Quintana is a font that reflects urgency. Suitable for logos and packaging statements. Invoking the Opentype / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. This can be done individually for each letter as well. (Check out the pdf in the Gallery section for details.) Quintana also contain alternative Swashes and OldStyle numerals. (Opentype-Variants may only be accessible via Opentype-aware applications.

The Ray Johnson font was inspired by the Father of Mail Art. It's based on the block lettering style used by Ray to add the names of his correspondents to their bunny head portraits (the film How to Draw a Bunny is a superb introduction). The font includes blank bunny heads and other Ray Johnson graphics as scalable vector images, and separate bitmap images are also provided as jpegs and gifs.

We designed this Glogalex font inspired by today's rapid digital technology, where the art of typography is very much needed to support various digital needs, both for software and for other print media needs. Glogalex is a display font designed with the main focus aimed at the needs of various brands of digital products or other technology products, but not limited to the use of various kinds of printing, both mass media or for the needs of various titles of books, magazines, newspapers, and various other kinds of tabloids, the wealth of Glyph Alternate and Ligature can add to the creation of typography art, you can be creative in using various letters that we have designed by combining ordinary letters with alternative letters and also ligatures, we have combined several ligatures to make it easier for you to use, but if If you have difficulty using Alternate letters and ligatures, we recommend you to manually combine each Alternate and ligature you want to use. We highly recommend the use of this Glogalex font for the needs of displaying company brands, trademarks, logo designs, use in digital media, such as movie titles, online game names, and for various vehicle brands, if you can maximize its use it will be very interesting. for each display that has been designed, pleasing to the eye and easy to read. we are very happy if you are satisfied in using our products, and if there are problems in using our products you can tell us via email zulfikarzul80@yahoo.co.id, we will respond as soon as possible, thank you.

Balestya Script is a modern calligraphy font. Balestya a beautiful for logotype, website header, fashion design,wedding card design and any more. Balestya comes with elegant style, It also comes as a Balestya Normal, Balestya Medium, and Balestya Bold. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. Whats Include : Balestya Normal, Medium, Bold PUA Encoded Multilingual support : (Danish,Finnish,English,,Spanish,Dutch,German,Icelandic,Italian,Norwegian,Portuguese,Indonesian, Swedish) To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Thank You!

Donald DBXL Beekman lives on a ship in Amsterdam’s waters (well, the Amstel river, actually). Living on the water inspired him to design this ‘cruise ship’ typeface VLNL Decks. Available in several variations, it’s a fabulous cocktail of freshly caught fish typography. Decks is recommended for seafood restaurants, speed boats as well as slick city boys wearing overly expensive sunglasses or Ibiza sunset parties. Decks is the tiger prawn amidst sea foods. VLNL Decks has a distinct modern techno look but the rounded corners give it a warm and human feel. It is available in 3 monolinear weights (Light, Medium, Bold) and 3 weights with contrast between horizontals and verticals (Different Light, Different Medium, Different Bold).

Saguenay ia very versatile font which apply to many applications including headlines,web, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

Chevalon is a versatile serif font consisting of 7 styles. Inspired by medieval roman letter, the Chevalon is like a glorious horse that has a strong yet elegant appearance. Each Chevalon letter is carefully crafted. Chevalon fonts can help you complete various projects such as luxury brand logos, journals, business cards, headlines, products, social media posts, web and much more. If you are involved in a project that requires strong, elegant and professional writing, Chevalon font is perfect to help you get it done.

Typha Latifolia is a plant of the swamps from the Northern Hemisphere. It is characterized by its high rangy leaves. Typha Latifolia is also a font family. It is characterized by the height of the ascenders and the descenders. Numerous ornamental variations complete medium and bold versions.

Topic - Dedicated to writing a Big text in newspapers, magazines, road boards, book , TV and other printing products, and web pages. The Topic font contains 4 styles (Light, regular, Medium and bold) The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

Platoon was designed as a much needed alternative to other stencil fonts that don't provide enough weights. Comes in four weights, regular, medium, bold and black, which gives it enough flexibility to make it the stencil of choice for posters, titling, book covers, and military-related designs.

Alizarine is an elegant and luxurious serif font with flowing embellishments. This posh typeface features medium weight with a matching italic, and includes many capital ligature pairs. Excellent for high fashion couture, jewelry, boutique logos, perfume branding, arts organizations, museums, book titles, web banners, and much more.

Limited to a single width for all characters and a rough image transferred through a ribbon to the paper, in 1953 Clayton Smith at IBM, Lexington, adapted the classical serifed letterform to this difficult medium to obtain a typewriter face of good readability and interesting texture.

