A new gothic with the look for today. Available in 3 weights, universal, works for all applications.

A different kind of beauty. Silex began life in the labs of R.U.S.S.T Institute a number of years ago, starting with a skeleton of C.A.D./C.A.M system fonts, a disused tungsten carbide blade off an old milling machine for a soul and a little box of OpenType features for brains. This family of 3 solid, Silex is a hard-edged, hard-working display fonts. Suitable for headlines, logos, heavy equipment and... If you are a wrestler or mixed martial arts fighter, your resume. OpenType features include stylistic alternates, discretionarily ligatures, case sensitive glyphs, small caps, dozens of standard and discretionary ligatures.

Meet EXCESSA!! a new futuristic and modular typeface family directly evolved from my previous released, AREON FLUX. Comparing it to his cousin, EXCESSA inherit most of the glyphs but a certain large group of letters are designed with a more obvious curvature that creates a slightly different visual dialog. It cames also in the same 3 styles as it’s predecessor: Athletic, Medium and Heavy. His more dynamic and modular structure makes it an excellent choice for designs that needs a futuristic, technical, unusual and sci-fi touch. It also supports most of the latin based languages, kyrillic and greek as well.

Umberland Slab is an attractive family available in 3 different weights with italics. There’s a particular emphasis on simple geometric shapes and the way they interact with tall vertical strokes. Smooth curves and sharp angles blend together in a pleasing symmetry. Stroke widths are given variable degrees of contrast but serifs are consistent and heavy handed. Spacing is on the tight side with some lowercase pairs quite snug against each other. Umberland Slab would work well in small blocks of text, corporate logos, menus, or signage. This family is equipped with European accents/diacritics for international support, fractions, alternates, and ligatures.

The initial characters in China Market were created in 1996 for a logo featuring the Temple of Heaven in Beijing where emperors from the Ming and Qing dynasties worshiped heaven and prayed for abundant harvests. The font was completed in 2010. It is composed of a regularly positioned curved and straight components as if part of a decorative grillwork or other architectural detail. While its influences and origins are clear, its appearance is relies more upon the geometry of its basic elements and the modular structure than a specific stylistic idiom.