Squiborn is a hand drawn display font with bold and strong feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Rochestra Typeface is a sophisticated serif unique ligature characters. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Prime Century is an organic hand drawn font duo consist of a script paired with a sans serif with a touch of classic look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Eloisa is based on the penmanship of Andrea Stuart's eponymous aunt. The slow, meticulous strokes with which Eloisa writes is the result of formal (and meticulous) instruction in cursive writing back in her secondary education in an exclusive all-girls school. The interesting mix of smooth curves and sharp strokes combined with the slanted orientation make for an elegant yet dynamic visual appeal. Eloisa is perfect for branding, invitations, greetings, or any classy rendering of text you may imagine. Be classy!

วิทยาคม เป็นอักษรแบบคอนทราสเฉพาะส่วนเซอริฟเมื่อเปรียบเทียบกับเส้นแนวตั้งและแนวนอนที่มีขนาดใกล้เคียงกัน ดูกึ่งทางการ มั่นคง เรียบหรู มีเสน่ห์ เหมาะสำหรับการใช้ผาดหัว หรือรองผาดหัว มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ อาทิเช่น Small Caps และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Witthayakhom is a hight contrast only on serif compared to vertical and horizontal line which similar thickness. Semi-formal, stable, elegant, charming look. Suitable for headline and sub-headline. Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps and many features available for you. Support multi-languages.

Honua means “Earth” in Hawaiian. Honua is a decorative typeface inspired by nature, and gives back to it by planting trees and corals around the world for every font sold.

Watermint Script is a formal typeface that epitomizes the essence of elegance and sophistication. Envisioned for formal settings, its calligraphic strokes evoke a sense of classic beauty, making it an ideal choice for invitations or logotypes that demand a touch of class. Watermint Script is a harmonious blend of cute and lovely, wrapped in a feminine and romantic design. Its light and fresh appearance breathes life into each word, offering a clean and flawless presentation. The font's perfection lies in its attention to detail, with each character exuding a classy aura that enhances the overall visual experience. The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Designed by Mans Greback, Watermint Script is a testament to his commitment to creating fonts that are not just tools of communication, but artworks that enrich the visual landscape.

The inspiration source for Pantomime Monogram is an unusual Art Deco design from a vintage embroidery publication which combines both sans-serif and flare serif styles to create a diamond monogram format. This monogram, which evokes visions of it etched into bakelite, was originally intended to adorn handkerchiefs and towels, but it has so many other possibilities. It is one of many monogram designs from the early 1900’s which fall into a two letter format that is either adorned or interwoven with framing styles. Pantomime Monogram is only capable to two letter monograms due to its unique design. Download and view the MFC Pantomime Monogram Guidebook if you would like to learn a little more.

Introducing Bromello modern script typeface, using style hand made with brushing. Bromello is beautiful for wedding card design, logotype, blog or website header, fashion design, YouTube video thumbnails and any more. Bromello uses classic handwriting techniques to create a beautiful, modern design. Bromello is very popular at the moment and unique for so many reasons. People use the font to create and express their own style, create beautiful projects, promote their brands and projects and more. Remember, be inspired with your own styles and ideas and have fun! Product Content : • bromello typeface (OTF & TTF Format) • bromello italic typeface (OTF & TTF Format) Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Contextual Alternates
• Swash
• Stylistic Alternates

Brushfox is a brush script written in a relaxed and fast way. Letters made with brush pen on paper. It is then carefully scanned and drawn into vector format. That's why Brushfox has organic, authentic and relaxed characteristics. Brushfox has two sets of lowercase letters to give your text variety and a more natural look. You can enable Contextual Alternate in the OpenType panel to have these two sets vary randomly. It also has many style and underline alternatives which make your text and designs more attractive. Brushfox has two versions Textured and Solid. The textured version has a dry brush pen texture and the Solid is a slightly cleaner version. Brushfox is available in OpenType format. Thank You!

The source of inspiration for Carson Monogram is a letter set from the book, Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition published in 1912. This elegant historical style was simply labeled, "New Antique 53". Carson Monogram can create one, two, or three letter monograms as well as basic headline and titling settings. By default, Carson Monogram types in a horizontal format, but by utilizing OpenType Contextual Alternates, you can typeset in a three smallcap diagonal format as well! It is a refined look that is perfect for a wide array of classic personalization settings. Download and view the MFC Carson Monogram Guidebook if you would like to learn a little more.

