Roses Queen is an exquisite serif font made in uppercases that reigns with elegance and beauty. What sets Roses Queen apart is the meticulous addition of ornate details, transforming each letter into a regal work of art and bestowing a sense of opulence to the overall appearance. The characters in Roses Queen boast a commanding size, evoking a sense of authority and grace. The stability of the letter size ensures a harmonious visual flow, contributing to the font's overall sense of refinement. The real magic, however, lies in the intricately designed ornaments that adorn each letter, adding a touch of sophistication and enchantment. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Roses Queen fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Finding out an attractive font regarding your project design can be such hard work as you take risks of either losing your clients or killing your good reputations once you pick the wrong font. However, Molly Hugs is the right solution for you. It is a rounded display font to add warm, fun character touches on every design. Its shapes and geometry are simple and without too many detailed points for a legibility reason. Additionally, Molly Hugs, completed with a clipart as a bonus, is perfectly applied for big text sizes to be legible and you can make use of some available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Molly Hugs fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Hey there! Introducing Sugar Peachy Retro Soft Display - a font that exudes happiness, uniqueness, and wonder! This groovy display font has a retro 70s style with soft and chewy characteristics that are perfect for display, titling, and even logos or headers. With 5 styles ranging from thin to black, you can use it for short text or large displays. Plus, Sugar Peachy has special features like alternates and ligatures that make it ideal for all kinds of design purposes like branding, product design, websites, posters, stickers, merchandise, and more! Similar Item: Gyoza : https://www.myfonts.com/collections/gyoza-font-ahmad-jamaludin Gunydrops : https://www.myfonts.com/collections/gunydrops-font-ahmad-jamaludin Kelpo : https://www.myfonts.com/collections/kelpo-font-ahmad-jamaludin Swipe: https://www.myfonts.com/collections/swipe-font-ahmad-jamaludin Replay : https://www.myfonts.com/collections/replay-font-ahmad-jamaludin Bright : https://www.myfonts.com/collections/bright-font-ahmad-jamaludin Margin : https://www.myfonts.com/collections/margin-font-ahmad-jamaludin Nighty : https://www.myfonts.com/collections/nighty-font-ahmad-jamaludin What you get? Sugar Peachy Light Sugar Peachy Regular Sugar Peachy Medium Sugar Peachy Bold Sugar Peachy Black Features : Alternates and Ligatures Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation No special software is required to use this typeface even work in Canva Multilingual Support Give your design projects that fun, playful edge with Sugar Peachy! Thank you, Dharmas Studio

Maleha Bold Modern Sans Serif Font Introducing Maleha, a bold and sophisticated modern sans serif font designed to elevate your projects with its confident and sleek aesthetic. Crafted with precision, Maleha embodies a perfect balance between professionalism and contemporary style. With two versatile styles—regular and slant—Maleha offers a dynamic range of possibilities, enabling you to effortlessly convey a sense of authority and modernity in your designs. The bold strokes and clean lines of Maleha's characters exude confidence, making it ideal for headlines, branding, editorial designs, logos, posters, and more. Its versatile nature ensures readability across various mediums while maintaining a strong visual impact. Maleha's boldness is matched by its adaptability; whether for digital or print, its clarity and elegance remain consistent. The regular style presents a crisp, clean appearance, while the slant adds a touch of dynamic flair, perfect for emphasis or adding a contemporary twist to your typography. Features: - Uppercase, Lowercase, Number, and Punctuation - Standard and Special Ligatures and alternates - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word - Fully accessible without additional design software - Multilingual Support, ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. Unleash the power of expression and professionalism with Maleha, the bold modern sans serif font that effortlessly commands attention while conveying a sense of sophistication and modernity in every project.

