Imagine being printer in the early nineteenth century, your stock isn’t the finest, your lead characters are worn out: Voilá Kandidat Rough. But wait, Kandidat isn’t the usual scan-an-old-book,-put-the-glyphs-in-a-font-and-you’re-done-font. Kandidat Rough has a variety of whopping 14 alternates for most characters. Our algorithm changes the letters automatically. All you have to do is turn on Contextual Alternates in your layout app. The algorithm is the best we’ve seen so far, and it’s so good that even same words appear in different forms. And should by coincidence words have the same glyphs, just assign a different Style Set to the first letter, and all other letters in the word will change as well (well, it depends a bit on your software). The mechanism isn’t perfect and maybe we stretched OpenType capabilities a bit over the top, but we yet haven’t seen any better routine for switching letters on the fly. Is it worth to mention that Kandidat Rough not only speaks English, but also German, French, Spanish, Dutch, Danish, Norwegian, Swedish, Croatian, Turkish and most likely some other languages? Maybe. To be sure whether your language is supported, this is the typeset of all letters: ABCDEFGHIJKLMNOPQRSTUVWXYZÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝĆČĐĞ݌ފŸŽ abcdefghijklmnopqrstuvwxyzàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿćčđğıœşšž Apart from that we also included the following punctuation and currency symbols: !"#$%&'()*+,-./:;?@[\]_{|}¡©«®°±¶·»¿×–—‘’‚“”„†•…‹›⁄≠☞ €¢$£¥ This sums up to nearly 3000 glyphs per font, and we have three of them: Regular, Italic and Bold. All neatly kerned. All in all a great repertoire for even the most demanding book or advert jobs with a look of old times. And now imagine you are sick of the rugged print experience Kandidat Rough delivers: go for Kandidat. This is our Scotch-ish ancestor the Rough version was made from. A sturdy, friendly, round, warm friend from the beginning of the nineteenth century. A bit dark, maybe. You will like it. Kandidat has the aforementioned type set plus complete Baltics, Eastern Europe and Cyrillic. Plus a couple of gimmicks like fleurons, stars, circled numbers, arrows, and, and, and… Kandidat Regular additionally has small caps for Latin based scripts (not Cyrillic). The spick and span Kandidat font set also consists of Regular, Italic and Bold cuts. The bold cut is on the very bold side and can nicely be used for headings, whereas Italic is a great companion for Regular. It took us some time and trouble to finish this project, but after all we are very proud of our little feat and hope you will enjoy Kandidat as much as we do. Enjoy!

Norwich Aldine ML is a all-cap typeface with enlarged serifs, designed and produced in wood by William Hamilton Page of Norwich, Connecticut in 1872. Norwich Aldine ML is a fine example of the strength of decorative wood types: large, simple type forms that provide the visual boldness sought by advertisers of the Victorian period. While our marketing has gotten so very sophisticated, there is always a place for a simple, visually strong typeface. Although about 14 miles inland, Norwich, Connecticut lies at the head of the Thames River. The river is both wide and deep, and therefore was not bridged in the early 20th century. Until then, if you wanted to get from Groton on the west bank to the whaling port of New London on the east bank by land, you had to go by way of Norwich. Because of its size, the Thames is navigable all the way from Norwich to New London. Docks were built in Norwich around 1685 and the city became Connecticut’s 2nd largest port by 1800. With the construction of the Norwich & Worcester Railroad in 1835, Page could easily ship his wood type north by rail or south by coastal schooner. Included with our font, Norwich Aldine ML, are two 19th century printer’s ornaments of sailing ships similar to those that sailed up the Thames to Norwich. Reference: Moon’s Handbooks, Connecticut 2nd Edition (Emeryville CA 2004) The family has expanded from one to four fonts: 1. Norwich Aldine ML: the concept font, computer-sharp corners and smooth curves, as we imagine it was designed. 336 Glyphs including some reduced-width alternatives for better letter spacing. 2. Norwich Aldine Worn ML: the way actual wooden type would look after have been used for a while. 332 Glyphs 3. Norwich Aldine Distressed ML: the way the wooden type would look after it had really been used, perhaps abused. Alternatives to the more popular letters reflect the damage that typically occurs on a well-wormn font, with nicks, cuts and scratches and the overall wear that reduces the overall height and leads to uneven inking due to varying heights in the chase. A couple of bullets look like bullet holes. 345 glyphs. 4. Norwich Aldine Cyrillic: Cyrillic includes alll English and Cyrillic letters for MS Windows Code Page 1251, ISO 8859-5 and MacOS Cyrillic. 235 glyphs. We did Cyrillic because is was fun and we felt the basic design cried out for Cyrillic. While obviously subjective, we hope you will agree.

