English HU Cookie is a cute handwritten typeface that can be used to express any lively or active moment. The alphabets are not aligned or evenly written but are crooked like scribble, which gives you funny and informal vibe. There are 2 weights of HU Cookie : light, semi bold Greek Το HU Cookie είναι μια χαριτωμένη χειρόγραφη γραμματοσειρά που μπορεί να χρησιμοποιηθεί για να εκφράσει οποιαδήποτε ζωντανή ή ενεργή στιγμή. Τα αλφάβητα δεν είναι ευθυγραμμισμένα ή ομοιόμορφα γραμμένα, αλλά είναι στραμμένα σαν σκαρίφημα, κάτι που σας δίνει αστεία και ανεπίσημη ατμόσφαιρα. Υπάρχουν 2 βάρη του HU Cookie: light, semi bold Cyrillic HU Cookie - это симпатичный рукописный шрифт, которым можно обозначить любой живой или активный момент. Алфавиты не выровнены и написаны неравномерно, они изогнуты, как каракули, что создает забавную и неформальную атмосферу. HU Cookie имеет 2 толщины: light, semi bold

English HU Crayon Doodles is a cute handwritten typeface that can be used to express any lively or active moment. The alphabets are not aligned or evenly written but are crooked like scribble, which gives you funny and informal vibe. There are 1 weights of HU Crayon Doodles : light Greek Το HU Crayon Doodles είναι μια χαριτωμένη χειρόγραφη γραμματοσειρά που μπορεί να χρησιμοποιηθεί για να εκφράσει οποιαδήποτε ζωντανή ή ενεργή στιγμή. Τα αλφάβητα δεν είναι ευθυγραμμισμένα ή ομοιόμορφα γραμμένα, αλλά είναι στραμμένα σαν σκαρίφημα, κάτι που σας δίνει αστεία και ανεπίσημη ατμόσφαιρα. Υπάρχουν 1 βάρη του HU Crayon Doodles : light Cyrillic HU Crayon Doodles - это симпатичный рукописный шрифт, которым можно обозначить любой живой или активный момент. Алфавиты не выровнены и написаны неравномерно, они изогнуты, как каракули, что создает забавную и неформальную атмосферу. HU Crayon Doodles имеет 1 толщины: light

As with any attempt at a new typeface, you want to create something different. A difficult task as most legible fonts are based on something previous. Somatype isn't actually based on any particular font but it has unavoidable similarities to others. The important difference here being the distinctive quirk of the connection points going opposite to the norm; exemplified best by the lower case d & e. Once devised, the unique characteristic was applied wherever possible, keeping the rest of the characters in a sympathetic, rounded style. I first designed this in the light weight version, seeing it working best as a large open display font for magazines etc. but realized it would be too light for body copy at small scale, so, medium and bold weights were created to resolve that issue. Incidentally, the word ‘somatype’ literally means body-type.

German designer Rosemarie Kloos-Rau created Wiesbaden Swing in 1992 for Linotype. This light, informal typeface is based on her own handwriting, and the strokes have a feeling of spontaneity and energetic flair. Characters like the D, O, W, g, n and y really do swing with unbridled confidence and joy. Kloos-Rau says about her typeface: “From the experience with my design company I recognized the need for fonts with personality. Wiesbaden Swing is my contemporary contribution to the field of calligraphy, a headline font which offers a fresh and unconventional approach to typography.” This family has both regular and bold weights, and a set of Dingbats. The Dingbats are light-hearted and zippy symbols for holidays, children’s products, menus, and more. Wiesbaden Swing will add zest to packaging, catalogs, menus, websites, greeting cards, and magazine layouts.

Jubilee is a glyphic font family with moderate stress, slightly inclined serifs, and storied history. Its original design was created in 1934 by famous English type designer Eric Gill for the Stephenson Blake type foundry. The development name was “Gill Text,” but this was changed to “Cunard” once the famous steamship company showed interest in using the typeface. The company, however, never utilized it. Stephenson Blake changed the name to Jubilee in 1935 to commemorate George V and Queen Mary’s Silver Jubilee Wedding Anniversary announcement. After International TypeFounders, Inc. acquired the exclusive rights to the Stephenson Blake collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) revived the family exclusively for the Red Rooster Collection in 1994. A new, Medium weight was created to accompany the original Light and Bold weights. Jubilee has an inscribed, Renaissance feel, and performs well at all sizes. Its letterforms are sturdy, yet there is an undeniable delicacy to the face.

