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  1. Oldbrothers - Personal Use - Personal use only
  2. Megalito Slab ExtCond - Personal use only
  3. LT Soul - 100% free
  4. Champagne & Limousines - Personal use only
  5. FellFel - Personal use only
  6. Calico Cyrillic - Unknown license
  7. La Babaca - Personal use only
  8. LT Afficher Neue - 100% free
  9. Babylon Font - Unknown license
  10. Droid Serif - 100% free
  11. H.H. Samuel - Personal use only
  12. AB Nirvana* - 100% free
  13. Yiggivoo Unicode - 100% free
  14. Obti Sans Neue - 100% free
  15. OldSansBlack - 100% free
  16. Gentium - 100% free
  17. Expressway Free - 100% free
  18. Drummon - Unknown license
  19. Steelfish - Unknown license
  20. Calan - Unknown license
  21. Midiet - 100% free
  22. Rounded, two. - Personal use only
  23. Nobile - 100% free
  24. HL2MP - Unknown license
  25. Trumania EEN - 100% free
  26. Earthbound - 100% free
  27. Voyager grotesque - Personal use only
  28. Kontor - Personal use only
  29. ArmWrestler - 100% free
  30. Legendum - 100% free
  31. MicroExtendFLF - Unknown license
  32. Pakenham - Unknown license
  33. Bitstream Vera Sans - Unknown license
  34. Tin Doghouse - Unknown license
  35. Alien League - Unknown license
  36. SnowDream - Unknown license
  37. A very legible Renaissance Antiqua This typeface is based on the desire to create an Antiqua like those which might have existed at the beginning of the »printing age« — the basic form oriented on the classical Roman and early Middle Ages models, the ductus defined completely by writing with a wide pen and much individual expression in detail. In the spring of 2005 I had the opportunity to closely examine a few pages in the famous book »Hypnerotomachia Poliphili« from 1499. The script used here from Aldus Manutius is exemplary. Most of the book, however, is not very carefully printed. The characters do not stay on the line; the print is at times too strong and at times much too weak. And on these imperfect pages the true character of the letters is recognizable; that is, that they are cut with lively detail which is a result of the patterns provided by full-time writers. After all, around 1499 script was written as a rule and the printed type was oriented on this pattern. I prefer the typeface on the lightly printed pages. The characters are not placed neatly on the line, but the distinct and emerging lively ductus of the individual characters automatically presents harmonious word formations in the eye of the beholder, with the non-perfect line stepping into the background. Also in Charpentier Renaissance, the strokes of the wide pen are still noticeable. The font has very defined softly bent serifs. The forms are powerful and stand solidly on the baseline. Charpentier Renaissance is very legible and yields a solid and yet still lively line formation. The accompanying italic, like its historical models, has almost no inclination. The lower case characters of Charpentier Renaissance Oblique have such idiosyncratic figures that they can also form a font of their own. Please visit www.ingofonts.com
  38. Cargo TRF by TipografiaRamis, $29.00
    Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.
  39. Doblo by JCFonts, $19.00
    Doblo is a colorful and slightly retro layered type family designed by Joël Carrouché. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.
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