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  1. As of my last update in April 2023, the specific font named 914-SOLID by E. V. Norat II doesn't have a widely recognized description or set of characteristics that are commonly known in the type desi...
  2. As of my last update, Futured doesn't appear to be a widely recognized or standardized font in the realms of typography or design that I can directly reference or describe. However, hypothesizing bas...
  3. The font titled "Chemical Reaction B BRK" created by AEnigma is a distinctive typeface that embodies a unique blend of creativity, precision, and playfulness. Designed to evoke the sense of a chemica...
  4. The GOLFABET font, designed by the font creator known as SpideRaY, is a unique and intriguing typographic creation that merges the timeless allure of the sport of golf with the expressive power of th...
  5. Disparador, a font designed by Tobias Sommer (who also goes by the nickname "shyfonts"), is a visually striking typeface that imbarks a unique blend of modernity and retro inspiration. Sommer, known ...
  6. PsyType is a font that captures the essence of creativity and fluidity, evoking a sense of freedom and expressiveness that resonates with artists, designers, and creatives alike. Its design intricate...
  7. As of my last update in April 2023, "Radion" is not a widely recognized font name within major typographic resources or font collections. However, based on the typical attributes of font naming and d...
  8. The Sabandija ffp font by deFharo is a typographic creature that seems to have scurried out of the imagination of a whimsical artist, finding its way onto the digital canvas. Picture this: if fonts w...
  9. Alright, diving into the world of typography, Phosphorus Selenide is one cool font that captures attention almost immediately. Crafted by the creative minds at Apostrophic Labs, this font isn’t your ...
  10. As of my last update, there hasn't been specific information available about a font named "Depth Charge" by 2 The Left Typefaces within widely recognized font libraries or font designers' portfolios....
  11. Rosango is a captivating font that emerges from the creative mind of Josep Patau Bellart, a name well recognized in the typography community for crafting fonts that blend artistic innovation with fun...
  12. Ladies and gentlemen, gather round, for I have the pleasure of introducing you to one of the most charmingly whimsical typefaces to ever grace the digital page: akaDora, crafted by the one and only J...
  13. "Linearmente," a font crafted by the creative minds at Jambo!, is a striking embodiment of modern design principles merged with minimalist aesthetics. At its core, Linearmente is built on the foundat...
  14. Drum Komputer by Channel Zero! is not just a font; it's an ode to the era of early digital experimentation and the pioneering days of electronic music and computer technology. This unique typeface em...
  15. As of my last update, Rammstein isn't widely recognized as a standard or commercially available typeface in the traditional sense, such as Helvetica or Times New Roman. Instead, Rammstein's associati...
  16. The Mephisto™ font by The Scriptorium is an evocative and stylistically unique typeface, designed to encapsulate a sense of historical depth and artistic flair. The name itself, Mephisto, is a nod to...
  17. As of my last update in April 2023, "Snag Mag" by The Logo Factory isn't a widely recognized or documented font in the most accessible font libraries or in the common resources graphic designers turn...
  18. As of my last update in early 2023, the "Bharatic-Font" does not reference a specific, widely recognized typographical design or font family within the extensive array of available fonts worldwide. H...
  19. As of my last update in early 2023, the font "Futureman" by TeA Calcium does not exist in prominent font libraries or design portfolios, and information on it is not widely available. However, let me...
  20. As of my last update in April 2023, I must note that specific details about a font named "Kero Font" could be subject to the context in which it is being referenced, including its designer's intent, ...
  21. As of my last update, there isn't a widely recognized or standard font named "Karyna Feet." However, the wonderful world of typography often embraces new creations and names, so let's explore the art...
  22. The Tektrron font, created by the designer known as onezero, is a striking and imaginative typeface that captures the essence of modernity and technological sophistication. Its design is a nod to the...
  23. Once upon a whimsical time in the bustling town of Typeface Village, there lived a jovial and somewhat rotund font named Balloon. Oh, Balloon! With curves as bouncy and spirit as buoyant as its names...
  24. As of my last update in April 2023, I must note that there might be limited direct information widely available about a specific font called "DENIAL" by Patrick Dehen, making a comprehensive descript...
  25. As of my last update in April 2023, PORT118 isn't a widely recognized or popular font within mainstream typography communities or databases. However, let's imagine and describe what PORT118 could be ...
  26. As of my last update in April 2023, "Shot" is a font created by The Type Fetish, a foundry known for its collection of unique and eclectic typefaces. The Type Fetish, founded by Michael Wallner, prid...
  27. As of my last update in April 2023, the font named "Gears" doesn't refer to a commonly recognized or widely used typography within the realms of graphic design or digital typography. However, let me ...
  28. Ah, the Fraktur-Schmuck by Dieter Steffmann! Imagine walking into a medieval-themed party, but instead of knights and damsels, the guests are all letters and glyphs, each one dressed to the nines in ...
  29. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  30. Waschkueche - 100% free
  31. Berlin Email - 100% free
  32. XAyax - 100% free
  33. cbe - 100% free
  34. Singothic is not a widely recognized or specific font you might find in common font collections or typography references as of my last update. However, based on its name, we can make some educated gu...
  35. As of my last update in April 2023, there isn't a specific font universally recognized as "China" within the major font libraries or collections. However, the concept of a font being described with t...
  36. As of my last update in April 2023, "T-Air" by Tom Tor represents a unique contribution to the world of typography, embodying an innovative and contemporary design ethos. This font, though not broadl...
  37. As of my last update in April 2023, the font named Riquoth by Statica Productions might not be widely recognized in mainstream font directories or collections. Therefore, I'll approach this descripti...
  38. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  39. As of my last update in April 2023, there's no specific, widely recognized font officially named "TR-909" that has gained mainstream acceptance or acknowledgment in the design community. However, the...
  40. As of my last knowledge update in April 2023, while specific details about a font named "Cherry Blue" by Zain Fahroni might not be extensively documented or widely known, I can still conceptualize an...
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