Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular in the Middle East, but has a lower level of stroke contrast optimized for on-screen reading. The family is available in nine weights ranging from a light hairline to a very bold black. The middle weights are intended for setting text copy while the extreme hairline and black designs are best suited for headlines, sub heads and similar applications. The Amariya family can be used for numerous projects from branding to blogs, in a variety of interactive design environments on both large and small screens. The fonts include the ITC Charter design by Matthew Carter as a Latin companion.

Vesta™ was originally designed as an orientation and information system for the city of Rome, the birthplace of the roman alphabet. The forms are inspired by letterforms found on a frieze in the Vesta temple in Tivoli. Vesta has more contrast than the average sans serif but, like many of other designs of Gerard Unger, let in a lot of light - the letterforms are open, the counters generous. Relatively narrow and hence economical - without feeling too compressed - Vesta is an ideal solution for newspapers and magazines, and numerous other applications, including corporate identity and more. Big Vesta was intended as Vesta's display partner. However, it also performs very well at small sizes - its large x-height and short ascenders and descenders make it particularly economical, making it ideal when space is limited; for example on a mobile display. Vesta and Big Vesta are now available in seven weights - from Light to Black - and include everything necessary for setting extended texts well: italics, small caps, and a range of figures, including old style, lining, and tabular figures. All in addition, Vesta is available as a family of OpenType fonts with a very large Pro character set and supports most Central European and many Eastern European languages.

The 2nd installment of the Enchanted Land family takes us on another medieval adventure, opting to completely rebuild instead of refining the legacy script. More emphasis was put into the undulating nature of the Uppercase characters and how they keep your eyes flowing. For this reason, straight lines and right angles are rarely used in favor of flamboyant terminals and wispy swashes. Lowercase characters, by contrast, adhere to a consistent model defined by its straightened edges and sharp corners. This script flirts with several old world styles but seeks only to borrow elements rather than completely emulate them. German Blackletter, Old English, Uncial, Victorian, it’s in there! Enchanted Land DS would work well in a book, video game, or medieval signage. This family is equipped with Basic Latin, Extended Latin, ligatures, punctuation, a few alternates, and kerning.

While Adelle is a slab serif typeface conceived by Veronika Burian and José Scaglione specifically for intensive editorial use, mainly in newspapers, magazines, and online, its personality and flexibility make it a true multipurpose typeface. Adelle’s superior screen rendering and cross-platform consistency has also made it one of our most popular webfonts. The intermediate weights deliver a neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobtrusive appearance, excellent texture, and slightly dark colour allow it to behave flawlessly in continuous text, even in the most unforgiving editorial applications. As it becomes larger in print, Adelle shows its personality through a series of measured particularities which make it easy to remember and identify. Its energetic character, so inherent to slab serif fonts, becomes evident when used for subheadings and headlines. A condensed series of seven weights with matching italics expand Adelle’s possibilities. This extension provides flexible solutions in situations where saving space is vital but losing legibility is not an option. The new condensed series shares the same personality, proportions, and skeleton of the Adelle family, creating an harmonious texture when combined. Be sure to check out the companion to Adelle, Adelle Sans, to complete the look of your design with the intended personality and flexibility. Awards – Third prize for Latin text typeface in the 2009 Granshan Type Design Competition – Won Gold for Original Typeface in the 2010 European Design Awards – Selected in the first Ukrainian typeface competition in 2010 – Exhibited at the Rutenia Calligraphy & Typography Festival (http://rutenia.org.ua/en/index_u.html) in Kyiv, 2010 – Selected in the 2011 Type Directors Club Tokyo Exhibition – Selected in Communication Arts 2011 Typography Annual – Selected in Yearbook of Type I, 2013 – Part of the exhibition «Call for Type» and subsequent book Neue Schriften (New Typefaces)

Back to the future! NT Brick Sans is a pixelated sans serif. Inspired by the Pixel Art phenomenon and Lego bricks, bringing back the good old 16-bit era with open-type features. It's bold, soft rounded, supports multi-language, featuring low caps option. Brick Sans will make your project special. Grab it now.

Inspired by the beauty and elegance of Old Style typefaces, Regatto was created in high-contrast and bold style. It comes with a lot of alternates and ligatures with their own variants for any purposes from headline to poster. This font also has some letters with diacritics accent to support some other non-English languages.

Strongbox JNL is based in part on an incomplete sample of an old wood type alphabet seen on an image sharing site. Commonly known as a grotesk (or grotesque) face, this style of sans serif lettering is well-suited for headlines, display work, price cards or anything where a bold, condensed typeface is needed.

