Gotyk Nr7 is a new, completely redesigned and improved version of my font Gotyk Poszarpany, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

This version of ITC Franklin Gothic contains a PanEuropean character set supporting Greek and Cyrillic languages, in addition to Western, Central and Eastern European languages. Customers seeking a Franklin Gothic that matches the Microsoft Windows version should select this version.

Astalamet Pro is a new, completely redesigned and improved version of my font AstalametPure, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

EightZeta is a hand-drawn font designed by Bartek Nowak. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Typedesigner Hannes von Döhren created a display typeface called "Embryo". A superblack, sweet font with filled counters. Perfect for use in big sizes on posters or flyers. Embryo has an extended character set to support Western, Central and Eastern European languages.

Turlock JNL is a more traditional-looking slab-serif Western Font along the line of Brogado JNL. With its hand-drawn, old-time look and feel, Turlock JNL is perfect for anything with a Western or cowboy motif.

Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts. Sehrer recommends this family for posters, logos, and restaurant menus. It works well with traditional sans serifs such as Helvetica or Univers.

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Times New Roman World Version is an extension of the original Times New Roman with several other scripts like with the Helvetica World fonts. It is part of the Windows Vista system. The following code pages are supported:1250 Latin 2: Eastern European 1251 Cyrillic 1253 Greek 1254 Turkish 1255 Hebrew 1256 Arabic Note: The Roman and Bold versions include the arabic scripts but they are not part in the corresponding italic versions. 1257 Windows Baltic 1258 Windows Vietnamese

Although initially designed as a rational/geometric font, Triplex developed into one of Zuzana Licko's most intuitive typeface designs at the time. Its first extensive use was in Emigre magazine #14, a special issue devoted to Swiss designers published in 1990. Triplex was intended as a friendly substitute for Helvetica. The name Triplex refers to the three versions that make up the entire family; Triplex, Triplex Serif and Triplex Italic. Each version of the typeface comes in light, bold and extra bold. The italic was designed and drawn by type designer and sign painter John Downer, and was designed to work with both the serif and sans serif versions. See also Triplex Italic OT.

Holy Roller is a fun, hand-drawn font inspired by typewriter fonts. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The character of Vivala Sans Round is modern and stylish with elegant squarish shapes. The family includes five weights. A large x-height is ideal for titles and body text. The extended character set supports languages like Western, Central European, and Eastern European.

Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.

Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.

Heldustry is a sans serif design with letterforms partway between Helvetica and Eurostile. The Heldustry font family has a large x-height and wide characters, making it ideal for situations where there is not much copy but pages must be filled.

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Kidcut is a typeface created by cutting glyphs out of paper with scissors. The shapes are irregular, giving the impression of being cut out by a child. The typeface contains upper and lower case letters of the Latin alphabet (basic, Eastern, Western and South Western Europe, Vientamese and Pinyin) and three contextual alternates from each glyph, which is very important when there are three identical letters in one word - then we have the impression of handmade, not repetitive.

For a pulp magazine called Spicy Western Stories, it was unusual that the January 01, 1939 issue had its cover title hand lettered in an extra bold Art Deco style rather than Western influenced lettering. This did not stop the lettering from being used as the design model for a digital type revival. Pulp Magazine JNL, is available in both regular and oblique versions.

Alathena was inspired by the French art decade between art nouveau to art deco, comes with 2 style, Alternative swash and Modern deco, with some modified ligatures. Available with 6 Weights, Thin, Extra Light, Light, Regular, Bold, Extra Bold with support 75+ language (Latin Pro), and contains OpenType features. - Matching small caps for all weights. - Old Style Figure. - Full "f" Ligature set. - 20+ Optional (discretionary) ligatures. - Over 400+ Swash Characters. - Automatic Fractions. - Automatic Ordinals. - Extended language support for most Latin-based Western and Central European languages, including all the swash and alternate characters.

Nageka is a distorted typeface, ideal for posters, slogans, headlines, particularly for hardcore bands' posters. The additional set of dirt patterns is comfortable to use with subtitles. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

Codo Mono Modern monospace typeface Standard and italic styles, 6 weights + variable weight versions. Codo Mono is a carefully crafted monospaced typeface featuring stylistic alternatives to help make your design or branding stand out. Codo Mono Family: Codo Mono Thin Codo Mono Extra Light Codo Mono Light Codo Mono Regular Codo Mono Medium Codo Mono Bold Codo Mono Italic Thin Codo Mono Italic Extra Light Codo Mono Italic Light Codo Mono Italic Regular Codo Mono Italic Medium Codo Mono Italic Bold Plus: Codo Mono Variable weight Codo Mono Italic Variable weight This font has extensive Latin language support for Western, Central, and South-Eastern European. Designed to have great legibility with a modern feel, Codo Mono is well suited to branding, magazines, editorial copy, packaging, and more.

If we look up the definition of the word "grotesque", we find the following: "Odd or unnatural in shape, appearance, or character; fantastically ugly or absurd; bizarre." Following this definition, the design for Anti aims to create an un-compromised version of a grotesque sans-serif – where decorative details live in balance with brutalist shapes. The result is an alphabet with a slightly modernist feeling and an eccentric touch, that work wonders at small sizes. The typeface comes with four weights – light to bold – and features a character set supporting Central and Eastern European as well as Western European languages.

Redtone is a Geometric Sans serif font family, a combination of straight lines and perfect circles and sharp edges. this geometric typeface is perfect for every display. This font has 14 fonts consisting of 7 weight from thin to bold with matching oblique. Redtone fonts have an extended character set to support Central and Eastern European as well as Western European languages. This font is a great choice for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title and more.

Hannes von Döhren created Love Potion. Three fonts (Regular/Bold/Ornaments) that include extravagant Ligatures, Swash Letters, Catchwords, Arrows, Borders and other little specials. The hand drawn serif type family is intended to be used in applications like: Food, Clothes, Living, Wedding stationery or basically everywhere where love is in the air… Love Potion is equipped for professional typography. As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European as well as Western European languages. In addition to that the fonts contain Standard ligatures, Swash Letters, Catchwords, Arrows, Borders and much more.

Highfield is a luxury sans serif type family of three weights plus matching italics. It’s influenced by the modern and elegant style sans serif typefaces that are popular in high class editorial design. The fonts are based on geometric forms that have been optically corrected for better legibility. While the bold weight is a great performer in display sizes the light and regular wights are well suited to longer body & supporting text. Highfield is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Martita is an elegant, handwritten, fully connected script with ligatures to help with flow and readability. Martita can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Sahan is a typeface which looks almost like Arabic, but it is not a real Arabic font. This simulation font includes upper and lower case Latin alphabets and numerals. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Solanum is cosmic style sans family. It contains Latin and Cyrillic alphabet, Latin with Western, Central and South Eastern European, Vietnamese and Pinyin diacritics. Solanum is perfect for display purposes. This typeface family contains 12 styles from Thin to Regular and from Normal to Ultra Expanded.

Suarez is a handwritten, fully connected script with ligatures to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Polina (previously named Dobra) is a handmade, layered type family which includes several textures and shadows. Different font types can be created using various combinations of Polina fonts and colors. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Procent is an all-caps, handwritten font with two variations for each letter. Procent can be used for scrapbooks, greeting cards, invitations, announcements, signs, menus, restaurant themes and more... Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Minio is a cubical mechanic, futuristc display. It's fun and groovy with a bold personality. Perfect for logo, Brand,title or anything your creativity takes you. - Uppercase and lowercase letters - Punctuation - Numbers - Multilingual (Latin Western Europe)