Sudtipos is proud to announce the release of Découpe, a display typeface program of eight fonts, designed by María Carla Mazzitelli and born during her Masters in Typography at the University of Buenos Aires (FADU-UBA). Inspired by gestural graphic expressions –like paper cut-outs (découpes) and spontaneous handwriting– from the most diverse postmodern and contemporaneous artists of the design world, Découpe has been created specifically to be used in big sizes. A little bit irreverent and effervescent from time to time, this gestural sans serif family reveals its contrasts and asymmetrical shapes when it breaks through display functions. From Light to Extra Bold, it reaches the most extreme weights, looking for power and impact. This program is meant to catch the eye in typographic compositions, to shout it out loud and clear. Definitely, to be seen. *Découpe has been recently selected to be part of different typography exhibitions such as Tipos Latinos and the Type Directors Club.

Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

Baro is a powerful, fun and expressive font, great for loud, cheerful and super-fat headlines and packaging for odd novelty toys. With its bold and distinctive stylized geometric forms, it is ideal for logos, heavy machinery and wacky party invites. Baro had its beginning in a handful of rigidly geometric uppercase letters from an unidentified 1960�s or 70�s era press-down lettering font, which in turn was possibly a revival of a 20�s era Art Deco font. The exercise quickly expanded into a complete typeface with 300+ characters, including several catch words (word glyphs), stylistic alternates, discretionary ligatures, multilingual support and both lining and old style numerals. Baro maintains much of the characteristic geometric rigidity of the original handful of letters, but � With the addition of just a little bit of flare, a bit of cheerfulness breaks through, like a wink and a smile on the face of a fat and otherwise stern policeman.

Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

The Dutch word “leuk" translates loosely to English as pleasant, jolly, funny, witty, clever, nice, sweet, kind, nice, amusing, entertaining, and funny. Leuk, the font, is a small, highly legible font with a witty, sociable personality that engages it’s readers. My challenge in designing Leuk was to find a unique feature to set apart the font without losing the fundamentals of type design. In the process of doing so, I created a virtual font “smile and wink” in the “o” upper and lowercase with integrated stencil-connecting strokes within the “a,e, k, z, o, ß” to reveal Leuk’s calligraphic roots. Legible and friendly, Leuk is designed for use in advertising, brochures, promotion, book cover design, packaging, and the like. The Leuk family consists of Leuk Light, Leuk Light Italic, Leuk Regular, Leuk Italic, Leuk Bold, Leuk Bold Italic, Leuk Black, Leuk Black Italic in Opentype format.

Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!

Introducing MAGENTO MAGENTO is a stylish font It has both modern and retro look - clear, modern and fun. Helps to create layout design in 60s or 70s design projects. This MAGENTO Family has 9 weights from thin to black, and Italic version on it What's you get? Magento TTF, OTF, WOFF Magento Italic TTF, OTF, and WOFF Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! Fully accessible without additional design software. For MORE FREEBIES : just like these and more, as well as Font Deals and discounts , visit https://wecreatype.com

Salaam. Introducing Almalik, an Arabic style font, created in monoline shape and based on original Arabic letters adapted into Latin typography. Almalik represents the middle-east feel in a modern touch, with fewer calligraphy shapes, and dynamic swashes. Perfect for many purposes such as fashion, food, packaging, label, logo, logotype, quotes, headline, branding, and more! This font provides 400+ glyphs including lots of alternates characters that you can apply to get your design looks more attractive! What you'll get : Uppercase Lowercase Numbers & symbols Stylistic alternates Stylistic sets 01-03 Ligatures Multilingual support. PUA encoded. Thank you for your support!

Introducing Clasifa font a retro bold script style typeface. Inspired by retro typography and lettering in the '70s and '80s combined with bold typography style. This Font is perfect for vintage and retro design, badges, logos, posters, branding, packaging, signage, book cover and so much more! Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

About Product Brody Script + Extrude This font comes with an Extrude version, bold and shadow effects. this font to complement your perfect vintage design! a collection of letters inspired by retro 70s typographic designs. perfect for branding, logos, stickers, posters, vintage designs, wall art and more! Brody Script includes: Stylistic Alternates, Ligatures & Stylistic Sets. You can choose an alternative style of up to 20 Stylistic Sets per letter. By using Glyph in software programs like Photoshop, Illustrator and CorelDraw X version. You can also access this in many other programs by using your character map (Windows) or font book (Mac). Thanks!

Introducing Mostyle font a Display Retro Script Font. Inspired by retro typography and lettering in the '70s and '80s combined with bold typography style. This Font is perfect for vintage and retro design, badges, logos, posters, branding, packaging, signage, and book cover. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

The Ashington is a Vintage retro font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! *Note This font is not included with "Shadow/ Extrude", it was created manually for display purposes only You can try this tutorial if you want to make it. I made it in Corel DRAW software https://www.youtube.com/watch?v=S6BCkX_cywo Whats Include: Multilingual Support Alternate Letters ligatures Thankyou Subectype Studio

Aulas's design is inspired by an ancient Roman lettering. This font is characterised by the strength and weight of its glyphs, in addition to its predominant height of "x", as well as the ascending and descending, with particularly short strokes. Aulas includes more than 200 alternative glyphs (swashes, stylistics sets, stylistics alternates), more than 70 ligatures, and a set of more than 30 ornaments, very easy to combine with the rest of the letters. This font offers good readability for use in editorial design, magazines, newsletters, and print. The strong personality of its glyphs is well suited to headlines.