The Joanna® Sans Nova family is the only typeface in the Eric Gill Series that was not initially designed by Gill. Created by Monotype Studio designer Terrance Weinzierl over a three-year period with digital applications at the forefront of the design criteria, Joanna Sans Nova is a humanist sans serif based primarily on Gill’s original Joanna. The design comprises 16 fonts, from thin to black, each with a complementary italic. Joanna Sans Nova has a larger x-height to ensure high levels of legibility – even on small digital screens. Due to its inherent humanist proportions, Joanna Sans Nova is surprisingly comfortable for longer form reading. Its low contrast in character stroke weights also improves imaging in a variety of environments. In addition, the calligraphic and fluid details enable the roman and italic designs to shine in headlines and other display uses. Joanna Sans features a robust range of OpenType features for fine typography, including small caps, old style figures, proportional figures, ligatures, superscript and subscript figures and support for fractions. With over 1000 glyphs per font, Joanna Sans supports more than 50 languages – in Latin, Greek and Cyrillic scripts. “I've always been a fan of Gill’s work, explains Weinzierl, and found the simple, humanist qualities of Joanna really fitting for a sans serif design. I wanted to make something with Gill flavor, but with more harmony in the extreme weights than Gill Sans – and with my twist on it. I went through six or seven different italic designs before landing on the current direction.” “The original Joanna had a very distinct italic, Weinzierl continues. “It’s very condensed, and has a very shallow angle. I wanted to have an italic that stood out, but in a different way. I took a cursive direction for the italic details, which are wider and slanted more, both improving character legibility.” The Joanna Sans Nova typeface family is part of the new Eric Gill series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

Monotalic was created as a fun experiment, exploring better solutions for the monospaced type design. Most monospaced (fixed-width) typefaces have the same main design problem regarding the lowercase – filling the empty space around l, f, i, j and r. That usually brings the addition of slab serifs to those narrow characters, causing many monospaced fonts to look and feel alike. Monotalic solves that problem by adopting the handwritten (or cursive) form for those problematic characters, which allows them to be defined in more strokes, thus getting a better distribution of form in that fixed-width space. On the other hand, cursive writing usually lacks the legibility of a Roman (Regular upright) style, so Monotalic was created to be a hybrid, taking the best of both worlds. Monospaced fonts today are mostly used for coding. Modern code editors use colored text in order to differentiate between different kinds of code. So, in that environment there’s actually no need for traditional text styling by adding Italics, Bold or other styles, because the code lines are overstated as it is. That is why Monotalic focuses on one style only, in three widths and four weights. The weights allow users to choose the perfect contrast of text on screen, depending on their monitor resolution and background color in the editor. Movie scripts are almost exclusively set in 12pt Courier. It became the industry standard because when set in the specific “screenplay format" it helps with the breakdown of the schedule and budgeting process of the film production. Although it looks completely different, text set in Monotalic (Normal width) will take the same amount of space as Courier.

Proba Pro is a geometric sans with lowered x-height, prominent ascenders and descenders and a subtle humanist touch. It comes in 7 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for i/ı in Turk languages. Some of the styles of Proba Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Opal Bulgarian is a humanistic sans serif typeface of a modern type, inspired by the famous Optima typeface (designed by Hermann Zapf). Opal Bulgarian consists of 2 weights and corresponding italics. Opal Bulgarian is suitable for body texts; for titles; for corporate identity. Opal Bulgarian continues the design of Opal BulgarianCYR, designed in 1992 by Zhivko Stankulov. In compare to Opal BulgarianCYR the new font family Opal Bulgarian has more glyphs and cover more languages. A number of shortcomings in the construction of the glyphs have been eliminated, and the design as a whole has been updated. Opal Bulgarian is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

Aretha is a classy and beautifully designed sans serif. The main idea of Arteha is to combine the sans serif humanist font style with traditional styles so as to provide a pleasant atmosphere for the reader. The horizontal side of Aretha is designed with a slightly thinner so that the counter can look wider and also looks stiff in some parts to give a firm impression on the letters. Not only for display size, Aretha also works well in text size. Represents multilingual and is equipped with several Open Type features such as tabular figures and stylistic alternates in letters a, g, t and y, so this is very suitable to complement your various design needs.

TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes. TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography.