Martian Grotesk is a large typeface family originally designed for the screen which consists of a variable font with 2 axes of variation and 63 styles: Condensed to Ultra Wide, Thin to Ultra Black. Aesthetics The font style is characterized by some brutality and assertiveness. Overhanging terminals, a closed aperture, and an almost complete lack of contrast lead to this effect. Additionally, some elements of the letters are especially enlarged. This font gives any text the impression of being a “signature” style. Nevertheless, we still maintain the golden mean between its rebellious nature and readability. Perfect for web development We created Martian Grotesk for the web and digital project world. When laying out web pages, frontend developers are constantly faced with the fact that uneven metrics do not allow text to be evenly placed on some design element, for example, on a button. Instead, they have to compensate in some way, like making the top padding smaller and the bottom padding larger in CSS. This little deal really hurts. Also, if your project adheres to design system principles, you might be unable to stand a lack of systematic approach when working with fonts. We researched and calculated vertical metrics and set them up in a way that guarantees equal space above the cap height and under the baseline. This enables the text labels to be evenly placed on buttons, inputs, lists, and forms. In addition, we found a proper ratio of the letter heights, so, with commonly used font sizes—10, 15, and 20 pixels—the glyph heights stick to the pixel grid. As a result, the letter shapes become sharper, which reduces the load on the reader's eyes and simply looks much better. The typeface also comes equipped with OpenType and TrueType hinting, and Martian Grotesk appears legible on most platforms, even when being rendered in small sizes. When coupled together, all the above features make Martian Grotesk a reasonable choice for any user interface design. Roadmap Martian Grotesk right now is a work-in-progress product. The font is completely ready for professional use, however, many great features are still ahead! For example, support for Extended Cyrillic characters, and italics. Pricing Purchasing an early version of the font presents the opportunity to get it at a very attractive price! That’s because with every new version, costs will go up to reflect the additional value that comes with every release. But after purchasing Martian Grotesk, all its future updates are included for free!

Baby Megista is a calligraphic script font that comes with beautiful alternate characters. copper calligraphy mix in handlettering style. Designed to convey an elegant style. Baby Megista is attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is perfect to apply to all kinds of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Baby Megista has 304+ glyphs and 150 alternate characters. including multiple language support. It features OpenType with alternative styles, binders and character swashes, which allows you to mix and match letter pairs to suit your design, as well as a touch of ornamentation to make this font look elegant.

Gevher is a grotesque based font family that the product of a meticulous work that spread over 2 years. It differs from other grotesque fonts with its very soft angular turns to the rounded forms and its daring ink traps. The rigid and stable structure is balanced by deep ink traps and unusual opposite angle at the joints. Thus it has a more humanistic expression. It has 3 widths: Condensed, Narrow and Normal. It consists of 8 main weights and their compatible italics, totally has 48 styles. Therefore, it provides a wide range of usage practices. It offers creative "contextual alternates" for the best reading experience. Ideal for every editorial design, packaging, corporate identity, brand, application, web and desktop usages.

Small Heath - Slab Serif Font. Small Heath is a slab serif inspired by vintage american poster but made flexible enough for everyday use. Small Heath is unique font because the difference "slab" of each character. This serif is very beauty, so it makes Small Heath look amazing great. Small Heath best uses for title, invitation, heading, cover, poster, logos, quotes, product packaging, merchandise, social media & greeting cards and many more The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Remember those plastic Popsicle sticks that clicked together and you could make things from them with your sticky little fingers? Things like... camp crafts. Well, no� Of course you don't. You were too young. That�s why there is Campcraft. This is a fun loving dot-matrix font, or it would be a fun loving dot-matrix if the vertical and horizontal grid lines didn't pile up at the intersections. Then again, it wouldn't be any fun if they didn't pile up at the intersections, would it? Strictly a display type... Campcraft is excellent for what the name suggests. I goes well with Christmas sweaters, beaded jackets and purses and that time when we were all happy children with sticky little fingers.

