10,000 search results (0.103 seconds)
  1. Saltwater - Unknown license
  2. AIxDARBOTZCUMI - Unknown license
  3. Gilo MF by Masterfont, $59.00
    Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  4. Bar Yochay MF by Masterfont, $59.00
    Inspired by old engraving and tombstones. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  5. Krakow MF by Masterfont, $59.00
    Inspired by old engraving and tombstones in the Synagogue in the Jewish quarter in Krakow. This font contains lots of ligatures (well supported by Adobe Apps).
  6. Serious Sans by Ogentroost, $29.00
    Friendly by shape, serious by structure. Serious Sans is a font for many occasions and it includes an alternate 'a' and 'g' for primary school use.
  7. Gabriela MF by Masterfont, $59.00
    Inspired by old scrolls and manuscripts., this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  8. NataliScript by ParaType, $30.00
    PT Natali Script™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original calligraphic script. For use in advertising and display typography.
  9. Mishkenot MF by Masterfont, $59.00
    Inspired by old engraving and scribes, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  10. Daphna MF by Masterfont, $59.00
    Inspired by old engraving and scribes. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  11. Elef Layla MF by Masterfont, $59.00
    Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  12. Cyrillic Old Face - Unknown license
  13. OCR B by Linotype, $40.99
    OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.
  14. OCR A Extended by Monotype, $40.99
    OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.
  15. Aukim ExtraBold - Personal use only
  16. Haenel Fraktur by RMU, $25.00
    A bold but nevertheless pleasant black-letter font which was released for the first time about 1840 by the Haenel'sche Printshop and Letterfoundery in Berlin. Haenel Fraktur contains a bunch of useful ligatures, and by typing 'N', 'o' and period you get an old style number sign by activating the Ordinals feature.
  17. FastFingers by ParaType, $25.00
    A set of signs designed by Andrey Belonogov. It includes representation of gestures used by left- and right-handed people in different countries to enhance the power of speaking. The typeface (under the name Handmade) was awarded a diploma at the ATypI International Type Design Contest “Bukva:raz!”, 2001. Released by ParaType in 2008.
  18. Bell Gothic by Bitstream, $29.99
    Designed specifically for AT&T to set telephone directories by Chauncey Griffith at Mergenthaler in 1938, Bell Gothic was the standard American directory typeface for forty years. Limited in performance by linecaster matrix requirements, Bell Gothic was replaced by Bell Centennial. Furlong is a version of Bell Gothic adapted for the racing form.
  19. KellyAnnGothic - Unknown license
  20. Bric-a-Braque - Unknown license
  21. Sho-Card-Caps - 100% free
  22. LaurenScript - Unknown license
  23. Miss - Unknown license
  24. Yes:TimeWord - Unknown license
  25. IranianHandLettered - Unknown license
  26. PerryGothic - Unknown license
  27. Trapped - Unknown license
  28. Yes:CityOfAngels - Unknown license
  29. Deutsch Gothic - Unknown license
  30. Paverify by Esintype, $14.00
    Paverify is an all-caps geometric slab serif display face inspired by a particular pavement tile component which is evoking a blocky “I” letter. All other characters were interpreted based on its look and drawn accordingly. There are three uppercase Roman fonts in different weights and widths substantially. With the additional versions, type family consisting of 7 fonts in total. Over 220 Latin, Cyrillic and Greek script languages supported. Each font contains an extensive multilingual support with more than 1600 glyphs and OpenType features, including number forms, fractions, and stylistic alternate sets those provide different looks by the typographic preferences. For the lowercase letters there are small caps variants, i.e., shorter caps. These also have identical glyphs and matching marks to enable “Small Capitals From Capitals” feature. Narrower Medium and Bold styles was produced to accompany the Black first design. Paverify comes with an ornaments font named as “Extras”, which contains geometric graphical elements, i.e., paver stone patterns, banner/sticker background sets, star comps and a collection of catchwords to simplify creating feature rich layouts. As is known as interlocking paver in certain regions — a rectangular shape with the distinctive diagonal tabs — transcribing the simplest letter to draw into the whole alphabet was a challenging task. Not only it was the single thing that can be used as a source, considering its thick form in roughly 1.2:1 proportions compared to the sophistication of letterforms was the challenge. Starting point was keeping design consistent while both avoiding and preserving a particular appearance to achieve a similar texture, basically a repeating pattern on the streets. In contrary of a traditional approach, Paverify tend to have more contrast than the other slab serifs which helps to reduce massive stem weight of the source form. This look contributes to its hand painted sign effect achieved in a certain degree, which may otherwise impractical to transform because the source material is an inorganic, static form by definition. Tight and even spacing of the pavement tiles was inspirational for the kerning balance of the letters. Although the lighter weights have more space between the letter pairs, black weight adjusted as to be close to each other as the original grid. Tight spacing can be ignored by using Capital Spacing OpenType feature for the Outline versions as layer fonts. In one stroke, this gives an extra space between the letters to avoid diagonal armed letter terminals overlap. Black typographic colour and texture gives a sturdy appearance to the lines, it is useful for the projects where a robust display faces preferred for the titling, strong headlines, letter stacks, dropcaps, initials, short names on materials such as advertisements, book covers, posters, logotypes, wordmarks, package designs, and more in print or digital. Paverify can be paired as a complimentary face in a combination with broader type systems, where vintage look compositions and woodcut style fusions requiring an extra stunning texture.
  31. Roundhand BT by ParaType, $30.00
    Roundhand was created by Matthew Carter in 1966 on the basis of handwriting by Charles Snell, an English calligrapher of XVII-XVIII known in particular by his "The Pen-man's Treasury Open'd" written in 1694. The typeface has continuous cursive shapes with oval aspect, high contrast emphasized by abrupt transitions from thin to thick and regularity of slope. Its capitals are often used as initials in combinations with other typefaces. The current digital version of the typeface has 3 styles of different weights. Roundhand is clear and easy to read and is well-suited for medium size texts and headlines. It will work well in invitations, menus, packaging, and advertising accentuating elegance and the subtle nature of the content. The Cyrillic version was developed by Vladimir Yefimov and Isabella Chaeva. Released by ParaType in 2013.
  32. The "Gothic Alarm Clock" font by The Font Emporium stands as a distinctive and evocative piece within the world of typography. Designed with an artistic blend of gothic sensibilities and a playful no...
  33. Baltica by ParaType, $30.00
    Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig&Mayer, 1936, by Jakob Erbar. This typeface has the characteristics of slab-serif, but serifs are much thinner. The capitals are of generous width, x-height is large. Good legibility in small sizes makes this typeface useful in newspaper and magazine typography, while strong character shapes provide for pleasant display lines. The digital version in 3 weights was designed at Polygraphmash by Alexander Tarbeev in 1988. Small capitals, additional Bold, Extra Bold, and Extra Condensed styles were developed by Manvel Shmavonyan and released by ParaType in 2008.
  34. Durer Gothic - Unknown license
  35. Omicron Zeta Slant - Unknown license
  36. Omicron Zeta Pressed - Unknown license
  37. SkullZ - Unknown license
  38. Espania - Unknown license
  39. HipHopDemi - Unknown license
  40. Omicron Zeta Hollow - Unknown license
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