Regina-Cursiv is a warm, bold, casual typeface. Its friendly, rounded curves remind me of the line from a gospel song by the Canton Spirituals, about "smoothin' up the roughway." Jointly released by the Bauer and Berthold foundries of Germany during the fin-de-siecle period, this typeface has some cultural flexibility. There are alternate versions of the uppercase ‘H’ and ‘I’ that can be chosen to reflect a humanist or blackletter tradition, whichever you prefer. Other alternates offer various stylistic choices. Regina Cursiv is a friendly, comfortable font. You will enjoy using it. Alternative letters: D, E, G, I, K, S, T, d, h, k, m, n and z. The numerals are old-style figures.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Lagu Serif blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary serif typeface. Alessio Laiso has designed Lagu Serif in 18 styles: 9 weights ranging from Thin to Black, with matching, beautiful italics. The companion Lagu Sans makes the Lagu family a real workhorse for any use, including web, digital, print, branding and signage. Lagu Serif has a large x-height and open counterforms, making it easily readable. It comes with powerful OpenType features, including ligatures, alternative glyphs, small caps, fractions, tabular figures, old-style figures, and more. The Lagu family supports 219 languages, covering 100% of the Latin Plus character set.

Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Designer Steven Skaggs wanted a versatile uncial typeface that was not simply decorative. Traditionally, a true uncial is a majuscule form, entirely lacking in ascenders and descenders. However, by designing Rieven Uncial, Skaggs found a way to use the true uncial as inspiration but retained a lowercase look and feel. Typically, uncials do not have italic forms but in order for Rieven to be a truly versatile face, it was imperative that it should be accompanied by an italic. The italic form owes much to the historical roots in the letra antigua cursiva of the 15th century humanist masters. Rieven Uncial was awarded a Certificate of Excellence in Type Design in the 2010 TDC2.

CamingoMono is a modern monospaced typeface family of seven weights with matching italics, from ExtraLight to Black. Predominantly humanist in character, the typeface also has a technical feel thanks to the fixed proportions, while its semi-condensed width means CamingoMono is a great space saver in long passages of text. The default figures are noticeably lower than the uppercase letters, making them clearly distinguishable from one another. The typeface’s additional features include three different figure sets, slashed zeros and currency symbols, arrows and a handful of stylistic alternates. It is ideal for any technically-flavored text where an individual touch is desired, from advertising to corporate design. With CamingoMono, private and commercial correspondence alike will look neat and credible.

Scanno is a modern sans serif typeface that comes in eight weights and one condensed. Each weight has an oblique. It is a versatile family that is suitable for body, headline, and display text on screen or in print. Its open forms set a welcoming and friendly tone that renders well in all media. Scanno is warm and modern with a nostalgic hint of early sans serifs. It encapsulates both humanist and geometric qualities, while maintaining a sense of timelessness and neutrality, thus opening itself to a wide range of uses. Supported languages: Western European; Danish, Dutch, English, Icelandic, Italian, German, Finnish, Flemish, French, Norwegian, Portuguese, Spanish, and Swedish. Pan African Latin

Barnet Sans is a humanist typeface with a grotesque-inspired personality. Lively stroke-endings of several characters give this design its distinctive style, as well as a friendly and approachable presence. Created for use in both print and screen settings, Barnet Sans delivers a hint of flavour in large sizes, while being subdued enough to work in smaller text-driven settings. Details include; seven weights ranging from thin to black with matching italics, 665 characters per font, and support for all Western and Central European languages. Barnet Sans also comes equipped with many opentype features including; small caps, case-sensitive forms, arbitrary fractions, numerators and denominators, slashed zero, stylistic alternates and ligatures.

Via sans is a font inspired by classics like Steile Futura and Din 1451, with neo-humanist characteristics. It was designed as a font for fast reading from a distance, which saves horizontal space in the text composition, making it a very good alternative when composing long phrases in reduced spaces, with high readability in various sizes due to its ample counters. With round corners that reduce the irradiation that reflective materials in signs produce. This family is composed by 8 fonts, 4 weight variations and 4 inclination variations, which include European accents marks, ligatures, fractions, ordinals and tabular numbers, in addition to a pictogram set that complement applications for wayfinding and maps.

The Genesa typeface is a condensed, rounded sans serif typeface with a contemporary styling ideal for editorial or branding design. With it’s 4 weights and accompanying italics, this family can be used for large titles or display settings but is equally legible in small sizes for longer passages of text. Genesa combines a strong, vertical constructed style with a softer rounded approach that adds a humanist flavour. This typeface covers multiple languages through an extensive character set and a wide range of Opentype features that allow various character or numeral choices. A set of over 60 pictograms and arrows are equally features and through their carrying weights, can also be combined seamlessly with any style of the family.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Oksana Sans Compressed is the most skinny part of Oksana Sans font family, but still it retains most features of this humanist sans serif. The Compressed version is designed to get most of your page and fill a minimum space with maximum information. It can be useful in multiple columns typesetting — like magazines, newspapers or business documentation. Oksana Sans Compressed could be a good minor companion for other Oksana fonts as well. It has six weights from Thin to Heavy plus free and funny Fat Compressed Italic face, supports Western, Central European, Baltic Latin and Slavic Cyrillic codepages. Old-style digits, some ligatures, alternative characters and modern currency signs are also included.