Prettywise - Modern Retro Family Unique and beauty Modern serif family including 30+ ligatures and 100+ alternates to mix and match for a stunning display or header. This versatile family consists of 10 weights, variable styles as well as multilingual support, numbers, and currency symbols. Suitable for use in many design forms, for example, magazines, logos, web design, DIY projects, quotes, packaging, postcards, vintage or retro look badges, old classic music, the 60s, 70s, 80s era, stickers, label, wedding theme and many more. We recommend using Adobe Programs. to access alternate Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Hallo everyone, puffy chips! puffy chips - it's groovy,retro, bold, chubby, and playful, chubby typeface of circle in groovy style. Perfect for make any project like header, quote, layout magazine and other. Even better if you use it on 60s and 70s design project Embracing the psychedelia era combine with groovy style, open type features such as stylistic alternates and multilingual support What's you get? - Unique letterforms - Works on PC & Mac - Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! - PUA Encoded Characters - Fully accessible without additional design software. Have a wonderful day, *Say Studio*

Million Dreams is an elegant and bold display font. Unique, playful and versatile serif Fot that you can combine to get curves and beautiful shapes just in seconds. Play with the ornaments to create a more stunning display. This font is suitable for use in many design forms, for example magazines, postcards, logos, vintage look, old classic ,60s, 70s, 80s era, wedding projects and many more. We recommend using Adobe Illustrator or Photoshop. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Cheers! Sansakerta

Introducing Feeling Things, A Modern Serif Font with Retro Vibes. It was inspired by retro typography designs in 70's. There are more than 375 glyphs in this font including Multilanguage Support. OpenType features with Stylistic Alternates, Contextual Alternate and ligatures in some characters that allows you to mix and match pairs of letters to fit your design. Feeling Things is perfectly suitable for made to be applied in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Introducing Mobalys - Where Elegance Meets Nature Embrace the beauty of nature with Mobalys, a captivating font that seamlessly blends the grace of elegant script with the modern simplicity of sans serif. Immerse your designs in the lush greenery of a go-green theme, accompanied by stunning leaf illustrations that breathe life into your creations. Elegance in Every Curve: Mobalys boasts an exquisite script style that adds a touch of sophistication to your projects. Each curve and swirl is carefully crafted to exude elegance. Modern Simplicity: The sans serif elements bring a contemporary flair, ensuring versatility in usage. Whether it's a sleek logo or a clean headline, Mobalys adapts effortlessly. Nature's Embrace: Dive into a world of greenery with Mobalys. The font is adorned with enchanting leaf illustrations, adding a touch of organic charm to your designs. Let the beauty of nature seamlessly integrate into your projects. Extensive Character Set: With 730 characters at your fingertips, Mobalys provides a diverse range of options to express your creativity. Explore a plethora of possibilities with ligatures, alternates, swashes, and more. PUA Unicode: Unleash your design freedom with Mobalys' Private Use Area (PUA) Unicode support. Access additional characters and symbols for a truly customized touch to your work. Elevate your designs with Mobalys, where the synergy of elegance and nature creates a visual masterpiece. Immerse your audience in the refreshing green world and let your creativity flourish. Mobalys is not just a font; it's an experience.

Youthful Fontsmith received a brief to develop a font that would form part of the broadcast identity for the UK’s first digital Freeview channel – E4. It needed to work seamlessly in text and display, both in print and on-screen, and please the eye of the target audience, 18-34-year-olds. So, young, fresh and informal. No problem. Except for one thing: the timing. Daughter As he worked on FS Maja, Jason Smith was occupied by another imminent deadline: the birth of his third child. The pressure was mounting, but rather than let it get to him, Jason embraced the challenge and made light of the tension, fashioning a bright, bubbly, entertaining type with a personality made for memorable headlines. Beautifully random FS Maja’s soft, rounded shapes and assured, fluent lines encompass lots of notable features that contribute to its warm, fun-loving personality, including: a very large x-height; a short, rounded serif to allow for close spacing and give texture to body text; a slight convexity, or bulge, in the stroke terminals; a calligraphic fluidity in the entry to the down-stroke of most lowercase letters; open, generous curves, especially in the “B”, “P” and “R”; and a “w” made of two “u”s.