Lenolove is a cool and classy display font. Add this minimalistic and techno-style font to any web design, logo, Title, or anything else that needs a smart, cool touch. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Regular & Italic PUA Encoded

Scratchedman Font is a natural handwritten font. This All Caps typeface is strong to stand out in your design projects. Scratchedman Font has two font styles Regular and Italic so you can customize it in your design project, as well as multilingual support.

Lamberet is a geometric sans-serif typeface, all caps display font. Has a clean, sharp and emphatic form especially suitable for headlines, headings, branding, posters, packaging, titles, logos or whatever. It comes in its italics forms for regular sharp and soft versions. - Uppercase

Gyahegi is modern serif font that look elegant and aesthetic with beautiful ligatures. It is good for Logo brand, advertisement, product packaging, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

The Flowrite typeface combines timeless elegance with modern flair. It offers six weights in both regular and italic, alongside a stylish script in modern calligraphy. Designed for broad appeal, Flowrite supports 87 languages, perfect for global communication in branding, editorial, and design.

Grandi is a sans-serif in ten different styles. Carefully designed by Måns Grebäck, this typeface's great variation makes it adaptable to any size and context. It is confident and catchy, and comes in five weights, each one as upright and italic.

These Oksana Text Swash Cyrillic fonts have swashed initials and ampersand for Oksana Text italics in six weights from Thin to Black. They support basic Latin and European Cyrillic. For all-in-one fonts please look at that OpenType version of Oksana Text.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

Mile High is an airy and elegant font featuring exceptionally thin and tall characters suitable for text as well as display. Featuring 4 weights and italics, Mile High offers versatility for cohesive graphics applications. Especially lovely is text set in all caps.

Gingar – a headline face, playful and classic – a proper font. Gingar includes swash-characters and ligatures in a wide range of weights from UltraLight to ExtraBlack, plus Italics. Typeface for life, fashion, food, wellness, magazines, corporate design projects and more. Rock with Gingar!

Sahur Bosku is a beautiful handwritten font. This family consists of a script and comic style with matching italics. This font is suitable for branding, quotes, logos, magazines, posters, promotional advertisements, films, and more. The fonts have multilingual support and are PUA Unicoded.

This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the characters are slightly more narrow (weight) and the proportions are less open (width).

Bramble is a lively organic font that draws reference from Roman characters rather than Italic forms. Use Regular for small point-size setting to retain legibility. For invigorating display settings try combining Regular and Wild. Warning: you may become attached to Bramble!

Konega is a handmade typeface with a unique and modern style, comes in two versions, namely regular and italic, and is available in uppercase, lowercase, ligature and alternate. Konega is suitable for business brands, magazines, comics, t-shirts, banners and many others.

Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting Celtic and Eastern European languages. It has both regular and italic styles.

The name Vedo is derived from the Latin word for "I see". Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The Thin cuts are free of charge. Yours designing new fonts in the Bauhaus tradition - Gert Wiescher

This hand-lettered italic script is another versatile font produced by Jeff Marshall. Named after the late Ron Aplin, who mentored Jeff as an apprentice sign writer early in his career. This font includes 19 unique ligatures and 15 alternate special ending glyphs.

Willgets Calligraphy is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Roble is a Slab Serif Font, from a mix between Andes and Sanchez, following a harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble is a family of 16 display fonts 8 weights plus italics.

Carlgine is a unique and modern family of serif fonts. Carlgine has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Restrick is a strong display font. uses curved corners for flexible use on a variety of media displays. This font is very suitable for use as a headline in a newspaper, poster, or magazine. This font is available in regular and italic format.

Betm is a geometric sans-serif font family created by Chatnarong Jingsuphatada (a Thai type designer) and published by Typesketchbook. Inspired by clean modern and, somewhat, mild geometric lines, Betm comes in 10 very useful weights along with complementary italics. You’ll love Betm!

Esenka is a family sans that comes with 9 weights, 9 italics and 2 outlines. Esenka has an expanded uppercase alternate, with a choice of 2x and 3x width options. Esenka is PUA encoded which mean you can access alternate with ease.

Carltine is a unique and modern family of Sans serif fonts. Simply Conception has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

A further development of the Colosseum range but this with a slab serif. Visually monoline and modern in appearence it still retains its Trajan characteristics. The addition of Spartacus black with its unusual Italic gives a the face a strong original headline font.

Bommer Slab Rounded designed by Eduilson Coan is the softer sister of Bommer Slab released in April 2014. This family includes 14 weights: seven uprights and seven italics and opentype features such as: all caps, ligatures, ordinal, fractions, numerator, denominator, superscript and subscript.

Etrusco Now is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk, Etrusco was, like Cairoli, an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights. When designing the new incarnation of Nebiolo's Etrusco, the Italiantype team directed by Cosimo Lorenzo Pancini and Mario de Libero decided to extend the original weight and width range to keep this "superfamily" approach. Etrusco Now has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in the Etrusco Classic subfamily. Etrusco Now new widths allowed the team to include in the design many nods and homages to other vintage classics of Nebiolo. The lighter weights of the normal width have been heavily influenced by the modernist look of Recta, while the heavy condensed and compressed widths refer to the black vertical texture of Aldo Novarese's Metropol. This infuses the typeface with a slightly vintage mood, making Etrusco at the same time warmly familiar and unexpected to eyes accustomed to the formal and cold look of late modernist grotesques like Helvetica. Contemporary but rich in slight historical quirks, Etrusco Now is perfect for any editorial and branding project that aims to be different in a subtle way. Etrusco Now's deviations from the norm are small enough to give it personality without affecting readability, while its wide range of open type features (alternates, stylistic sets, positional numbers) and language coverage make it a problem solver for any situation. Like its cousin Cairoli, Etrusco is born out of love for lost letterforms and stands like its lead ancestor from a century ago, at the crossroads between artsy craftsmanship and industrial needs.