Kudry is an elegant and noble typeface for extra large sizes. It looks good in cultural projects and exhibitions, logos, book covers, theater posters, wedding invitations, cosmetic and cake packaging,— basically any case in need of a beautiful typeface. It is a type family that consists of the modern serif and the contrasting sans serif, the weird serif and the stencil type. Both serif and sans have three options for different point sizes: Display for extra large sizes (from 72 pt or 96 px), Headline for large sizes (from 36 pt or 48 px) and Text for medium sizes (from 14 pt or from 24 px). Each style has a variety of alternate characters, swashes and ligatures, linear and old style figures, arrows and case-sensitive punctuation. The typeface supports major all European Latin and Cyrillic-based languages and all European Latin scripts. The authors of the typeface are Isabella Chaeva, Alexandra Korolkova and Nikolay Nedashkovsky. The character design of Kudry, details of the letters and alternates are an original contemporary solution based on the proportions and construction of the sans serif by N. N. Kudryashev. Digital versions of this typeface are Kudryashev and Petersburg, which can work in pair with Kudry in case you need a combination of a text serif and a display typeface. ITC Franklin Gothic, PT Root or Ida suit well as a paired text sans serif.

Aromatron is a friendly yet striking display typeface with a balanced and consistent rhythm. Drawing inspiration from the shapes of nature, unique solutions were employed to achieve a rich, dark, creamy texture. The font is equipped with numerous OpenType features: lining and old-style numerals, automatic fractions, small caps, petite caps, and “medium caps” sized between capitals and small caps, subscript and two sets of superscript characters (one aligned with the ascender and one exceeding it), contextual swash capitals. Petite cap glyphs compose well with regular lowercase and are employed by stylistic sets for a unicase effect or compact typesetting. Aromatron offers support for most Latin-based languages, including: Afrikaans, Aghem, Aja, Akan, Albanian, Alsatian, Asturian, Azeri, Basaa, Breton, Catalan, Central Yambasa, Chinese Pinyin, Croatian, Czech, Dagbani, Danish, Dinka, Duala, Dutch, English, Esperanto, Estonian, Ewe, Ewondo, Finnish, Fon, French, Fula, Gagauz, German, Guarani, Hausa, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Jula, Kabyle, Khoekhoe, Koyra Chiini, Koyraboro Senni, Latin, Latvian, Lingala, Lithuanian, Livonian, Maasai, Maltese, Mapudungun, Marshallese, Mundang, Navajo, Ngiemboon, Ngomba, Northern Sami, Norwegian, Polish, Portuguese, Riffian, Romanian, Scottish Gaelic, Serbian, Shawiya, Shilha, Slovak, Slovenian, Spanish, Swedish, Tagalog, Tlapanec, Turkish, Uzbek, Uzbek (planned reform), Vai, Vietnamese, Walser German, Welsh, West Frisian, Yoruba, Zarma, Zazaki, Zulu. The International Phonetic Alphabet with mark attachment is supported too. A selection of symbols and ornaments completes the vast character set.

Fragua Pro is a family of 14 fonts (Latin Extended-A and the Cyrillic alphabet) Condensed Sans Serif of geometric construction inspired by the Russian constructivism of the mid-20th century; the typography has a rounded finish in all corners to avoid the coldness of the rectilinear fonts and providing warmth and docility, the ascending and descending short and a high height of the x make it very compact, all this results in a unique typeface with maximum readability due to the careful configuration of metrics and Kerning. The cursive styles have an inclination of 8 degrees and a narrower proportion than the regular ones, they also have their own letters and meticulous optical corrections to compensate for the deformations produced by the inclination. Fragua Sans has Advanced Open Type functions, several alternative letters, full support for numbers, monetary symbols and crypto currencies and more. 681 glyphs. This typography is specially designed for advertising and editorial composition, behaving correctly in both short and medium texts and headlines where horizontal space saving is needed, being an ideal typographic system for signage, editorial or corporate design. This typography is dedicated to the memory of my grandfather C·ndido (Pa), the blacksmith of my town. THE COMPLETE 14 FONTS PACKAGE INCLUDES THE REGULAR VERSION IN "VARIABLE FONT" FORMAT, compatible with Adobe CC 2018.

