9,232 search results (0.041 seconds)
  1. Lombardo - Unknown license
  2. Tobin Tax - Unknown license
  3. Radaern - Unknown license
  4. Yanone Tagesschrift - Unknown license
  5. JSL Ancient - Unknown license
  6. Snotmaster V - Unknown license
  7. GotischeMajuskel - Unknown license
  8. Cup and Talon - Unknown license
  9. Our Sacred Rights - Unknown license
  10. Imperial Symbols - Unknown license
  11. OldTypefaces - 100% free
  12. Elder Magic - Personal use only
  13. unciaal - Unknown license
  14. Grange - Unknown license
  15. 1742Frenchcivilite - Unknown license
  16. WirWenzlaw - Unknown license
  17. ReadableGothic - 100% free
  18. Heorot - Unknown license
  19. Kremlin Orthodox Church - Unknown license
  20. Gawain - Unknown license
  21. MissalUncialeMaster - Unknown license
  22. PiratsSymbolsArtefacts - Unknown license
  23. Wolves and Ruin - Unknown license
  24. Middle Ages - Unknown license
  25. Piper Pie - Personal use only
  26. Fire Of Ysgard Regular - Unknown license
  27. Tribal Two - Unknown license
  28. CuttyFruty - Personal use only
  29. Rousseau™ - Unknown license
  30. Odinson Light - Unknown license
  31. Umber SSi - Unknown license
  32. FR Warrior Plain - Personal use only
  33. Enchanted Land - Personal use only
  34. Neue Haas Grotesk Text by Linotype, $33.99
    The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival. The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R. Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms. Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.
  35. Contax Pro by Type Innovations, $39.00
    Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.
  36. NewRocker - 100% free
  37. Metal Macabre - 100% free
  38. ozzy II - Personal use only
  39. Jellyka, Saint-Andrew's Queen - Personal use only
  40. CrEAtoR cAmpoTYPe SmcP - Personal use only
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