Lust Sans is the penultimate exploration of producing a high-contrast sans wholly influenced by its bracketed ancestor. The aspect of this endeavor I enjoyed the most was finding sneaky ways to infuse warmth and whimsy into the letterforms when you least expect it. The result, however, is subtle and uniquely balances against Lust and Lust Didone without becoming cold and overbearing. To accomplish this, Lust Sans has 6 weights. What I found during development was, based on any setting where Lust or Lust Didone were in the same layout, the amount of contrast shown with Lust Sans needed to be adjusted. Expanding the weight offering, produces opportunities for Lust Sans to modulate the rhythm of the layout comfortably while keeping contrast—this is even more obvious with the Italics. I love those. You will too. If you don’t, you do not have a soul. Not sorry. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Introducing Mottona Bold Script (OpenType Font) Mottona Bold Script is a modern script font, every single letters has been carefully crafted to make your text look beautiful. As a modern script style this font will be a perfect fit for a broad range of projects, like wedding invitations, greeting cards, posters, name cards, quotes, blog headers, branding, logo, fashion, apparel, stationery, etc. Mottona Bold Script allows you to customize your text by making use of the many character variations included: Stylistic Alternates in Stylistic Sets, Initial and Terminal Forms as well as ligatures can be activated in OpenType savvy applications like Adobe Photoshop, Adobe Illustrator or Adobe InDesign or accessed via glyphs panel. Just change the regular character variant to its design alternative to customize to the layout of your dreams! Files included: - Mottona Bold Features: - Basic Latin A-Z and a-z - Numbers & Symbols - Stylistic Set & Ligatures - PUA-encoded characters - Latin "Pro" characters Thanks for your visit :-)

Introducing our newest font called Milayu, a Groovy Display font that will turn your every project into a bold and vibrant masterpiece. If you are looking for a way to give a strong, bold, and classic touch to your designs, Milayu is the perfect choice. Milayu comes in three different variants: Regular, Outline, and Shadow. This means you have the flexibility to bring different styles to each of your projects. Whether you want a strong, bold message, or a lighter look with an outline effect, Milayu has everything you need. What makes Milayu truly special are its abundant character ligatures and alternatives. This gives you the freedom to be creative and create unique and stylish designs. With multilingual support, Milayu is also ready to bring your message to the world. Milayu is the perfect choice for projects that require a bold, vibrant look. Let Milayu inspire your creativity and deliver your message in an unforgettable style.

Introducing Drefar – Slab Serif Font The Masculine Casual Blend Drefar – Slab Serif Font is a striking fusion of masculinity and casualness, making it a perfect choice for displays. Bold and Rugged Drefar’s bold and rugged appearance conveys strength and resilience, making it ideal for projects that require a robust presence. Informal Versatility This font’s informal nature lends itself to versatile applications, from posters to headlines and more, without sacrificing its bold character. Confident Typography Drefar is a font that exudes confidence. Its slab serifs and well-defined lines provide a sense of clarity and determination. In Conclusion In summary, Drefar – Slab Serif Font is the font that marries masculine and casual elements, offering bold, confident typography for your display needs. Its versatile and rugged nature ensures that your content carries a commanding presence, engaging a wide range of readers and viewers. Whether it’s posters, headlines, or other design projects, Drefar ensures your message is delivered with strength and determination.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.

P22 Saarinen is a typeface based on the architectural lettering of Finnish American architect Eero Saarinen.The Saarinen fonts were created to help commemorate the 75th anniversary of Kleinhans Music Hall in Buffalo, NY, which was designed by Saarinen in collaboration with his father Eliel Saarinen and is recognized as one of the greatest concert halls ever built in the United States. Saarinen’s own lettering styles were combined with various lettering manual suggestion for proper lettering to create a flexible casual lettering style in regular and bold weights. The Pro fonts include multiple variations of each letter for a more natural lettering style as well as stylist in variants to achieve various highs for crossbars and other customizable variants. The Pro fonts also include Central European character set, fractions, small caps and an array of hand drawn directional arrows. Individual non-pro versions feature: Saarinen Regular - characters with low cross bars Saarinen Alt 1 - characters with high cross bars Saarinen Alt 2 - characters with mid cross bars and old style figures Saarinen Arrows - bold and regular arrows combined in one font

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

Scarious is perfectly made to be applied for logos, logotype, magazines, book, branding, packaging, fashion, stationary, novel, display use and more. if you have any other question feel free to hit us on rillatype@gmail.com

Give a simple rounded fun groovy, fancy, to any text project, also cool for a logotype. I created this font while listening to a lightning seed song, pure and simple, and having fun with it.

Introducing Daimaru Modern Signature font, hand made with brushing. Beautiful for wedding card design, logotype, website header, fashion design and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature

Display Squares Two is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Squares Two has upper and lowercase alphabets, numbers, and punctuation.

Display Dots One is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots One has upper and lowercase alphabets, numbers, and punctuation.