Golden Wraith Fonts designed the digital typeface Hastynga It began as an effort to find a solution to the digital aesthetic. By distorting digital fonts into a fluid style of writing with a variation in direction between strokes from one letter to the next, Hastynga allows for simulated text imperfection. Its layout creates textual tension, energetic movement, and vibrant vitality.

Put the needle in the groove and jive baby! Discolicious brings back the golden age of moustaches and sideburns, psychedelic tie-dyes and bell bottoms. Use this ‘bubblegum’ disco font for your product packaging, magazines and party posters and they’ll look off the hook! Comes with a primo amount of diacritics, so you can let it all hang out! Word!

Lichtspiele Reklame is the ultra condensed version of Lichtspiele inspired by the 1920s — the golden age of cinema — where neon lights and marquee letters decorated cinema facades. Lichtspiele Reklame is crafted for large narrow formats and contains the display font and two italics (italic & contra-italic), like in these 20s, a time where movie announcements were shown on huge so called Litfaßsäulen.

The inspiration behind the design of the Verger typeface family (serif & sans version) comes from the classic Golden Type, which was originally crafted by William Morris. Although Verger is inspired by this classic typeface, it has several modern, expressive and distinctive styles of its own, especially in the design of its italic versions. This is the sans version of Verger .

Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly 'Out of Focus' look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may uses.

The ultimate "Eye-conic" dingbat with over 40 pairs of eyeballs (either left-right or up-down facing. Great for web design, some pairs even come with a third eye for that special "in" site.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

Create your fontisimo butterfly garden with this original fontazia typeface featuring 52 unique hand-drawn butterfly inspired flowers! Whether you're looking for a modern papillion fluttering about or a metamorphosis experience, bring all your butterfly garden fantasies to life with these subtly bold, subtly complex inspirations.

If you think nostalgia isn't what it used to be, this will change your mind. A ritzy new font family from Studio K that will transport you back to the era of afternoon tea dances performed to the strains of the Palm Court Orchestra or the Bath Pump Room Quartet: a celebration of the golden age of dance from Busby Berkeley to Fred Astaire and Ginger Rogers. Enjoy!

A nostalgic font referencing the 1920s and 1930s during the Golden Age of Hollywood, art moderne and the rise of luxury items. Highly geometric with wild variations in glyph widths that demand attention. Smart Deco is a display font with clean simple lines, tall ascenders and expressive Capitals that descend below the baseline. The intention is to create a sleek elegance that symbolizes the sophistication of a bygone era.

With a nod to the Golden Age of children's stories, this delightful font will have many uses. 'Luceat' is the Latin for 'shine' and we arer sure you will agree that this is a shining example of the genre. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Let Bronze Script take you back. Back to the golden age of vintage when hand drawn scripts appeared in every form of publication. A different time when everything moved slower, lettering was done with expertise, and every detail awarded care and attention. In our age of cold digital creations, you can rest assured that Bronze Script will give you that tailor made flare only a nostalgic font can offer.

Natalya Monoline is the rounded monolinear companion to Natalya. Like its predecessor, Natalya Monoline has a smooth rhythm and flows fluidly, due in no small part to its reliance on the golden spiral for its ornate swirls. This makes for an especially harmonious script with timeless appeal. The typeface family includes five weights with three alternate variations of the ascenders and descenders and includes OpenType ligatures, oldstyle figures and ending swashes.

Natalya is a flashy and rhythmic script. The script has more space between characters than most for better legibility, and the basis point for the ornate swirls is the golden ratio. This makes for an especially harmonious typeface with timeless appeal. The typeface includes three alternates with variations of the ascenders and descenders. All three fonts include OpenType ligatures, oldstyle figures and ending swashes for an even more elaborate appearance.

A great UGLY font. Beauty lies in the eye of whoever. Maybe the beholder is a beast or a Swiss artist. The SHIFT key will give you alternative character shapes. Remember: beauty doesn’t lie in the eye of the beholder – it lies in yours!

The cover lettering of a 1940s issue of a romance comic spotted in an auction online was the inspiration for Monthly Adventures JNL. Classic in its Art Deco look, this condensed outline font is evocative of the hand-lettered titles used during the Golden Age of the comic book. Available in both the original outline version and a thick, solid version with the outline removed, as well as oblique variations of both.

Kanna Aoki drew the letters for MVB Emmascript while on a picnic near the Conservatory of Flowers in San Francisco’s Golden Gate Park. Mark van Bronkhorst adapted the writing as a font that maintains a very natural scrawl. Later a bold weight was added. MVB Emmascript has been used to add a lighthearted, human touch to everything from fiction paperbacks to potato chip packaging. The typeface is named for Aoki's 1968 Volkswagen, Emma.

An eye-catching, multilingual and versatile compressed serif font of French origin.

This family is inspired from the set of two styles, Roman normal and Italic, and the ornaments used by an unknown printer working around East Switzerland, circa 1750's. It is a Dutch style font, slightly bolder than usual Fournier's or Caslon's Roman fonts, with some emphasized serifs and finals parts and special letters as capital "U" for example. A set of initials, fleurons, ornaments and frame elements is joined to the family as a supplement. The two styles, Normal and Italic, are containing standard ligatures, a few alternative characters and titlings (who are more preferable than enlarged capitals). They are "small eye" or "Small x-eight" fonts. The standard characters set is completed with accented or specific characters for Western (Including Celtic) and Central Europe, Baltic, Eastern Europe and Turkish.

A monospaced font designed for a small Italian pub & restaurant. Very eye-catching font.

A font within a font. Recommended at large sizes only for eye-catching effect.

Hypnotize your audience! For a truly unusual eye-catching experience, this modern-day series, containing 52 geometrical and optical mofifs, can bewitch and fool the eyes with unexpected shifts in focus. Whether your documents are for print or screen, these symbols are sure to add a little fun to all your presentations.

Larchmont is a piece of pure fun, inspired by inter-war enamel advertising hoardings (often known as 'street jewelry') and by traditional sign writing. It's ideal for poster design, book covers and any sort of signage, or just about anywhere you need more than a hint of flair. Larchmont combines a sense of fun with a traditional ethos. The family is offered in three widths, each in upright and oblique forms. Revive the golden age today!

Designed with the gig poster in mind, Reverb is a throwback to the Fillmore West golden age of psychedelic rock and summertime fun. With 5 distinct weights, this workhorse of a display face has you covered from light and airy to bold and curvy. Concave stems. short descenders with a tall x-height, and a generous helping of stroke contrast define this humanist sans face that's built to shine as a headliner or to spice up some secondary copy.

Get ready to groove with our latest creation, Keretro font! Keretro transports you to the golden era of the past, evoking a sense of nostalgia that resonates with pop culture enthusiasts. Seamlessly blending boldness and authenticity, they captivate the hearts of your audience, adding a unique and irresistible touch to your brand identity. Keretro has 2 widths: Regular and Outline so can be perfect for any retro project like logotype, branding, title, packaging, and many more.

Inspired by the elegance and sophistication of Hollywood's Golden Era, Oscar is a lyrical nod to the pinnacle of cinema achievements, the Academy Awards. Its slim, graceful features are accentuated by undulating triple waves. Delicate yet study, it will handily support messages both solemn and joyful. Use Oscar when you wish to convey a sense of celebration and prestige, a reference to the era of Art Deco and the 1920s or, a feeling of grace and ceremony.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys? - Copperplate Gothic - When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s. Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation. Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture. Specimen: http://carontwice.com/files/specimen_Copperplate_New.pdf