Duvall is an idealization created from the Edward J. Duvall lettering. Mr. Duvall was a teacher in lettering, who was well known for his book “Modern Sign Painting” in the late 40s and early 50s. Duvall cursive script is presented in five weights, Duvall 1, as a light version, to Duvall 5 as a bold version, and Duvall Style a decorative typeface with Inline, ideal for set in color layers combined with Duvall 5. Duvall is a Script font with low contrast, not intended to be used as a type of reading, but is however well adapted to small sizes because its simple form is easy to read. It is advisable to use this font for large to medium sizes. Duvall is ideal for composition, ordinal, superior and inferior numbers, and thanks to the OpenType features you can compose with alternate characters, old style numbers and with a complete set of glyphs for Eastern and Western European languages. The Duvall set comes with a font called Duvall Ribbons, a dingbats font with which you can create interesting headlines with the taste of the advertising of the 50s. Duvall FunWords is a dingbats playing with funny words in English, French and Spanish phrases. Duvall is ideal for packaging, signs, banners, branding and graphic design in general and can be combined harmonically with your favorite sans fonts.

Cubio™ Mono is a new monospaced geometric sans serif inspired by the hexagonal silhouette of isometric cubes. We applied this angular form through all aspects of Cubio™ type design from the overall look of letters and icons down to the small details such as the end of each letter stem and hexagonal dotted lines. This font family comes in 3 weights/styles: 300 (Regular), 500 (Medium), and 700 (Bold). With over 1,500 glyphs, Cubio™ Mono not only supports most Latin-based languages, but also features an extensive set of UX/UI icons, and patterns. Cubio™ Mono is a versatile typeface for both digital and traditional designs. Perfect for packaging design, logo design, print design, store signages, UX/UI web & apps designs. Cubio™ Mono packed with features such as case-sensitive marks, punctuations and math symbols. It also comes with an extensive set of box/compartment drawing glyphs to help you create a unique modern design without even using the line tools. We designed the Cubio™ Mono font system with your convenience in mind. It comes with two sets of hexagonal dotted line and icon positions (Mid Cap Height and Mid X-Height ), so you don’t have to use the baseline shift command to set them to the perfect spots. To find out more about Cubio™ Mono Opentype features and type specimen, please visit www.r9typedesign.com

Stone and steel FS Benjamin is a flared serif typeface designed by Stuart de Rozario. Consisting of 12 styles ranging from Light, Book, Regular, Medium, SemiBold and Bold with Italics it has clear, delicate letterforms, punctuated with brutal chiselled angles. With a pure and crafted feel to the forms the typeface has traditional roots but has been designed to work in a contemporary setting. Archetypal proportions in terms of x-height to cap height and ascender to descender ratio, allow the typeface to feel familiar and be legible in all platforms. Delicate brutalism Inspired by the contrasts of London and named after Big Ben, FS Benjamin was designed by Stuart de Rozario and founder, Jason Smith. Walking around London Jason was inspired by the juxtaposition of the old and the new. Glass and steel architecture can often be found amongst traditional signage and coats of arms seen around the City. These surroundings sparked an idea to create a modern design based on an alphabet that would traditionally be carved from stone. “Much of the typography we see today is so similar. I thought what if we created a typeface with traditional roots but modernised it to sit amongst the punk and noise of the streets of London? Old with new. Business with busyness. This is what London is all about.” Jason Smith

OkayCursive began over coffee, in a local flower shop, where my wife takes a floral arrangement class. I discovered a book there, with old photographs from Paris of flower shop displays. What caught my eye in the background of one of these photos, was the hand-painted lettering on a sign. Inspired, I quickly sketched some of the letters on a napkin and stuck it in my pocket. I began to sketch more over the next few days, looking to construct a full-out cursive font with this distinct French look. I wanted my design to be creative & free flowing, but I also wanted it to be at least somewhat proper. So, I consulted some schoolbooks for reference on the correct cursive forms. After more drawing, I began to create the final vector art. Gradually, these ideas -- plus many hours of careful kerning and metrics -- came together to form OkayCursive. Use OkayCursive any time you want fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text -- go ahead and have fun with it. OkayCursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Cabrito Flare joins the Cabrito font family, a family designed to help younglings with the recognition of letter shapes. The original fonts are part of the development of a children's book, The Clothes Letters Wear. Cabrito Flare combines the simplicity and readability of the original Cabrito with an elegant flare serif. Now, this latest addition brings a new flavor to the table. Cabrito Flare brings fluid, carefree, medium contrast fun. It takes a more calligraphic direction than most. Cabrito combines structure and handwriting. There's a fluid balance of both characteristics, and Flare is no exception. It’s a unique combination of functional elegance with a little spice and a dollop of friendly. Fifty-four well-designed fonts give you many readable options to work with while developing your design. Cabrito Flare includes a suite of OpenType features. Alternative forms, ligatures, figures, and titling caps are all here. Preview these functions in the interactive PDF manual. There are glyphs for 72 languages; more than 600 glyphs await you. Cabrito Flare is an excellent choice for websites, as well as for brochures and packaging. Like Cabrito, used by several visible brands, Cabrito Flare is also an excellent option to define your logo. Try the taste of Cabrito Flare and be sure to dip in and sample some of the other Cabrito members: Original flavor, Didone, Sans, Serif, Semi, Contrast, and Inverto.

