Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

Say hello to BONJOUR! A bold and beautiful brush-lettered font with inky watercolour-like contours, and a natural hand-painted look. Bonjour comes with Opentype alternate upper and lowercase characters, - switch between the letters available to make your lettering look more natural and less like a font. Perfect for using in ink or watercolour based designs or on its own as bold hand-brushed lettering. Bonjour makes for fun, bold branding, quotes, greetings, adverts, posters, packaging and so much more.

Marons is my first font release of 2020. I created Marons from the initial sketch to the digital process and until it was released it took less than 2 months after I launched Black Quality. Marons is an elegant font that I combined from script and serif fonts, thus creating a unique and bold impression. Each Marons letter also has an additional alternate glyph and many variations of swash options, so you can use this font to create logo designs, header texts, t-shirt designs, YouTube cover texts, wedding designs, and others. With its many glyphs, Marons is indeed worthy of being called a collection of fonts in early 2020.

Wood Poster Display JNL is a more casual sans wood type, with a bold and friendly appeal. This font offers a pleasant design which lends itself perfectly to titling, price cards, event notices and any print or web design that prefers a less formal structure to its typography.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

In few words, Monodia is a small but widely applicable slab serif (nearly monoweight) font family with only two weight and one cut effect version. To those who agree with the fact that less is actually more, three fonts should be sufficient for branding, headlines and other display uses. With that reason regular and bold weights are designed with huge contrast. In order to avoid clogging of certain (especially Cyrillic) letters in the text, some serifs are atypically modified or allowed. Unlike uppercase letters and numbers, lowercase letters don’t have forked serifs. Еnjoy!

Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grüger, a German artist and designer, first began the design of her typeface by writing out its letterforms with a wooden stylus. She wanted to create a new semi serif face that had uniform stroke widths, but still maintained some aspects of calligraphy. Veronika achieves this; the terminals that begin the first strokes of most letters are round and bulbous, as if the writing instrument added extra emphasis on that spot. This adds a dynamic, movement-like quality to texts designed with Veronika. Aside from some sans serif-ness, Veronika appears similar to old style typefaces from the renaissance: classical inscriptions inspired the proportions of the capital letters, and the lower case letters stem from Carolinian minuscule. These proportions allow Veronika to function very well in text and at small sizes. However, only when you design larger headlines, logos, or other elements with Veronika, will you notice all of its special qualities, like its weight distribution and stroke characteristics.

Introducing Barlock a strong display font, inspired by sports design and old school typography. Carefully designed with the curve-less of the letterform but not cubistic, and has a bold weight that suitable for an elegant-strong design. Barlock is an all-caps font equipped with a bunch of alternates characters that you can mix and match to your design concept. A perfect choice for logo, posters, apparel, labels, jersey, headline, quotes, books, packaging, and many more! Fonts featured : Uppercase Smallcaps Numbers Symbols & punctuation Multilingual PUA Encoded Stylistic set 01-03

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Anultra Slab is, you guessed it... An ultra bold slab serif! Anultra Slab is a hard hitting headliner, designed to be set LARGE. Because it's a single weight typeface, no compromises were necessary to get it interpolatable with other weights, so it is as bold and tight as I intended. Features include automatic fractions, case-sensitive forms, ligatures, stylistic alternates for non-descending J and Q, and a 3D 'xtrude' style, which can be layered behind the regular to create two colour, photo-lettering style text. Very seventies. Very cool. A companion typeface, Alight Slab , is available at the other end of the weight scale, but there are no weights in between. You're no middle-weight designer, so why use middle-weight fonts?!

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular, Monograf Bold, Monograf Text Regular and Monograf Text Bold. This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows and 4 asterisks

Compact sans, ideal for setting long texts in small or very small type sizes: for packaging, instruction booklets, drug information leaflets and anything else that has to be legible at very small sizes. Lean and rhythmical, designed ideally to be used at less than 8 points (Brevier was the old typefounders’ name for 8-point type), Brevier holds up well even under adverse printing conditions. The apparently geometric letterforms hide Renaissance characteristics, the x-height and openings are very generous and the strokes slightly modulated. In order to offset ink spread – which is inevitable when printing very small sizes of type – Brevier has large white spaces between the letters. All internal angles have deep ink traps and many connections have been left open.

If you've got style and love all the luxuries in life, you're Bon Vivant! Add a touch of luxury and style to your projects too, with the new Bon Vivant Font Collection. It's highly recommended to turn your Opentype features on while using the script font, to make use of it's best features - the multitude of OpenType ligatures. As you type, your text looks like natural handwriting, and less like a monotonous font. The handsome serif comes in 2 weights, regular and bold. Designed to be a perfect complimentary font to the script, its just as striking used on its own.

Where Headlined creates bold statements, Headlined Solid states facts. Simple, sans serif and steady as a rock, Headlined Solid does what needs to be done, no more and no less. For pragmatism and clarity of form this font couldn’t be better. Alternatively if you're looking for something a little more filthy, check out the original Headlined.

Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated strength renders it excellent for texts, and its clear and distinct details are an advantage in display sizes. Foro comes in 16 styles and in OpenType format. All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows. Foro supports Western European, Central and Eastern European languages.

Stone Print is a "green" typeface. It uses less space than the most popular text typefaces without sacrificing legibility. Made for the reader, the environment, and whoever pays the bills. Together with Cycles, SFPL, and Arepo it makes up a superfamily of typefaces.

Blastered was originally inspired by an old horror movie poster - but I find it more laid back and less horrifying…but feel free to use Blastered for your next horror project and use the more than 300 interlocking ligatures! Wow!