UnioneGX by TOMO FONTS is the variable version of Unione. A clean and modern sans-serif type family with a geometric touch. It has a single axes (Weight / Wgth) that you can control with a slider on Desktop apps or you can use it for the web, dramatically reducing file size for your web project. It's like magic! but no. If you want to learn more about variable fonts, please click here or if your are interested in web context read here. Geometric and modern Sans-Serif VARIABLE FONT! This means, you control the weight! 1000+ glyphs per font. Latin Plus support, Extended Latin Cyrillic support, Basic & Extended Fractions Circled Numerals & Letters Lots of Stylistic Alternates Interested in Unione 'static' family? Check it here

In 2009, a book from 1897 in the library of the University of Wisconsin caught David Berlow’s attention. It was set in a clear text face—a predecessor of Bookman—cast by the Western Type Foundry who called it Custer. Upon noting how well the typeface worked in sizes of 6 and 7 points, Berlow developed it into a member of the Reading Edge series specifically designed for small text on screen. Custer RE was a broad and approachable typeface drawn large on the body with a tall x-height to maximize its apparent size when set very small. This was the beginning of the newly expanded series; in 2020, Berlow added new optical sizes and weights, growing the original design’s versatility up to headline sizes.

Introducing Telone font, is a san serif font that has a characteristic character that is relaxed, nice and comfortable to read, has a serious and relaxed background, making this font very flexible to answer your various needs in creative and other fields. This font brings out an exotic and fantastic impression in its application in various media designs for you. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Introducing a new retro font called “Billy Sham“. Inspired from retro typography and lettering in the 70’s and 80’s combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Billy Sham best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Judicious is perfect for making a bold statement and grabbing attention with its strong and commanding style. With its uppercase and lowercase letterforms, Judicious offers versatility and creativity for your design projects. Whether you're creating impactful headlines, striking logos, or eye-catching posters, this font will ensure your message is delivered with confidence. Featuring a comprehensive character set, Judicious includes numbers, punctuation marks, and supports multiple languages, making it suitable for various design applications. Additionally, the font is PUA encoded, allowing easy access to all glyphs and swashes, expanding your design possibilities. Let Judicious be the foundation of your next design project. Whether you're working on branding, advertising, packaging, or any other creative endeavor, this bold display font will command attention and leave a lasting impression.

The Malgena is a modern script font featuring a classic and elegant touch. Malgena is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many beautiful letter joints. I also offer a number of decent stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards / weddings, packaging, labels or all kinds of advertising needs. . . . . . Files included: -The Malgena Contains full set: -Uppercase -Lowercase -Alternative -Ligature -Punctuation -Number -Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design!

Septhia is an elegant calligraphy luxury font that comes with a very beautiful character change, a kind of classic decorative script with a modern touch, designed with high detail to present an elegant style, which has 6 types of fonts. Septhia is attractive because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many extravagant letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. and much more. .. Thanks & Happy Designing!

BoRock is a handcrafted font that comes in two pigheaded styles, inspired by the rock music scene. You can use BoRock instead of the usual neat serif fonts. BoRock Grunge is a rough crispy serif font, excellently suited for use in both display and body text. The BoRock Slick is what the name implies, a more smooth serif font, ideal for use in body text, but also suitable for titles and headings. You can use BoRock Grunge and BoRock Slick for magazines, advertising, T-shirts, posters and so on. By activating Discretionary Ligatures and typing _1 to _9 and *1 to *8 you can get your hands on some nifty bonus symbols. So get creative with BoRock and the stage is yours.

Looking for a font that’ll make your branding radiate elegance? Something that’s versatile, stylish, and eternal? Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Vintage Feeling-A Script Font A beautifully script font that’ll make your guests sing and elevate your projects! Every stroke, and curve was created to entice happiness and elegance. Use it to create standout headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Vintage Feeling includes Multilingual Options to make your branding globally acceptable. Features: Alternates Ligatures Stylistic Sets Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Please welcome Palomino Clean - a carefully digitized brother (or sister?) of Palomino calligraphy font family created using amazing Palomino Blackwing 602 pencils. Palomino clean can be safely used on the web - no need to worry about file size! - as well as in all desktop applications. All features are identical to Palomino Original - the script font is loaded with initial, medial and terminal alternates and swashes. Along with a help of three other fonts - condensed sans, simple sans and design elements font - you’ll be able to create stunning designs with a click of a mouse. This versatile font family will work perfectly for fashion, e-commerce brands, wedding boutiques, photography, quotes design and a lot more. It has extensive language support and fully unicode mapped.

This is Berka, a low contrast hybrid typeface which combine grotesque typeface traditions with geometry and a little touch of humanistic . This font family comes in 7 weights from Thin to Black with matching italics. Each family member of Berka also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Berka will be suitable for many creative projects. With its versatility, Berka typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!