Roman Condensed is a condensed, classic roman typeface. It has a medium contrast in stroke weight, slightly rounded serifs, and is easy to read. This version is based on a typeface from Showcard Machine Company, which was made specifically to be used with their proof presses.

Introducing Triorange, a retro display font with rounded and smooth corner. Comes with 3 weight : Regular, Medium, and Bold. Simple letter form make this font looks nice either in body text or headline. Perfect for logo, branding, surface design, editorial design, and so many design needs.

Bitmax is the work of British designer Alan Birch, who was inspired by the look of fax transmissions. He took Helvetica medium and used controlled distortions to create this commanding, high-tech style. Bitmax is best used in large display sizes for a limited number of words.

Deltarbo is a medium-heavy sans-serif typeface that is designed primarily for great legibilty in graphics and display situations, with clean lines and a modern "rounded-rectangle" feel. Please note that this font is not intended to be formal, the characters are ever so slightly casual.

Rue is an organic, casually ornamental, narrow-faced sans serif. It is a display type structured with random traces of calligraphic tendencies. It does not begin with any noble ideals, other than to mediate between the muse of imagination and the act of realization. The spirited and exploratory design is the materialization of a feeling about fonts as a family of organisms taking on a life of its own, in work and play. Rue is the epitome of vanity and indulgence which seems to purpose itself well in aesthetics, wellness and botanicals. Its whimsical quality also suggests applications in the form of gifts and ornamentation. In retrospect, Rue was conceived as a typeface, used as an image and discovered as an ornament. It comes in 5 weights of light, regular, medium, semibold and bold, and their matching italics. Rue Display was published in 2010 by TypeTogether. http://www.behance.net/gallery/Rue/373854

With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still as desirable for all areas of graphic design as it has ever been. Its usage spans the design of headlines to exterior design. Game manufacturers adopt this spry typeface, so reminiscent of the Bauhaus and its geometric forms, as often as do architects and web designers. The creative path of the Bank Gothic from hot metal type via phototypesetting to digital variations created by desktop designers has by now taken on great breadth. The number of cuts has increased. The original Roman weight has been augmented by Oblique and Italic variants. The original versions came with just a complement of Small Caps. Now, they are, however, enlarged by often quite individualized lower case letters. In order to do justice to the form changes and in order to differentiate between the various versions, the Bank Gothic, since 2007 a US trademark of the Grosse Pointe Group (Trademark FontHaus, USA), is nowadays available under a variety of different names. Some of these variations remain close to the original concept, others strive for greater individualism in their designs. The typeface family which was cut by the American typefoundry ATF (American Type Founders) in the early 1930’s consisted of a normal and a narrow type family, each one in the weights Light, Medium and Bold. In addition to its basic ornamental structure which has its origin in square or rectangular geometric forms, there is another unique feature of the Bank Gothic: the normally round upper case letters such as B, C, G, O, P, Q, R and U are also rectangular. The one exception is the upper case letter D, which remains round, most likely for legibility reasons (there is the danger of mistaking it for the letter O.) Because of the huge success of this type design, which follows the design principles of the more square and the more contemporary adaption of the already existing Copperplate, it was soon adopted by all of the major type and typesetting manufacturers. Thus, the Bank Gothic appeared at Linotype; as Commerce Gothic it was brought out by Ludlow; and as Deluxe Gothic on Intertype typesetters. Among others, it was also available from Monotype and sold under the name Stationer’s Gothic. In 1936, Linotype introduced 6pt and 12pt weights of the condensed version as Card Gothic. Lateron, Linotype came out with Bank Gothic Medium Condensed in larger sizes and a more narrow set width and named it Poster Gothic. With the advent of photoypesetters and CRT technologies, the Bank Gothic experienced an even wider acceptance. The first digital versions, designed according to present computing technologies, was created by Bitstream whose PostScript fonts in Regular and Medium weights have been available through FontShop since 1991. These were followed by digital redesigns by FontHaus, USA, and, in 1996, by Elsner+Flake who were also the first company to add cursive cuts. In 2009, they extended the family to 16 weights in both Roman and Oblique designs. In addition, they created the long-awaited Cyrillic complement. In 2010, Elsner+Flake completed the set with lowercase letters and small caps. Since its redesign the type family has been available from Elsner+Flake under the name Bank Sans®. The character set of the Bank Sans® Caps and the Bank Sans® covers almost all latin-based languages (Europe Plus) as well as the Cyrillic character set MAC OS Cyrillic and MS Windows 1251. Both families are available in Normal, Condensed and Compressed weights in 4 stroke widths each (Light, Regular, Medium and Bold). The basic stroke widths of the different weights have been kept even which allows the mixing of, for instance, normal upper case letters and the more narrow small caps. This gives the family an even wider and more interactive range of use. There are, furthermore, extensive sets of numerals which can be accessed via OpenType-Features. The Bank Sans® type family, as opposed to the Bank Sans® Caps family, contains, instead of the optically reduced upper case letters, newly designed lower case letters and the matching small caps. Bank Sans® fonts are available in the formats OpenType and TrueType.