An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight rightward slant of the original typeface. Bold, unusual and distinctive. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Thinking Modern Bold Sans Font Typeface inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other What's Included : + Standard glyphs + International Accent + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Corel Draw. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Altair is a sans serif type family derived from Zetafonts's Digitalino typeface. The original bold design by Francesco Canovaro has been expanded in a seven weights family, suitable for a wide range of design uses, from body copy to display text and ranging from a thin weight to the ultra one. Altair's main originality lies in the calligraphic roots of its design, that gives it a friendly, confident look that is perfect for corporate voices, new technology startups, news blogs and any other case where a solid design must be given an emotional context.

I was listening to the radio and a song caught my attention. It was ‘Demagogue’ by a band called the Urban Dance Squad. That song brought back memories from when I was a student, so I decided to name this font after it. Demagogue was made using a Sharpie pen and a piece of expensive paper. The result is a very legible, very neat and very bold font. Demagogue is ideal for when you want to get your message across, but hopefully not in a demagogue-ish way! ;-)

Retrofunk was inspired by the retro typography design in 70's. Script and Serif form a great combination for creating a logos, signboards or a simple word mark. Hundreds of Alternates with PUA Unicode are packed inside Retrofunk Script. Those alternate characters will help you to create a bold, strong, artistic and variate graphic design for flyers, posters, banner Ads, T-Shirts, book covers, titles or any retro or vintage typography. Tutorial: Watch how to access the alternate characters and pairing the basic script font with the extrude style here.

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

VASARELY has famous roots, its name is related to optical arts own Victor Vasarely. Dropping the field of Op-Art, you already know where we have been aiming at. The REGULAR and LIGHT cuts of VASARELY are quite ordinary, rectangular, but legible typefaces, but with the BOLD and EXTRABOLD versions you will be able to build diverse illusive type illustrations and layouts. Being build on a strict grid with same dimensions, the eye-affecting black-and-white contrast should trigger different optical effects. As an extra we build an EXTRUDED version as well. Have fun!

The Bratsy Script is a layered bold script with the outline and extrude, inspired by a Retro aesthetic. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs a retro vibe or modern touch. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features: Basic Latin A-Z and a-z Numbers Symbols Stylistic Alternate Stylistic Set (ss01-ss08) Swash PUA Encode Multilanguage Support If you have any question, don't hesitate to contact me by email figuree.id@gmail.com :)

Egyptian ephemera is a typeface inspired from basic block lettering, widely used in art and craft of sign writing. 5 styles available from light to bold. and for the first time it is also available as variable fonts. One of the uniqueness of this font is the small spur on each stem, and the terminal, which intends to simulate an entry and end brush stroke. OpenType features support such as Smallcaps, Tabular Figure, Superscript, and 2 alternate of ampersands. This typeface was created for Display needs, such as headlines, signage, logotype, badges design, packaging, etc.

Trends Modern Bold Sans Font Typeface inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other What's Included : + Standard glyphs + International Accent + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Corel Draw. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Sandra Bold Sans Font Typeface inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other What's Included : + Standard glyphs + International Accent + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Corel Draw. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Are you looking for an eye-catching display font? This fonts will do it for you! Rise is a strong display font with reverse contrast so it grabs a lot of attention in the crowd. Rise will be very suitable for marketing design needs such as posters, flyers, advertisements, labels, book covers, film titles and various design needs with retro vintage style. Comes in Regular, hollow, shadow, extruded, and bold styles. Also come with several alternatives for lowercase characters that you can use to add aesthetics to your designs.

Gateway Heaven Modern Bold Sans serif Font inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other What's Included : Standard glyphs International Accent Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Corel Draw. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Sir Richard Henry Bonnycastle (1791–1847) was an English officer and military engineer who served in the War of 1812 and ultimately settled in Canada. I stumbled upon copies of some of his charts and maps, became infatuated with the hand-lettered titles—and the result is the eponymous Bonnycastle. The font has a bold weight and an italic style but is intended as an eye-catching standalone, evocative of its period in history. Use as a titling face on branding materials, event posters, book covers, presentation graphics, historical illustrations, and the like.

Skyline Bold Sans Font Typeface inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other What's Included : + Standard glyphs + International Accent + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Corel Draw. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Big Jim Roberts was my dad. A dedicated family man who taught us about faith, values and love is missed by our family. Jim just about did it all. He was a military man, a police officer, a power company engineer and a photographer. This typeface (which is comprised of a bold lower-case alphabet) has a 70s retro feel. Jim might have like it. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Crostini was designed as a fun-filled, vigorous brush script, originally intended for restaurant logos and menus. As it evolved, I realized that it was more versatile than I'd thought - great for feminine, girly media as well as for more “in your face” marketing. While the characters are bold and dramatic, they are also feminine and rounded. Crostini contains all the accented characters used in the major European languages. Use Crostini for invitations, scrap-booking, advertising media, fashion media, restaurant media, food media, greeting cards - it’s great fun!