Axial Cut is a sans serif typeface (Latin Extended-A), a contemporary and rounded evolution of geometric fonts for screen, but this time the letters are built on an axial axis that results in trapezoidal counter-shapes, joints with reduced antlers and rounded corners that correct optical effects in small sizes to make the typography more legible, and at the same time, in large sizes it shows its original shapes. The Axial Cut typeface family is made up of four weights: Light, Regular, Medium and Bold, each with 785 characters. I have taken particular care with the metrics and dimensions of each letter or sign, with a very careful and precise kerning configuration to achieve the For maximum readability, these are fonts with slightly higher ascenders than capitals and short descenders to make it more compact. The editing possibilities and unique designs with these complex typefaces are very wide, the fonts have a complete set of uppercase letters and a lowercase set with alternative characters as well as lowercase letters and numbers in different positions (lowercase, denominators, numerals, and uppercase) that They also work as automatic fractions, they also incorporate small capital letters and three sets of alternative numbers (Normal, Old style numbers, Square numbers), etc. Discover other alternative signs, characters and Open Type functions in the PDF: Specimen & The Cheat Sheet.

Woodford Bourne PRO is the evolution of my original Woodford Bourne typeface that was inspired by the iconic stone cast letters on the façades of the 19th century Woodford, Bourne & Co. buildings in Cork City, Ireland. Woodford Bourne PRO has matured with numerous improvements to make it an even more versatile font family. The fonts have been completely redrawn and spaced, there are now an additional 500 glyphs for you to use across 9 stylistic sets. The additions include underlined caps, small caps, petite caps, catchwords, discretionary ligatures and more. Please view the specification sheet before you purchase to see all the glyphs and features. Key features: • Woodford Bourne PRO is a vintage geometric sans, optically adjusted for improved aesthetics and legibility 2 FONTS IN 1 – Use the default contemporary character set, or switch to vintage style with stylistic sets 9 Weights in Roman and Italic Thin | ExtraLight | Light | Regular | Medium | SemiBold | Bold | Black | Ultra Underlined Caps, Small Caps, Petite Caps, Catchwords, Discretionary Ligatures Full European character set 1000+ glyphs per font UPDATED JULY 2021 (v.3) Woodford Bourne PRO v.3 update includes numerous improvements including rebalanced /S/s/ glyphs to make them less ‘top heavy’. Italics have been redrawn to smoothe out irregularities. Improvements have been made to diacritics and glyph coverage now supports all Latin European languages.

Drummer is a large futuristic font family inspired by the Expansion TV series, old science fiction book covers and Honda Prelude and Porsche logos. The family contains a large number of styles and a lot of language support. 54 styles, 6 in width (Ultra Condensed, Condensed, Normal, Expanded, Extra Expanded, Ultra Expanded) and 9 in weight (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, ExtraBold, Black). The font also has a variable version. 573 glyphs, including 40 alternate characters. A lot of work has been done on the font. The fillets on the symbols have been well worked out and tested for a better visual and practical experience. The font combines the monospacing of many characters combined with kerning, which makes it very convenient for many purposes, such as vertical typography. The font is good in all sizes, both small and large, which makes it possible to use it anywhere. Branding, logos, titles, posters, texts, covers, merch, prints, web, titles, banners, games and design in games and much more. In the near future, it is planned to add another axis of variability - the slant. Consequently, the family itself will increase. It is also planned to add a small case (capital). If you want to say something about the font or get a font in other formats, then write to the mail: bunineugene@gmail.com .

