Italian Futurism (1908-43) was one of the 20th century's first and most influential avant garde art movements. Futurist typography sought to disrupt traditional notions of harmony, space and composition on the printed page. The bold and jarring shapes of this set faithfully recall a tumultuous era in both Italian history and Italian graphic design.

Linotype Fluxus is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by German artist Andreas Karl. Its wavy contours give the font a restless, choppy feel. Its relatively strong strokes make Linotype Fluxus particularly good for headlines.

CompassOne was a design I began in 1990 or so, but did not bother to finish until five years later. Its name comes from the fact that all the letters could have been drawn with a compass (which draws circles) and a straight edge. The typeface Demotte was a further development of this design idea.

Linotype Colibri is a delightfully playful display face, from the award-winning German typeface designer Hans-Jürgen Ellenberger. Linotype Colibri's letters dance up and down across the baseline, and appear as if they had been drawn quickly and whimsically with a felt tip pen. The design is available in two weights: Light and Regular.

This is a blocky typeface with thick lines and no serifs. It's a modern design with a hint of vintage lettering with a thicker vertical line on one side of each letter. Most letters are square shaped. The two styles are regualar and hollow, with the hollow style having the thicker areas hollowed out.

Hyggebukser are very comfortable trousers in danish. Trousers you'd wear after a long days work, when you just need to relax. The same goes for this font - it has something very comfortable to it! Also, don't forget to enjoy the 5 (!) different versions of each letter, along with the drawings, swashes and small caps!

Sometimes you want to go unnoticed, sometimes you don't. This font is definitely for the second option. Pedrita is a generous type, a bit bold, somewhat showy, quite authentic. When you need that extra-something, go with caps and turn on the stylish interlocking pairs: added eye-catchingness guaranteed. And let the good times roll!

Vivian Script was designed from the study of typeface references like Doyald Young. It has optical adjustment in the details and funny contrasts to get an amazing result. It can used to be applied on different commercial topics like street wear, food and traveling for tourism. This is Vivian Script, the love of my life.

Introducing the new Handwritten Script Font by Aestherica Studio. Proudly Present, Vintage Painting Vintage Painting is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font includes multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions. A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.

'HU Thegame KR' was created with a game as a motif, and is a characteristic font with sharp and strong elements. The finishing of the same strokes gives the font a sense of unity and makes it look sharper and colder. This font is suitable for use as a headline. It contains Hangul, Korean.

Experience the joy of flowing, cool, and natural typography with Lemon Round Font. Let it become the voice of your brand, capturing attention, and leaving a lasting impression on your target audience. The versatility of this font is allowing you to evoke a range of emotions, from warmth and familiarity to excitement and curiosity.

Sheet music for a song featured in "East to West", a film starring Mexican bombshell Dolores Del Rio, had the movie's name lettered in a bold sans style with early Art Deco influences. East to West JNL preserves not only the name, but all of the characteristics of this wonderful bit of typographic nostalgia.

Karara Shadow, a complete font set and additional font style of Karara. The word Karara means patience & steady. The style is achieved by practicing and studying the modern techniques to deliver high-end professional font. This specific font had a tint of wall chalking & texture. Carefully engraved and stenciled to delivery clean cuts and design.

This font is inspired by aerospace. I use the negative spaces of each font to form planets or rockets. every glyph has its power. can be used as initials or as a word nicely. and also supports multilingual. the space design side is also found in punctuation to! thanks and enjoy the design! cherrs

Frankfurter font is the work of designer Alan Meeks. The most distinctive feature of this informal, sans serif typeface is its curved or rounded terminals. The letters look best when set closely together. Frankfurter Medium is well-suited to a variety of display applications and comes in four weights, regular, medium, highlight and inline.

This special Office version of Brandon Grotesque is especially for all Microsoft Office applications (Word, Excel, Powerpoint …). It contains just the 4 basic styles which are stlye-linked and can be easily accessed by the "I" or "B" button in Office. The fonts are manually hinted so their appearance is also optimized for these applications.

