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  1. Imagine waking up on a beautiful, sunny morning, feeling refreshed and eager to conquer the world. That sensation, my friend, is what encountering the font "Greatday" by Letteratom is like. It's not ...
  2. Lucemita is a font design created by deFharo, a renowned typeface designer known for his versatility and innovative approach to font creation. Lucemita stands out in deFharo's catalog for its unique ...
  3. The font named Blaster, crafted by dustBUSt Fonts, embodies a distinctive flair that transports its audience to the realms of science fiction and fantasy. It's not just a font; it's an experience tha...
  4. The Augustus Beveled font, crafted by Intellecta Design, is a distinct typeface that instantly captures attention with its unique characteristics and historical aura. This font is a celebration of Ro...
  5. The "ROBO" font, designed by George Edward Purdy, is a significant contribution to the typographic world, blending the boundaries between technology and art. At its core, "ROBO" encapsulates the esse...
  6. The "Blonde Personal Use" font by Billy Argel is a distinctive script typeface that exudes charm, elegance, and a personal touch, making it stand out in the realm of handwritten fonts. Crafted by the...
  7. The Hotel Coral Essex font, designed by Jason Ramirez, stands as a unique testament to creativity and innovation in the realm of typography. This font draws its inspiration from the quirky and eccent...
  8. Close your eyes. Wait, don’t—then you won’t be able to read this. Imagine, in a world where letters not only talk but strut down the catwalk with unmatched elegance, there lives a font: Ordinatum Med...
  9. Ah, KG Seven Sixteen, a font that confidently saunters into the world of typography, tipping its hat with a cheeky grin. Crafted by the whimsical wand of Kimberly Geswein, it's as if this font was sp...
  10. The "AprendizCaligrafico" font by Intellecta Design embodies a delicate balance between elegance and expressiveness, capturing the essence of traditional calligraphy while infusing it with a contempo...
  11. Imagine, if you will, Stroke Dimension by Måns Grebäck as the James Bond of the typography world—sophisticated, yet oozing with personality. Created by the masterful artist Måns Grebäck, a name that ...
  12. The font named Flashback version 3 by PizzaDude is a distinctive and expressive typeface that masterfully captures the essence of nostalgic design paired with a contemporary touch. This font is a cre...
  13. The font MKaputt-Expanded by Manfred Klein is a distinctive and engaging typeface that captures the imagination with its unique characteristics. Manfred Klein, a prolific and versatile font designer,...
  14. Surf Punx, designed by Statica Productions, is a font that captures the rebellious spirit and vibrancy of punk culture, merged with the laid-back, sun-soaked essence of surf culture. This unique fusi...
  15. As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
  16. As of my last update in April 2023, SERIESB is not a widely recognized or standard typeface within the vast library of fonts available to designers and typographers. This suggests that SERIESB might ...
  17. "Tour de Font" is a captivating creation by Andreas Johansson, a homage to the elegant interplay of form and function in typographic design. At first glance, this font emerges as a bold statement pie...
  18. Imagine a font that decided one day to sneak out of the digital world, spend a thrilling day at a waterpark, and then sneak back in, full of stories and a slightly warped perspective. That font is HO...
  19. Ubahn is a distinctive font that echoes the spirit and aesthetics of urbanity with a nod to the historical context of metropolitan transportation systems, particularly inspired by the signage and typ...
  20. The Chinoiseries Tryout font, crafted by the creative minds at Match Software, is a typographic gem that encapsulates the elegance and mystique of Asian artistic traditions within its characters. Thi...
  21. The font KinigKap, designed by the talented David Rakowski, stands out as a unique and artistically crafted typeface. Its origins are deeply rooted in the creative pursuits of Rakowski, who has contr...
  22. As of my last update in April 2023, Fenotype has designed a variety of innovative fonts, but a specific font named "11.20" does not have a widely recognized presence or known description in my curren...
  23. The Albertino font, crafted by the talented Davide Ardissone, is a remarkable work of typographic art that beautifully marries elegance with functionality. At its core, Albertino embodies a modern se...
  24. Bric-a-Braque, a font designed by the talented Nick Curtis, embodies the spirit of playful creativity and intricate artistry, standing out as an exemplar of how type can both communicate and captivat...
  25. The Rudelsberg font, crafted by the talented type designer David Rakowski, embodies a fascinating blend of traditional charm and modern flair. This distinctive typeface carries within its letterforms...
  26. Mordred is a font that stands out with its distinctive character and bold presence. It's not just any typeface; it's a statement, a manifestation of creativity and strong personality crafted by the t...
  27. As of my last update in early 2023, Andreas Sans Cnd may not be widely recognized in the mainstream of typographic designs, yet the essence of its name provides insight into its style and characteris...
  28. The Sex Pistols font captures the raw energy and rebellious spirit of the punk rock movement, much like the iconic band it's named after. This typeface is more than just a collection of letters; it e...
  29. Alright, picture this: Zekton Free, a font that looks like it moonlights as a futuristic secret agent. Designed by the font wizard Ray Larabie, this typeface isn't just another font in the crowd. Oh ...
  30. Oh, let me take you on a little journey through the cosmos of typography, where the star of our expedition is none other than the Voyager Grotesque! Dreamt up and meticulously crafted by the talented...
  31. The "Jenna" font crafted by GautFonts is a unique typographic expression that embodies creativity and personality. This font is not just a collection of characters; it’s a glimpse into a stylized art...
  32. TeamSpirit is a distinct and visually engaging font designed by the talented Nick Curtis, who is noted for his ability to inject a vibrant character into his typographic creations. TeamSpirit is no e...
  33. As of my last update in April 2023, there isn't a widely recognized or specific font known as "Beautiful ES" by ES Typography directly searchable in mainstream font databases or typography circles. H...
  34. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  35. Choujun is not just a font; it's an immersive experience in typographical form, designed to bridge the gap between traditional calligraphy and contemporary digital expression. Named after the Chinese...
  36. As of my last update in April 2023, there is no widely recognized or commercially popular font specifically named "Milky" within the standard typographic circles or among major font foundries. Howeve...
  37. Sure! The 21 Kilobyte Salute font, crafted by Eric Perlin, is a distinctive and captivating typeface that captures the essence of digital nostalgia and the early era of personal computing in a modern...
  38. Sure! The New Alphabet font is an intriguing and avant-garde typeface with a fascinating history and purpose behind its design. Created in 1967 by Wim Crouwel, a notable figure in the Dutch graphic d...
  39. "Fluted Germanica" is a striking typeface developed by Paul Lloyd Fonts that revives the robust spirit and historic essence of Germanic type designs, updating it for contemporary use. This font seaml...
  40. Once upon a time in the not-so-distant realm of typography, a font with a personality as quirky as its creator's imagination came into the world. Its name? Evereverse, conjured from the creative caul...
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