Cutie Sugary is a delightful font that exudes charm and sophistication. With its graceful serifs and refined letterforms, it adds an air of elegance to any design. The carefully crafted swashes on select letters provide a whimsical and playful element, making it perfect for creating eye-catching headlines, invitations, and branding materials. Designed with love and attention to detail, Cutie Sugary captures the essence of timeless beauty. Its classic style, combined with the hand-drawn sketch medium, adds a touch of warmth and authenticity to your projects. Whether you're designing wedding stationery, crafting unique greeting cards, or creating stunning logos, this font will add a delightful and personalized touch. The friendly and simple nature of Cutie Sugary makes it incredibly versatile. It effortlessly blends into a variety of design styles, from modern to vintage, ensuring its adaptability for different projects. Its legibility and balanced letterforms make it equally suitable for both small and large-scale designs, guaranteeing a seamless reading experience for your audience. As you bring your creative ideas to life, Cutie Sugary will be your trusty companion. Its charming aesthetics will help your creations stand out on marketplaces like Etsy, Creative Market, and MyFonts. With Cutie Sugary, you can add a sprinkle of sweetness and elegance to your designs, captivating the hearts of your customers

Rubiesque is the sans serif version of Rubis, these two families share the same skeleton and weights. Rubiesque is a sans combining humanist and grotesk references which give this typeface an interesting & unique personnality. The regular and medium weights are perfect for text while the italic give an interesting texture to the text. The range of style give a good flexibility to this family. It’s a perfect family for editorial use. Rubiesque consists in a 10 styles family, from Light to Black with their corresponding italics. Each font includes OpenType Features such as Small Caps, Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and ligatures. Rubiesque family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Varygraphie is a modern Art Deco sans-serif family. This expressive typeface is provided as a variable font, and was designed by Mans Greback between 2019 and 2023. It gives any project a modernist appearance, as a reinvention of the hundred-year-old style of design, adapted and adjusted to fit in present-time purposes and technology. The Varygraphie family contains 12 high-quality styles: Thin, Light, Regular, Medium, Bold and Black, and each weight as Italic. Mix the weights to see how they balance perfectly against each other. Or use the variable font and set any weight between Thin and Black: Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about variable fonts: https://mansgreback.com/variable-fonts The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive language support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you’ll ever need, including all punctuation and numbers.

Ferguson is a geometric slab serif which made with a mono-line concept and versatile style. Inspired by old western and magazine designs. Ferguson has a straight and consistent line to give neat looks. Ferguson is made for editorial and formal purposes. but still flexible to use it in other typographic projects. This font family has 6 weights and 2 widths that gives you many options on your designs projects. - Regular versions: Comes from Light, Normal, Medium, Bold, Black, and Ultra Black. Very recommended for editorial use such as body text, sub-headline, and tagline. The bolder weights are goods for headline too. Strong and geometric! Suitable for sports themes, social movement, masculine and logotypes. - Condensed versions: Available in Light, Normal and Bold. Great choice for a headline, and display. This condensed designed a bit minimalist than regular version to keep the readability. Also, there is Bold Shadow style to complete the vintage movement which happening now. Suitable for a poster, magazines, and clothing project. Ferguson font family has up to 28 accents: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Spanish, Swedish, Turkish, Zulu. Fonts featured : - Uppercase - Lowercase - Numerals - Some symbols - Diacritics Thank you. Hope you like it and enjoy!

Entendre Rough defies the conventions of most distressed typefaces, as it is an actual text typeface family. Sure, you can use it for your big display type, but you can also use it for body text. Entendre Rough is a stately, commanding and handsome distressed sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre Rough spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre Rough includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre Rough’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre Rough family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre Rough pairs well with our non-distressed Entendre family and our rounded sans serif family Elpy, sharing similar proportions and spacing.

