Reyhan is a low contrast typeface that looks legible and clean in small sizes. On large sizes, it wraps the space around. Finely drawn negative spaces, neat and minimal shapes define Reyhan. Simple and clean lines give the typeface a solid and finished look. Reyhan is pure and powerful with well designed proportions. Different alternatives such as square dots, alternate /a /l /y /R /1 /6 /9, coverage of 94 Latin languages, various Opentype features, and 18 styles expand the usage area of ​​Reyhan, making it a versatile workhorse. With high-quality spacing, Reyhan looks good on all sizes, making it not only a valuable tool for graphic designers but also a total typeface solution for every person who communicates with type. Reyhan is a typeface designed to adapt requirements of modern and traditional communication. For more information please visit www.plantype.co

THE NORWEGIAN RUNES The oldest runes discovered in Norway date from 400 AD. They were based upon the 24 - rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. Then, about 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD.

In the late 60’s, one of the best art publications in the country was Motive magazine, published (amazingly) by the United Methodist Church. Filled to the brim with poetry, essays, line drawing and woodcuts, it also featured some cutting-edge typography. Boxy/Code is based upon my memories of woodcut typography from that great magazine. Since Boxy/Code ’s lowercase consists of the uppercase’s negative spaces, it’s easy to combine the two with Layer Styles in Photoshop in order to achieve the effect I used in one poster above. It also works great if you use a well-known text as a background. This new version is totally redrawn and features all the Latin-accented letters. Uppercase consists of black capitals in boxes; lowercase features the negative spaces of those boxed capitals. Uppercase and lowercase line up exactly for 2-color effects.

Aougtron is a modern font that combines a dynamic slope with sporting event-inspired lettering and cutouts. Designed to apply to all professional sporting events, it can also be used to create modern logos and screen prints in text fields. Aougtron’s bold and powerful appearance is created by the strong horizontal strokes on each letter which contrasts sharply with the elegant strokes on the corners of each letter. Combine these fonts to create a maximum display effect on each of your projects. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Mindline Script is a unique blend of classic modern calligraphy font with contemporary, sophisticated accents. It is perfect for wedding, event, invitation, escort card, table number, header menus, display, logos, slider blog, custom address, stamps, packaging, greeting card, etc. Mindline Script comes with a complete set of standard characters, eastern diacritic symbols, consist 505 glyphs in total. The alternative characters were divided into several OpenType features such as Ligature and Stylistic Sets. You can create an attractive message by using the alternate characters in your design. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. This font support Latin Pro accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...) Thanks and have a wonderful day!

Here is another classic design by Robert Hunter Middleton for the Ludow Foundry in 1940. Samson Classic is a very heavy display face with a wonderful medley of thick-and-thins. Developed just before World War II, this sturdy, chunky style gained popularity in newspaper advertising work. It appears as though it was created using a broad pen and retains the angled stroke endings. Goes great on certificates and diplomas where just a hint of calligraphy is appropriate. Samson Classic is also available in the OpenType Std format. Some new characters including decorative ornaments for creating certificates have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The typeface Drunken Pixel is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 20 font-styles (Bottle, BottleCorkBottle, BottleCork, Crown Cork × Sans Serif, Small Caps, Slab Serif, Unicase) + 4 icon-styles with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). PROST! For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

The legendary retro-futuristic typeface returns, now in digital format! While there may be copycats of varying quality, none of them have taken the time and care to revive, reproduce, and expand the original Roc Mitchell “Corporate” typeface like Corporatus has. Made directly from scans of the original type specimens and expanded to include the full WGL4, Corporatus is YOUR solution for your retro, futuristic, and corporate design needs. Descended from Microgramma and originally designed to be the American competition to distant cousin Eurostile, Corporate and subsequently Corporatus is best known for being the typeface used by video game developer and publisher Nintendo for many NES-related media in the West, including its controllers, and by Colecovision for its logo. With the original Latin character set as well as Greek and Cyrillic lettering available, now you're playing with TYPOPOWER!

French Croissant - Hand Drawn Display Fonts Presenting a new, very passionate typeface. Yes, this font is hand-drawn with an italic style and is characteristic of various types of letter styles. Very suitable for branding designs, logos, posters, merchandise and more. Grab it to start your Type Game! Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates & Ligatures. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. For any questions please contact me 🙂 Thanks!