House of Gold is a Handwritten Script font that will make your designs look classic, Farmhouse, Boho, and Feminine. It is a great font for events, Wedding Project, signature, album covers, logos, branding, magazines, social media posts, advertisements, but it also works great for other projects. Add it to your fonts’ library, and it will enhance your creativity!

Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly 'Out of Focus' look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may uses.

House of Cards is inspired by and based on retro Hamilton’s Teniers typeface which is popular wooden type fonts of the 19th century. To make natural and contemporary impressions, the original lowercase design was slightly changed from the original but all glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This modern wood type includes 2 weights and their matching italic style and all style have sprayed ends(beginning) alternates for F, H, P, U, f, h, m, n, t, u, and w which can be accessed by using OpenType Stylistic alternates or swash alts. House of Cards will be the best solution for posters, titles and anywhere you need vintage lettering.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Theater Tickets JNL was inspired by a photo of the marquee signage for Detroit’s Majestic Theater (built in1934), and is available in both regular and oblique versions. The theater was renovated and restored in 1987 and its marquee replicated the original one. What’s interesting is that the signage actually resembles squared pen lettering with rounded corners.

Conrad X. 'Cobb' Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname 'Uncle Cobb'] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of 'stock cuts' of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from 'journeyman' artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's 'CUTalogs' [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called 'little big head guys' by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Shinn Kickers JNL is a collection twenty-six of these illustrations, and just like a kick in the shin (as the pun in the name implies), these charming cartoons get your attention.

The opening title card for 1940's "Two Girls on Broadway" was the basis for Ticket Booth JNL. A typical Art Deco typeface, its features include a squared letter shape with rounded corners and a thin character weight.

A 1963 movie poster for an Italian documentary called “Sexy Nudo” had its title lettering in a free form spur serif design reminiscent of cut paper. This inspired Winkle Picker JNL, which is available in both regular and oblique versions. Despite the subject matter of the film documentary, the lettering on the poster is fun and playful, which meant the digital font deserved a fun name as well. It was named for a shoes and boots with sharp and long pointed toes which first gained popularity in the 1950s.

Here's a new take on an old favorite from Frederic Goudy, named Goudy Fancy. Taking its name from a British expression meaning "A-OK," this font is a perfect choice for engaging and enchanting headlines. The font also contains numerous alternate characters to spice up your layouts. Both versions of the font contain characters to support all major European languages.

Desk Jockey JNL features the same font found in Jeff's Levine's Mailbox Letters JNL (based on self-adhesive lettering), but without the rectangles.

No mystery here—it's a larrupin' good lighter version of the original Whiz-Bang Woodtype goody, Dime Box. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Horse Puckey JNL is a lighthearted and fun, Western-styled font based on Halavah Twist JNL by Jeff Levine. This font lends itself to the less-serious side of Cowboy life... rodeos, barbecue cookouts, barn dances, etc. Use it liberally wherever the Western look is needed for informal headlines.

Inspired by old Haggada manuscripts, the geometric forms with rounded edges stand out in signage or book jackets - you name it.

Meal Ticket JNL follows the same basic letter shapes as Jeff Levine's Flatbush Beanery JNL, but with a much lighter look and feel. This is another perfect typeface for recreating the sign lettering and menus of old-time diners, drive-ins and restaurants.

News Ticker JNL was inspired by some 1930s film footage of the famous electronic message sign that surrounded the New York Times building in Times Square. A blank panel is located on both the regular and broken vertical bars for use in spacing between words.

Cute and fun handwriting inspired by the playful antics of a child.

Mike Sans is a modern sans serif with a square style. It comes in 8 weights, clean and modern glyphs, thereby creating more variability. Designed with powerful opentype features in mind. Each weight includes extended language support, currency, and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Thanks for looking, and I hope you enjoy it.

Mick Wick is a casual handwritten font. It’s readable and it has a playful feel. Get inspired by its simplistic charm and use it to brighten up any creative project

Yes it's true, from time to time those awfully nice chaps at Comicraft have been known to create fonts for artists simply because We Love Their Work. Affable HEROBEAR AND THE KID kreator, Mike "He's just like your Favorite Uncle" Kunkel was lettering his beautiful children's comic strip with a font used by many, many other comic strip creators. John "JG" Roshell put a stop to all that and created a font based on Mike's own unique hand lettering style and now we make it available to you so that you can bring a little bit of Mike's Magick to your own warm and fuzzy work... because the Mike Kunkel font will help you remember your childhood... pass it on.