Bold and squared with rounded corners, the hand lettering found within the November, 1936 issue of Radio Mirror magazine really stands out. This stylized sans serif design, when used in poster displays or headline lettering, is attention-getting and drives the point home. Radio Actor JNL, is available in both regular and oblique versions.

Inbrush is a monospaced font whose letters and characters each occupy the same amount of horizontal and vertical space. All the characters, including diacritics, fits in the same space.This makes this font ideal for texts in both directions, horizontal and vertical. A fun and playful display font made by brush to make interesting compositions.

Grayphene is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! The font has a smooth texture, so it would be perfect for your design.

Trick or treat! The spookiest time of the year will be here soon! Spread the Halloween spirit with this chilling, creepy, and scary typeface, Freich Monsta! Freich Monsta is an evolution of my previous font - Freich. It's mutated from a clean, strong, and bold font to a spooky display font with a vintage horror twist.

Tiranti Solid is based on the original textured Tiranti created by English designer Tony Forster. This typeface lends itself more easily for use in digital formats while still maintaining the free-flowing calligraphy of the earlier design. Tiranti Solid consists of initial swash capitals complemented by a more reserved lowercase with many alternate letters.

Umbra was designed by R. Hunter Middleton for the Ludlow Corporation in 1935. This is a three-dimensional typeface, unique in that the main character shape is defined only by its shadow. It was originally designed to be a second-color drop-shadow for the typeface Tempo, but stands alone as an unusual display face.

In 1921 the Klingspor foundry released Walter Tiemann’s Narziss™. This beautiful and elegant font was completely redrawn and redesigned and extended to cover major European languages East and West. The font contains also a 'long s‘ and related useful ligatures which can be reached by using the OpenType features historical letters and historical ligatures.

OMG it's got a smiley face underscoring the exclamation point! What a sweet, charming handwriting font from the wrist of an 18-year-old Norwegian girl. A sassy skip and a flowery flair lift this particular marker font up a notch above the rest. Now available in OpenType format for your Personal or Commercial Use.

A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering. With the addition of angular spurs, some of the characters become semi-serif in nature. This type style is now available as Travel Plans JNL, in both regular and oblique versions.

The Bekuri font is the perfect visual harmony for music-style projects, festivals, and special events. With seductive and graceful characteristics, this font carries a special tone suitable for celebrating historical moments in your designs. With a family that includes regular, shadow, outline, and distort, Bekuri provides unlimited flexibility to depict your message with a powerful style. However, what makes this font stand out is the ligatures that add a unique and artistic feel to each character, giving you the freedom to explore your creativity in every project. Its ability to support multiple languages makes it an invaluable asset in reaching a global audience. Bringing visual beauty and musical charm to every touch, Bekuri is the key to bringing the feel of festivals and big events to every design. So, if you are looking for a font that celebrates the musical style in all its glory, Bekuri is an undeniable choice.

Prepare to be swept away by the mesmerizing allure of Oceania, the font that will transport your designs to a world of elegance and beauty. Say goodbye to dull and uninspiring typography because Oceania is here to revolutionize your creative endeavors. With its graceful curves and enchanting letterforms, this gorgeous curvy typeface exudes sophistication and charm. Each letter is meticulously crafted to perfection, forming a harmonious dance of curves that will captivate the eyes of your audience. Whether you're designing wedding invitations, crafting stunning logos, or adding a touch of class to your branding materials, Oceania is the secret weapon that will make your designs shine. Dive into the depths of this exquisite font and let its timeless elegance elevate your creations to a whole new level of visual splendor. Get ready to make waves in the design world with the irresistible allure of Oceania!

I set out to design a contemporary font that is condensed with thick and thin strokes. The highly structured forms of this condensed font was made more interesting and softer by giving it a slightly calligraphic tone and by adding round corners. Atto's express purpose is to be both utilitarian, compact and technical but with a friendly face. The name "atto" was adopted since it refers to the measurement of "smallness" or detail. You will no doubt discover all the many pleasant nuances within Atto. Adopted in 1964, "atto" comes from the Danish "atten", meaning eighteen. Atto - (symbol a) a SI prefix to an unit and means that it is 10 to the power- 18 times this unit. Examples are one attosecond or one attometer/attometre. Atto is available in for Mac and Windows in Postscript, Truetype and Opentype. See also the companion font Atto Sans.