A modern humanist sans serif made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideally suited to the web and on-screen applications. To reinforce readability and create more distinction at small point sizes serif like details have been drawn into uppercase ‘I’, ‘J’ and lowercase ‘i’ and ‘j’. Other characters of distinction include a serifed number 1 and a crossed out zero. Nauman is a highly legible font family aimed at large interface based projects. Details include over 800 characters with alternative lowercase a, e, I and M. 7 variations of numerals, true small caps with accents, manually edited kerning and Opentype features.

Eina was designed as a corporate typeface for the design school “EINA, University Centre of Design and Art.” It’s not just a font to be used — Eina embodies an educational concept that transcends simple typographical use. Eina is a typeface to be explained and used to teach typography. The whole process of design and development is reflected in the publication “Four nuances of a typographical standard: A typeface for EINA.” Eina is a versatile and multipurpose sans-serif typeface, consisting of 32 original styles, organized into four categories: rational, humanist, geometric & industrial. Each category contains four weights with their corresponding italics. You can purchase the full family, each individual weights, or four packages with each categories.

Josephine, named for Josephine Baker, the legendary dancer of the 1930s, is a twenty first century sans serif typeface that harks back to the earlier part of last century. Although very modern, it has been greatly influenced by the many art deco fonts produced during the twenties and thirties of the twentieth century.In it I have tried to capture the art deco spirit in a modern humanist font. Josephine is exceptionally readable and yet completely characteristic of the Art Deco period. It can be used for text passages as well as display in posters, advertising, labels and packaging. It is professionally finished and contains all upper and lower case characters as well as all special characters, punctuation and symbols.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Headlines are transformed into clear-cut messages with the handwriting type family Slandic. Its robust appeal combines the elegance of script typefaces with the lightness of handwritten notes. What makes the Slandic so playful is the synergy between the quite narrow lowercase letters and the wide uppercase letters. Therefore it might rather be an upright chancery italic of a humanist sans. You can see it very clearly in its sharp upward angles and its long-limbed ascenders. Its visual appeal sets a reliable tone. It is precisely balanced with a solid stroke contrast and confidently angular-shaped curves. Slandic perfectly enhances exciting contrasting typography adding a personal note without giving it a comic spin.

Gross Kunst is a humanist sans-serif with an open aperture, sharp outlines, and eye-catching details that make this full of character typeface very recognizable. The type family has three fonts based on wide pen strokes. Depending on its purpose the styles differ in expressiveness and the level of ornamentation. Regular style—low-contrast and neutral—is the most natural choice for body-text. The display face is more dynamic and gets higher contrast. It's very legible from a distance and would do its best on navigational and warning signage, plates, and such. Eloquent straight italics will adorn titles, announcements, and pages with ads. This typeface was acknowledged at the international type design competition Modern Cyrillic '99.

Sana Sans is a humanist functional typeface with a modern feel. It is intended to be a face well-suited for multiple purposes, especially in publishing. Sana Sans looks perfectly legible and clean in long texts, and neat and simple in headlines. Thanks to its versatility, this font is also ideal for both screen and print usage. Sana Sans consists of 32 styles and 8 weights—ranging from Thin to Heavy—italics, small caps and an alternative family. The alternative family offers slight variants in many glyphs, some of which include the lowercase a, e, l, q, y and uppercase G, L, and Q. Sana Sans was designed by Felipe Sanzana, under the supervision of Latinotype Team.

This family is the rounded version of Segaon family. Segaon Soft Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Fellbaum Grotesk is a condensed typeface with both grotesque and cursive/humanist attributes. Fellbaum Grotesk Regular presents a clean, “grotesk” exterior, while the Italic version features faint slab-style flourishes. These characteristics, combined with a subtle stroke contrast and slightly extended x-height make for a distinct, and artisanal appearance. The family was inspired by the condensed & sterile, yet quirky, sans serifs found on a lot of vintage apothecary labels & municipal street signage. Both styles in the family are modest enough to work as secondary fonts, but also sport enough character to work as a primary sans face for wordmarks, logos, headers, etc. Fellbaum Grotesk Features: • 14 Fonts, 7 Weights, 2 Styles • OpenType Support • Adobe CE Language Support • Dingbats