Bonjour! Murberry a fashion chic display font. This font was carefully crafted and inspired by one of leading fashion brand in the world. In general, it creates a luxurious and elegant look in design. Coming to you with 50+ luxury ligature and 30+ alternate in 4 weight – light, normal, medium and bold – to create a perfectly beautiful, classy, chic, elegant, and luxurious design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates – It’s OpenType support but you can easily call alternates character using special combination like a.2 c.2 e.3 etc so you don't need special software. To get results like the preview just type Mu.2RBe.5RRY

Mourich comes in 2 styles and is recommended for use with stylish and minimalist design. It is carefully designed with medium contrast of the strokes. This font is an all-caps font or has small capitals that very useful for the headline or logo, and is suitable in large or small sizes. Mourich has 500+ glyphs with many OpenType features. There are beautiful ligatures, stylistic alternates, and swashes which you can use it to get your design more softly. Mourich Bold is has 20pt thick from the regular style. The rounded serif gives a strong and assertive look. Beautiful to use as standalone type or combine with regular style. Very much recommended for headlines. Mourich Regular has a minimalist adjustment with more relieved of negative space that awesome to apply in many media. Also useful in the body text or editorial purposes.

Korsen font is a unique multipurpose font that consists of 5 styles. Korsen font has an attractive appearance which is a combination of serif, slab and decorative fonts. Each letter is carefully crafted with rounded edges. You can use this font for retro, vintage and modern designs. Korsen font can help you complete various projects such as brand logos, headlines, products, social media posts, web and much more. Korsen fonts feature opentype, kerning, ligature and alternate packed in 5 styles: Light, Regular, Medium, SemiBold and Bold. Korsen fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support. Thank you! FYI: To use the alternate and ligature features, please look in the Glyph Panel / Character Map in your software to be able to access all the glyphs in this font. There are standard and discretionary ligatures.

In the years 1937 and 1938 Paul Renner drew these both styles of the Ballade font family. Now freshly redesigned and extented for contemporary use, both styles have reappeared. These fonts contain the historical long s, which can be reached by typing the integral sign [ ∫ ] or by turning the round s into the long s via using the OT feature historical forms. It is also recommended to activate the OT feature discretionary ligatures.

Introducing: Darkline is a brush script font, dapper handwritten font with a personal charm. With quick dry strokes and a signature style, Darkline is perfect for branding projects, homeware designs, product packaging - or simply as a stylish text overlay to any background image. Ligatures • Are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with OpenType capability or a glyphs panel, e.g. Photoshop/Illustrator.

A piece of hand lettered sheet music from the era of the "Roaring Twenties" served as a model for Raccoon Coat JNL. It was a time of Prohibition, bathtub gin, flappers and college boys decked out in beanies and raccoon coats. College pennants, ukuleles and "23 Skidoo" were all part of the youth culture during this period; which gave us such dances at the Charleston, the Black Bottom and the Lindy Hop.

Anuin is an elegant script font. Every letter has been carefully crafted to make your text look beautiful. With a modern script style this font will perfect for many different projects including: photography, watermarks, quotes, blog headers, posters, weddings, branding, logos, fashion, apparel, letters, invitations, stationery, and more. This font includes alternate glyphs. You can access the alternate glyph via Font Book (Mac user) or Windows Character Map (Windows user). Thanks for looking.

Brian Miller is a graphic designer who loves hillbilly culture, which is what inspired his popular phrase, 'country fangs!'--used to describe anyone with teeth that - well - just don't quite line up right. Git Cletus an' Jimmy Ray an' we'll hold down a piggy an' make 'er SQUEAL!!!!!--be sure t' put yer teeths in, too! Country Fang includes multiple grit patterns and appropriate "teeth" icons to spiff up any layout on the fly.

Mahendra Script is a new fresh and modern font in handmade calligraphy, with decorative characters and dancing lineage! So wonderful on invitations, greeting cards, branding material, business cards, quotes, posters, and more. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternates using Font Book (Mac) or Character Map (Windows). If you have any questions, please feel free to contact me via email.

This font is based on the handwriting of Norwegian painter Edvard Munch. Using his many letters, drafts, notes- and sketchbooks as reference, this font characterizes the elegant yet sometimes quite irregular writing style Munch had. To resemble naturalistic writing and remain as authentic as possible, a combination of extended ligatures and alternates has been included, as well as Swash characters (accessible via open-type). Additionally, several of Munch's paintings and woodcuts are embedded as extras.