With a stylish Dutch accent, this font draws inspiration from a 1935 brochure by the talented graphic designer and artist Dirk Hart. Carrying different hand-drawn lettershapes on upper and lower case slots despite being a unicase typeface, this font also brings a nice set of ornaments and complete sets of initial and terminal swash forms. When working with OpenType savvy applications these can conveniently be applied at the click of a button, thanks to the smart swashes programming, which will change the first and last letters in words with its corresponding initial or terminal forms. There are also some stylistic alternates for a (yet) more decorated look. The black version, with a somewhat art-deco feeling with added boldness, is also very decorative and contains the same features as the regular cut: smart swashes, different letterforms on upper and lowercase slots, ornaments and stylistic alternates.

What is the right font to beautify your designs? Brighter Sunday is the answer. Brighter Sunday is a duo font mixture of script and serif font from which you can either combine as a set of beauty or separate a part based on their own beautiful style. The curves and strokes resembling a handwriting style on the script expresses elegant, natural vibrations. In addition, the serif style weights will leave strong, modern impressions to all of your designs. Enjoy the interesting features available on this font. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Brighter Sunday fits for any design projects, such as posters, banners, logos, invitations, magazine covers, quotes, headings, printed products, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks a lot for purchasing our font. Happy Designing.

Lemonite (Regular and Expanded) is a self examination in whether, after five years without attempting to design any new fonts, I was still capable of creation. Lemonite is the result, and even though its plain, it showed me I could still work. I have made two of the face free to anyone who wishes to have a look, so please feel free, no obligations, to take them and use them if you have a use. Why so long ? Well, we do age, and with age comes the usual benefits, like Glaucoma and a touch of Arthritis in the old digits, and that's made computer work a little… interesting for me over the past couple of years. Anyway, if you don't find my humble offering of any use, please search the fontbase on Myfonts, and you will sure to find a suitable font from one of the fantastic designers there.

Structorator is a grid-based, experimental display font. This typeface emerged from experiments with generative type design. It evolved from a piece of code into a fully usable opentype font. The two main features are its rigid but playful design and a multitude of alternate glyphs. These features make it possible to create interesting lettering when using the default spacing. The glyphs are constructed from a limited set of patterns which are arranged within a predefined grid. The line thickness corresponds to the different cuts. Due to the rather complex shape this font will look best in larger sizes and resolutions. Its best suited for headline, display or illustrative work. - 3 weights: light, medium and heavy - 5 character sets - 3 number sets - Basic punctuation - Seperate diacrits - Ornamental glyphs - Access via stylistic sets *OT feature - Random access from the whole range of chars *OT feature - Total of 1062 Glyps

An unadorned Grotesque with a refreshingly personal touch. If “Grotesque” mainly means “industrial, mechanical, anonymous typeface” to you, Klainy might redefine your image of the genre. Yes, it’s a Grotesque—but with a contemporary look and a lot of personality. Klainy’s apertures are more closed at the top and more open at the bottom, creating an informal rhythm that sets Klainy apart: a confident, optimistic voice with a clean appearance. Terminals are subtly back-bent: these quaint “hooks” make Klainy a bit more personal, a bit friendlier. (You can find them in the a, c, f, and r.) Just like its old-style Grotesque ancestors, Klainy is optimized for display sizes and short texts. There, its unobtrusive quirks can be wholly appreciated. However, the familiar Grotesque appearance makes sure that the typeface is comfortable to read in smaller sizes, as well. Use Klainy whenever a basically classic sans-serif typeface with a modern and individual twist is called for. This font family comes in eight weights ranging from Thin to Black, each with a matching italic style. More than 500 glyphs and a bunch of Open Type Features make it a reliable companion for all of your projects. You can fine-tune the flavor of Klainy with Stylistic Alternates such as a one-story a and a two-story g. Their simple construction blends perfectly with the design concept of this typeface. Klainy is a seasoned blue-collar worker that surprises you with wit and team spirit. It’ll be a great addition to your font library.