautiful letterforms and so, being inspired, he set out to design a new sanserif typeface based on the proportions and subtleties of the letters found in the Trajan Inscription. Lincoln accomplished what he set out to do by creating Lincoln Gothic. The typeface consisted only of capital letters. Lincoln intentionally omitted a lowercase to keep true his reference to the Trajan Inscription, which contains only magiscule specimens. The design won him the first Visual Graphics Corporation (VGC) National Typeface Competition in 1965. The legendary Herb Lubalin even used it to design a promotional poster! All this was back in the day when typositor film strips and photo type were all the rage in setting headlines. Fast forward now to the next millennium. Thomas Lincoln has had a long, illustrious career as a graphic designer. Still, he has one project that feels incomplete; Lincoln Gothic does not have a lowercase. It is the need to finish the design that drives Lincoln to resurrect his prize winning design and create its digital incarnation. Thus, New Lincoln Gothic was born. Lacking the original drawings, Lincoln had to locate some old typositor strips in order to get started. He had them scanned and imported the data into Freehand where he refined the shapes and sketched out a lowercase. He then imported that data into Fontographer, where he worked the glyphs again and refined the spacing, and started generating additional weights and italics. His enthusiasm went unchecked and he created 14 weights! It was about that time that Lincoln contacted Bitstream about publishing the family. Lincoln worked with Bitstream to narrow down the family (only to twelve weights), interpolate the various weights using three masters, and extend the character set to support CE and some alternate figure sets. Bitstream handled the hinting and all production details and built the final CFF OpenType fonts using FontLab Studio 5.