Wild Fat Font - playful handwriting experimental display typeface inspired by classic old cartoons. Wild Fat Font is available in 3 styles: outline, outline distorted, and regular. The regular style imitates writing with a fat marker. The Wild Fat Font works perfectly for bold titles, Festival posters, a graphic element for bright T-shit or hoodies, designs for Kids, graffiti concepts, modern aesthetics, fashion, any visual design project, and even backgrounds! This bulging and chunky font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas!

Tomoli is short for "things of more or less importance". In this dingbat font you'll find 52 stylized drawings of animals, food and lots of different stuff - that is of more or less importance! :) Furthermore, the drawings are made of remarkbly steady lines! - Go have a look!

Film-P2 is an Ultra Condensed sans serif display typeface designed by Bartosz Panek. It is the follower of the geometric 'Film Poster' (https://www.myfonts.com/fonts/fontsphere/film-poster/) which was inspired by futuristic movie posters. In Film-P2, the letter design is more neutral, the font is more versatile, but no less expressive, which was one of the assumptions of the project. This allows many different application possibilities. In titles, headings, longer text compositions, bold and custom juxtapositions, and in many different formats. The differences in the width of the letters in the narrow, regular, wide versions are not significant, they are fairly balanced, but they give a lot of variation depending on the method of application and design characteristics, e.g. text size, background type, etc. The entire Film-P2 family offers many creative possibilities in graphic design, branding, printing and website design. Each font include multilingual support, numerals and a large range of special characters.

The typeface Garaldus was presented in 1956 by Italian designer Aldo Novarese, inspired by Venetian tradition of the sixteenth century: the font name derives from Claude Garamond and Aldus Manutius. A peculiarity of this font is to change appearance, acquiring a form a more or less angular, depending on the size of the text and the way in which it is printed.

Kaisar is a geometric sans serif typeface that draws inspiration from Eurostile or similar typefaces, with less boxy feels. It comes with 9 weights and matching italics and contains 400+ glyphs that support broad latin language. Kaisar was designed to give a corporate, technological, futuristic look, great for many contexts from web to print, as a headline or as a body text.

Skript attempts to capture the essence of handwritten calligraphy. It emphasizes downstrokes and omits hair strokes with a contemporary stencil-like effect. Text is very readable since the foundation of each character remains intact. There many alternatives that make Skript versatile in a variety of applications. Compared to Carnegie Classic, Skript is more legible but less compact. Skript is available in Opentype.

This typeface design was influenced by the British Rail corporate type introduced in an old lettering instruction book published in Japan. Of course, the only clue to this typeface is the lettering instruction book at hand. Therefore, this typeface is based on the British Rail corporate type introduced in an old lettering instruction book published in Japan, and I have expanded the design variations. I started with the Bold design first. Then I designed Light, Regular, and Black in that order. Light and Regular are intended to be used as the text type, while Bold and Black are intended to be used as the base for logotypes, headlines, and other eye-catchers.

Frau Becker is a very dynamic and readable handwriting script that looks great in text sizes. It is a self-confident, expressive and strong character design. How old is Frau Becker? Is she an insurance agent, a surgeon or a designer? We do not know exactly but one thing is for sure: she can be found at any place where special, high-end design in conjunction with a reliable typographic basis is demanded, e.g. for posters, books, ad campaigns or magazines. Frau Becker is different from all other classical scripts – it is outstanding! Due its excellent readability, it is a precious and exceptional text font with styles as regular, bold, and Headline (bold condensed). The character set includes Basic Latin, Basic Latin 1, Latin Eastern Europe, small caps, plenty of ligatures, old style figures, index figures, and some special characters including a skull. Wow!!