ludovica. This beautiful script is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, save the date cards and feminine branding.

A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.

JT Symington was inspired by the classic serif typefaces of the 20th century. Its well defined serifs make it well suited to headlines as well as large chunks of body copy.

The Modernique font has an Art Deco flair. Contrast between thick and thin strokes is extreme, making this font only suitable for display. The Lowercase f, i and j are unusual.

DB Pit Stop is a must have for this summer season! These DoodleBats make for great adornments or embellishments on your scrapbook page, or a fun card. The possibilities are endless!

BoldAyres is the heavy version of my Ayres Royal that was inspired by famous calligrapher Ayres and a little bit by a Bavarian King. Your lover of Blackletter typefaces, Gert Wiescher

Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.

It's always holiday time with this frolicking bunch of penguins. Whether celebrating the end of year holidays or prancing around on vacation, these 52 Holiday Penguins are always having a blast.

MS Reference Specialty is a unique font that was originally developed for inclusion in a Microsoft product. The MS Reference Specialty font is available in TrueType with a custom character set.

I was working on an unrelated job with curls and wondered how I could apply them to a font. Well, here it is, all pair-kerned. A little silly but fun.

Auro is a friendly, rounded sans serif that was created as a contemporary typeface solution for branding, editorial use or any other application that requires legibility with a touch of personality.

Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at Letterror.

JY Rebeca was our first attempt using Fontographer to develop a typeface from scratch. It possesses some experimental characteristics in its design, e.g. the mixture between a transitional and modern typeface.