Tomi Haaparanta got the idea for the Tyke typeface family after using Cooper Black for a design project. He liked Cooper's chubby design, but longed for a wider range of weights. “I wanted a typeface that was cuddly and friendly,” recalls Haaparanta, “but also one that was readable at text sizes.” He started tinkering with the idea, and Tyke began to emerge. Even though Haaparanta knew his boldest weight would equal the heft of Cooper Black, he began drawing the Tyke family with the medium. His goal was to refine the characteristics of the design at this moderate weight, and then build on it to create the light and bold extremes. Haaparanta got the spark to design type in 1990, when he attended a workshop held by Phil Baines at the National College of Art and Design in Dublin. “I've been working and playing with type ever since,” Haaparanta recalls. He released his first commercial font in 1996, while working as an Art Director in Helsinki. After about two dozen more releases, he founded his own type studio, Suomi Type Foundry, early in 2004. At five weights plus corresponding italics, Tyke easily fulfills Haaparanta's goal of creating a wide range of distinctive, completely usable designs. The light through bold weights perform well at both large and small sizes, while the Black is an outstanding alternative to Cooper for display copy.

Geminian is a set of fonts that started as a simple idea based on a theoretical level and developed during a long time, to be able to take shape under a creative impulse inspired by the need to communicate, today more than ever. From an astrological point of view, it celebrates and contributes to this practice, the study of stars position and movement and their influence on people's destiny. As a good Gemini, this set revives the main features of the opposite twins sign. Gemini is associated with thoughts, creativity, and communication. Its ruler Mercury (Hermes for the ancient Greeks), messenger of the Gods, and spokesman of the divine word, gives the natives of this sign intelligence, wit, eloquence and poetry. Geminian aims to be a medium to carry different messages from one end to the other. And this is because when using words, Geminis always surprise. Thanks to this gitf (and language and communication), they are able to bring up the most ingenious ideas, to solve any problem and to contribute new perspectives. These qualities may be the secret of its magnetism. The Geminian set comes in 5 styles including a script with multiple ligatures and alternates, 3 sets of caps and dingbats. In addition the complete font family supports a wide variety of Latin alphabet-based languages.

Lc Trinidad is the result of a series of wonderings regarding geometric Sans Serif typography design, in particular; Futura of Paul Renner. A “conversation” arose between me and the designer – actually there was no conversation, it is an euphemism for “I saw his designs, I draw them and discussed with myself some of his decisions – that ended up being the origin of this font firsts glyphs: A, H, N, O, R and S. I started with uppercase letters, and here is when Rudolf Koch with Kabel and his “Das schreibbuchlein” joined the conversation. This is how I could develop some alternative lowercase letters so as to illustrate this imaginary discussion. The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations. The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family. Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, small caps numbers, arrows, fractions, superscripts, subscripts and many more.

Introducing Dominant Youth, a bold and impactful display serif font that exudes confidence and strength. With its commanding presence, Dominant Youth is designed to make a lasting impression on any creative project. The font’s robust and assertive letterforms showcase a unique blend of classic elegance and contemporary style. Its tall and slender structure adds a touch of sophistication, while the sharp serifs give it a distinctive edge. Dominant Youth is carefully crafted to capture attention and evoke a sense of boldness and youthfulness. Whether you’re working on branding, editorial design, headlines, posters, or any other project that demands attention, Dominant Youth is the perfect choice. Its versatile nature allows it to excel in both digital and print mediums, ensuring your message stands out in a captivating manner. The well-defined characters of Dominant Youth provide excellent legibility, even at smaller sizes. The font’s wide range of weights and styles offers flexibility, allowing you to experiment and find the perfect balance for your design needs. From light and elegant variations to bold and impactful options, Dominant Youth empowers you to create visually striking compositions that leave a lasting impression. Don’t settle for ordinary typography when you can make a statement with Dominant Youth. Embrace its commanding presence, embrace its youthful energy, and elevate your designs to a new level of distinction. Features: Dominant Youth Multilingual Support Thank you