SPIDER-MAN! THE HULK! THE FANTASTIC FOUR! BATMAN! SUPERMAN! Superstar artist Mike Wieringo has worked with the most well-known characters in comic books, and just a few short years ago Comicraft teamed up with Mike and writer Todd DeZago in the pages of their creator-owned comic book fantasy adventure series, TELLOS! At Mike's request, we created a special Wieringo font which incorporated Mike's distinctive, slick-and-easy, backward-sloping letters, as well as a slightly heavier font -- carrying just a little more ink -- for the Shadow Jumper characters featured in the first TELLOS story arc. Now the Mike Wieringo font can be yours as it joins our ever growing library of Masters of Comic Book Art fonts.

Mike Samiya is a playful and unique font crafted very carefully. Mike Samiya is perfect use for a logo for branding, typography design, christmas card, product packaging, invitation, quotes, t-shirt design, label poster, special events and anything that need handwriting taste.

Hello Aluyeaholics! Introducing Milky Sundae; the sweet and chic display font. Make your designs look absolutely delicious with Milky Sundae! With more than 370+ quick access alternates and ligatures at your fingertips, you'll have endless decorative possibilities to explore. Milky Sundae is your secret ingredient for adding a touch of sweetness and uniqueness. Spice up your projects with stunning alternates and ligatures that will have everyone craving for more!

Fat and sassy, this ultrabold brush font is based on the works of lettering legend Mike Stevens as seen in his book, Mastering Layout. A natural choice for can't-miss headlines, this typeface also works surprising well for short blocks of body copy. Both the OpenType and Truetype versions of this font contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Morse Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector.

House of the Dragon is a gothic blackletter typeface, drawn and created by Mans Greback. Its large, decorative fraktur initials contrasts against the clear, minimalist medieval lowercase, as thrones amongst chairs. With more than one thousand high-quality glyphs, House of the Dragon supports all languages. It is provided in four beautiful styles: Regular, Bold, Outlined and Deco. In addition, the complementary House of the Dragon Color font, with an amazing, classical gold/red effect. This Middle Age typeface is perfect for an Olde English/German logotype, a fantasy game or a poster for a historic battle. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

73 icons on the topic »coffee house.« The extensive kit includes the category’s coffee, drinks, food, coffee makers, roasted coffee and tea. The clear design is adapted to mobile interfaces and suitable for print, as well.

The House Of Usher is a beautiful set of decorative initials, mixing Victorian style in the boxes with gothics capitals. Perfect for beginning of paragraphs in artistic publications, storybooks and several texts conveying the feel of the Art Nouveau period with the gothic writing.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

This is beautiful script font based in typeface of the Pirkei Avot book.

A nice, black display face - for a retro/western poster look. I have kept the quirky “t”, increased the dot above “i” and “j” slightly, improved the spacing/kerning and modified/added all the usual diacritics. A pretty easy reworking of a good quality font. Nick Curtis says: "An old favorite, Bernhard Antique Bold Condensed, cleaned up and fattened up. Warm, charming, personable … suitable for any occasion." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The Dickens's Fairytale – it's a new chapter of VVDS products - The collections of fancy display fonts which will include many typefaces that will be perfectly combined not only with each other, but also with other collections of this series. As a result, you will get a large collection of beautiful fonts and graphics that will help you create beautiful designs without having to look for anything else. All these collections are inspired by classic books design of XIX and XX centuries like Franklin's Library Classic Collection and modern publishing houses like Barnes & Nobel Collectible Editions. This collection is the first one and including 12 font files. The Serif presented in two styles - cutted and normal. The cutted style has two weights - Regular and Bold. Also, there are two types of shadows - block and offset. Plus decor for cutted serif. The cherry on top - curly calligraphic Script with Swirl calligraphy elements for decoration. The both of types has many Open Type Features as Oldstyle Figures, Fractions, Stylistic Alternates and ending lowercase letters for script. • OTF & WEB • Multilingual