The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «
Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Header includes hybrid glyphs encoded where small caps are normally found.
The spontaneously fun font for all things whimsical. Outrageous and gregarious! Marzipan is great for a multitude of applications including brochures, identities, packaging and scrapbooking.
The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.
New Font for Armenian Designers. This is an Armenian handwritten font. The font is comprised of Armenian letters only All Caps, numbers, and minimal punctuation.
Ink. Messy Ink. Imperfect letters. Baltazak includes uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. All lowercase letters include ending swashes.
This font is all monkey business. Add character and whit to scrapbook journaling, invitations, signs, flyers, and announcements. This lettering has a juvenile, handwritten style.
Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.
Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.
An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.
This new font family full fit all your comic balloons, onomatopoeia and... SCREAMS! Comes with Regular, Italic and Bold Italic with a great organic look.
Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.
The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «
Breakdance is a vintage font duo. Combination of sans and script with sharp textures making all your creative projects getting a vintage and authentic impression!
Flyers, Intros from James Bond films and PlayStation games as well as the typeface Senator from Zuzane Licko inspired the Dutch designer Paul van der Laan to create his font Linotype Rezident. To its design, van der Laan says, I was designing a business card for a friend and I had a certain mood in mind for the typography. I tried to capture this mood in a couple of sketches, drew a few characters directly onscreen and just expanded them into a typeface." And so began Linotype Rezident, with its cool, technical and constructivist appearance which brings to mind computers and virtual reality. And the name? " The name of the font comes from the game Resident Evil. One of the main characters in the game is called Leon and the typeface was initially drawn for a friend of mine called Leon. It also refers to the city of The Hague - where I live and got my education - since it's often called 'de residentie'", where the queen and parliament of The Netherlands are seated."
Federico is a typeface based on the handwriting of Federico Garcia Lorca, the eminent Spanish poet and playwright (1898-1936). Original version was designed for a book about Lorca. The face has two styles. One looks like an original poets writing, the second looks like if Lorca would write with a ball pen. Federico includes many alternative glyphs and ligatures, which make it look like a real writing of an emotional, negligent, creative man. Despite the fact that Garcia Lorca has written in spanish, the font has western and eastern european, cyrillic, turkish letters.
The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.
Manualito-Flo, envisioned and created by Florin Florea, stands as a distinctive typographic achievement in the realm of digital font design, though please note, as of my last update in early 2023, an...
Certainly! Let's dive into the whimsically titled "Arrobatherapy" - a font that might just be what the doctor ordered for those craving a dose of typographic relief. Created by the prolific Harold Lo...
Ah, the Edo font by Vic Fieger, you say? Imagine if a brush, after a night out drinking with its inky pals, decided to take a stroll across the canvas, leaving behind a trail filled with personality,...
Imagine if fonts could dance. Well, if any font were to throw on a pair of dancing shoes and hit the dance floor, Unity Dances by S. John Ross would be busting moves that would make even the most res...
Imagine a font that exudes personality, creativity, and a touch of whimsy while maintaining readability and a structured elegance. Thiamine, crafted by the talented Ray Larabie, is a font that embodi...