Kubrick is an experiment in extremes. The Light font is very tall and slender, the Black font is very massive, and Kubrick's slender counters push some of its glyphs to the edge of recognition. The thin counters and negative spaces also give text set in Kubrick a definite visual sparkle, especially in all-uppercase settings. Because of its extreme letterforms, Kubrick is recommended only for large display use. The default letterspacing is set fairly wide to keep text legible. Kubrick was a double-experiment. One part of it was to see how heavy and massive a typeface I could make while still keeping it legible. The other part was to develop a Multiple Master font. Multiple Master fonts were a format developed by Adobe that allowed the user to change things like the weight and width of a typeface. Monollith started as just such a Multiple Master typeface, but when Adobe discontinued the Multiple Master format, I stopped work on the typeface. Later I decided to continue work on it, but as five separate font weights: Light, Medium, Bold, ExtraBold and Black. Very rectilinear letterforms with extremely narrow counters and negative spaces. The five fonts go from very thin and condensed to very heavy and extended. Use in large display settings where unornamented high visual impact is desired.

Amorie is a tall and skinny hand drawn font. It comes in various weight and styles, and with an array of opentype options. Built to appear completely hand crafted, different designers could produce completely different results, selecting either Modella (classic and chic), Nova (fun and fancy) or SC (Small Caps and all business.) Each style comes in light, medium and bold and has an accompanying italics version. Opentype for this font includes Contextual Alternatives, which produces three versions of each character, making sure no two identical letters appear next to each other thus giving your design a fully authentic look. There are also stylistic alternatives, which offer different style to a select few characters, including capital letters: A, K, R, Q, Y and lowercase letters: a, e, k, t, y. Lastly, is a large set of swashes, 3 for each letter they accompany. For the most part this includes the whole uppercase alphabet as well as lower case letters with an ascender or descender. Amorie includes a large set of graphic extras, including stylish frames, arrows, line breaks, corners, flourishes and more. The complete package gives you one unbeatable font family. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want.

Evanston Tavern is a square typeface and the sans-serif version to Evanston Alehouse. Inspired by the years that prefaced the ratification of the American Prohibition, this typeface mimics the signage commonly seen outside of saloons, taverns and alehouses during that time. Back to the modern era, Evanston Tavern is more than just a vintage inspired typeface. It works in modern and futuristic settings with multiple styles, opentype alternatives and ornamentation. The family provides a robust 61 total fonts, within it's 3 styles of regular, stencil and inline. Each sub family includes 4 weights and 5 widths. It has special features that add depth to the typeface, with discretionary ligatures and stylistic alternatives. It also includes a complimentary set of ornaments, including a vintage graphic set from the era, as well as modern frames, borders and icons. This typeface works great at logos, packaging, and other display settings. Pair this font with Evanston Alehouse and have a great combination of serif and sans-serif square letterforms and a large array of ornaments! Here’s a snapshot of what you get with Evanston Tavern: - 3 Styles: Regular, Stencil and Inline - 4 Weights: Light, Regular, Medium and Black - 5 Widths: 1826 (condensed), 1846 ( narrow) 1858 (regular), 1893 (wide) and 1919 (expanded) - 2 capital Heights: Capitals and small caps - 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives - 1 Ornaments font with over 100 graphic extras

Introducing Vinque Antique, a typeface that echoes the soulful and authentic spirit of a bygone era. Its humble, earthy rendition of nineteenth-century Arts & Crafts revival of medieval lettering is a tribute to the timeless beauty of handcrafted art. What sets Vinque Antique apart are its legible letterforms that effortlessly capture the essence of a bygone era. The typeface is imbued with OpenType fractions, f-ligatures, and old-style numerals that lend it an air of authenticity and tradition. But that’s not all. Vinque Antique also boasts three texture variations of letters that are automatically shuffled in OpenType-savvy programs to give a more natural and organic feel. If you prefer a cleaner look, simply toggle the ligatures functionality in your application. Available in three weights and italics, Vinque Antique is perfect for designers looking to infuse their work with a touch of nostalgia and rustic charm. Whether you’re creating vintage-inspired logos, packaging, or print designs, Vinque Antique is the perfect choice for adding a touch of old-world charm to your work. So why not elevate your designs with Vinque Antique’s humble yet timeless style? Get it today and experience the beauty and versatility of this classic typeface. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.