A silk screened sign promoting a mattress sale that was spotted on Flickr features Art Deco-influenced sans serif lettering that is the basis for Innerspring JNL.

Artica is an elegant sans serif typeface, offered in five weights. It was inspired by classic Roman letterforms. Artica Lt includes a Unicode Latin 1252 character set.

Valiante is a bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Highriser is a highly legible, uppercase-only bold condensed sans. Designed to be used for headlines, or visual identities, both digital and print. One weight, fits all.

Kal08 is a Sans Serif Font, this font consists of Uppercase, Lowercase Letters & multilingual support. Kal08 is perfect for Logotype, Print Design, labels, Products, Text, and more.

Richard Miller started out as just a logo for a website/business card. It is a modular sans that works well in both print and web design.

Aborm a classy, contemporary of Sans Serif font, Inspired by 1980’s. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters.

Super head Club is a font made with line. The shape of the letters is a sans-serif style round and bold. Works perfectly for vintage artworks.

Grunt Grotesk is a modern Ukrainian sans-serif typeface with a number of distinct characteristics, which make it unboring but still great in the massive text blocks.

Party Invite JNL is a thin, condensed Art Deco sans based on lettering from a letterpress holiday stock cut (the predecessor to clip art) from the 1940s.

Altra is a family based on a tracing of an old clip art font. I liked the gentle calligraphic look. Consider it a sans serif with style.

Amonx, contemporary of Sans Serif Display font, Amonx offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Kircher is a typography inspired by old building facade letterings. It is a vintage style geometric sans serif typography great for logos, banners, posters and graphic artists.

Hoochie is a display font family based on sans serif. It has 4 styles: regular, display, mono and rough. All european languages with special characters are included.

Round Block is a techno Sans Serif font. It’s suitable for sports logo, poster, headline, products design, print design, etc. Round Block also support standard multilingual characters.

Algeko is a simple, adaptable and vintage syled sans serif font. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Liberalism is a sans-serif, grotesque and hybrid typeface that I created during the lockdown. Born as a pure design exercise, it has turned into something more.

Express 18 is a sans-serif with open forms and optically balanced noticeable contrast. typeface is designed for universal use. supports extended latin and open type function.

Introducing a new font is Bros Rover Classic Sans Serif. Bros Rover good for logotype, poster, badge, wedding invitation, book cover, tshirt design, packaging and any more.

Malberg is condensed sans serif family. Consist of 9 styles from thin to heavy with matching obliques. Fit for display and short text for various design purposes.

Funfont is a sans serif fantasy font with funny spirit designed to recreate an style of good humor. FunFont comes in three styles: Normal, Outline and Shade.

Creatives understand the compulsion to make something of worth. And each creative person has a toolbox they grab from often. Letterboard Lite is the narrow geometric sans that can headline or support whatever project is next on your list — the one unfussy tool you’ll use time and again. ‍ With its geometric shapes, Letterboard is a ground-floor sans that stabilizes the foundation upon which everything else will be built. It cements the context unobtrusively without begging to be acknowledged. Pair Letterboard with any script typeface and it will highlight that script’s qualities, whether capricious or elegant. Pair it with a serif or slab serif for an obvious change of tone: With a modern slab, trends will be respected, but it will act more coy with an old-school chunky slab. Letterboard’s geometry is easily subsumed as a partner to a range of serifs, from classics to the latest releases. These qualities and its narrowness make it easy for Letterboard to be used as a large display font in headlines or branding applications. ‍ Letterboard comes with 270 characters necessary for setting over 150 Latin-based languages: A–Z with diacritics, lining numerals, and the most common punctuation and symbols.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.