3,001 search results (0.018 seconds)
  1. Font design is a realm that encapsulates mood, culture, and period, all in the structure of letters and symbols. "Club," designed by Keith Bates, is a font that dives deep into these concepts, offeri...
  2. Oh, if fonts were animals in a grand zoo of alphabets, then PANDA, my dear friends, would be the adorable, munching, and utterly irresistible main attraction. Picture this: each letter of PANDA font ...
  3. As of my last update in April 2023, the font named Krizia Uomo, designed by Levi Halmos, may not be widely recognized in main font repositories or among popular digital font libraries. However, let m...
  4. As of my last update in April 2023, the font "Drinking" is not a widely recognized standard typeface in the graphic design industry, which suggests it could be either a new creation or a custom font ...
  5. As of my last update in 2023, "Drebiek" isn't a widely recognized or established font within major typographic collections or font libraries. However, the imaginary essence of "Drebiek" allows us to ...
  6. As of my last update in 2023, Pungen is not a well-documented or widely recognized font in mainstream typography resources. This seems to suggest that Pungen may either be a niche, bespoke creation b...
  7. As of my last update in April 2023, I can provide a general analysis of a font named "Magnificent Serif" by Imagex, based on common attributes of serif typefaces created by this foundry and the typic...
  8. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  9. Project Y, designed by David Kerkhoff, is a remarkable typeface that distinctively stands out due to its unique blend of creativity and functionality. This font seems to encapsulate Kerkhoff's renown...
  10. As an AI developed by OpenAI, I don’t have direct access to real-time updates or specific databases of fonts including those that might have been created or named after my last update. However, I can...
  11. As of my last update, the specific font named "Nickerbocker-Normal" is not a widely recognized standard typeface in the vast landscape of typography. However, based on its naming convention, we can d...
  12. CMSquish, a font designed by Charly Masci, stands out as a distinctive, playful, and versatile typeface that brings a unique flair to any creative project. Imagine the letters as if they've been gent...
  13. As of my last update in 2023, SquareType B, as crafted by the digital design entity digitalAM, presents itself as a contemporary embodiment of geometric clarity and digital boldness. This typeface, w...
  14. Manualito-Flo, envisioned and created by Florin Florea, stands as a distinctive typographic achievement in the realm of digital font design, though please note, as of my last update in early 2023, an...
  15. Font Anastasia, with its artistic and elegant demeanor, brings a compelling presence to the world of typography. Though diverse interpretations of this font may exist due to the evolving nature of de...
  16. **SF RetroSplice Shaded** is an enthralling typeface created by ShyFoundry, a foundry known for crafting highly distinctive and character-rich fonts. This typeface, as suggested by its name, is a div...
  17. Rosango is a captivating font that emerges from the creative mind of Josep Patau Bellart, a name well recognized in the typography community for crafting fonts that blend artistic innovation with fun...
  18. Source Code Pro is an exquisite font meticulously crafted by Adobe Systems Incorporated, designed with developers and coders in mind. It is part of Adobe's open-source typeface family, meticulously e...
  19. Subatomic Tsoonami is not merely a font; it's a vivid journey into the realms of creativity and innovation, embodying a blend of whimsy and sophistication that's rare in the typography world. At firs...
  20. As of my last update, Cubiculo Gallery by Billy Argel is a distinctive font that captures the essence of creativity, combining elegance with a touch of the experimental. While I can't provide real-ti...
  21. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  22. Alas, I can't access up-to-date databases or specific document collections to provide current or exclusive information on particular fonts including "GoodCityModern Plain" by Altsys Metamorphosis. Bu...
  23. As of my last update in April 2023, there isn't a widely recognized or standardized font specifically known as "Pinocchio." However, let's indulge in a creative exploration and imagine what a font by...
  24. As of my last update in April 2023, the font "AB Nirvana*" designed by Redfonts may not be widely recognized in mainstream typography repositories or font collections. It's possible that it's a newer...
  25. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  26. Covington SC Shadow is an evocative font that stands out due to its distinct shadow effect, a characteristic that adds depth and dimension to text, making it pop on any backdrop it's placed against. ...
  27. The Cast Iron font by West Wind Fonts embodies a sense of rugged durability and timeless strength, reminiscent of the era when cast iron was a fundamental material in everyday life and industrial inn...
  28. As of my last update in early 2023, "Beautiful Beasts" appears to be a fictional or not widely recognized font within the vast and diverse world of typography. However, let's indulge in a creative ex...
  29. Graffito, as its name suggests, draws its inspiration from the raw, expressive energy found in street graffiti. This font is not merely a typeface; it's an artistic statement, embodying the rebelliou...
  30. Downcome is a distinctive font by Misprinted Type, a foundry known for its unique and edgy type designs. It embodies a raw, grungy aesthetic reminiscent of urban street art and vintage typewriter tex...
  31. "Black Metal Logos" isn't a specific font you'll find pre-made in font libraries, but rather it encapsulates a unique and intense style of typographic design deeply rooted in the black metal music sc...
  32. Sure thing! Jailbox1 by Dirt2 is a unique font that carries a lot of characters and personality, quite befitting of its intriguing name. This font doesn't just whisper; it shouts, making it perfect f...
  33. The Overspray font, developed by Michael Tension, is a vivid embodiment of artistic freedom and dynamic expression. It stands out for its ability to capture the spontaneous, rebellious spirit of stre...
  34. The font "aaaiight!" exudes an unmistakable aura of relaxed creativity and playful expression. This captivating typeface belongs to the graffiti-inspired category, seamlessly blending the urban grit ...
  35. Throwupz is a font that truly captures the essence of street art energy and spontaneity. Created by the talented font designer Måns Grebäck, it's a font that doesn't just quietly sit on your screen; ...
  36. As of my last update in April 2023, the font named Glyphstream, designed by Bill Roach, is not a well-documented or widely recognized entity in the vast world of typography. However, let's explore wh...
  37. The Octin Prison Free font is a distinctive typeface that exudes a robust and gritty character, meticulously designed by Ray Larabie, a renowned typeface designer with a prolific output of various fo...
  38. As of my last update, there is no widely recognized or officially classified typeface named Brother Bear. However, the concept of a font named "Brother Bear" immediately invokes a specific mood and a...
  39. As of my last update in April 2023, I do not have specific information on a font named "WolfsRain". However, without having the specifics about this font, one can speculate and create a conceptual de...
  40. As of my last update in April 2023, there's no specific, widely recognized font officially named "TR-909" that has gained mainstream acceptance or acknowledgment in the design community. However, the...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing