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  1. “So-called Baskerville Old Face of the type foundry Stephenson Blake & Co. of Sheffield. The Script is probably not immediately linked to Baskerville, but it is very much influenced by it. It is one of the most beautiful types of which the mats still exist; it has an incomparably different spirit than the ‘streamlined’ re-cuts of today’s Baskerville. Even keeping the general restraint extremely expressive. According to Berthold Wolpe (‘Signatures’ No. 18), the punches were cut and shown in samples in 1776 by Isaac Moore, who came from Birmingham to Bristol.” – Jan Tschichold, “Meisterbuch der Schrift”, Notes On The Plates, Page 231 Publisher note: I wanted to improve the contrast between thick and thin, reduce some ink-traps and give stems, serifs and links a smoother overall feel. I have also added some alternative letters and old style numerals.
  2. Club - Personal use only
  3. Shanghai - Unknown license
  4. blue jeans - Unknown license
  5. Digital tech - Personal use only
  6. SF Piezolectric Inline - Unknown license
  7. Culita - Personal use only
  8. Riquoth - Unknown license
  9. My Puma Oblique Outlined - Unknown license
  10. KFB - Unknown license
  11. Stitch & Bitch - Unknown license
  12. Nosferatu - Unknown license
  13. Razor Keen - Unknown license
  14. Charcoal first - Unknown license
  15. Criminal - Unknown license
  16. Sergeant SixPack - Personal use only
  17. Jack Frost - Unknown license
  18. Maharlika - Unknown license
  19. Judas - Unknown license
  20. DIY One - Unknown license
  21. Duke - Unknown license
  22. Riot Act - Unknown license
  23. Kozmonauta 2 - Unknown license
  24. Redd or dedd - Unknown license
  25. Unintended - Unknown license
  26. Jet Plane - Unknown license
  27. Fetch - Unknown license
  28. webster - Unknown license
  29. FontOnAStick - Personal use only
  30. Saffron - Unknown license
  31. PostIt - Unknown license
  32. Floozy - Unknown license
  33. JLR Lookee Here! - Unknown license
  34. Cauldron - Unknown license
  35. FR Grey - Personal use only
  36. Standard Poster by ParaType, $25.00
    Designed at Polygraphmash type design bureau in 1986. Based on "English" bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType in 1992 by Vladimir Yefimov. For use in advertising and display typography.
  37. Inland Edwards NF by Nick's Fonts, $10.00
    Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.
  38. Sign And Design JNL by Jeff Levine, $29.00
    Sign and Design JNL is a casual brush alphabet modeled after an Alf R. Becker design that appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.
  39. Ruddy by Inhouse Type, $33.32
    Ruddy is a display sans serif type family. It has a playful and mischievous presence. Exaggerated geometry and varied vertical character stem placement contribute to its animated appearance. Ruddy comes in 4 weights with matching italics. OpenType features include Contextual Alternates, Tabular Figures, Fractions, Numerators and Denominators.
  40. Neue George Pro by Kaligra.co, $29.00
    Neue George Pro is an Elegant contemporary sans serif font family of 8 fonts. Designed with clean and stylized modern European geometry with harmonious appearance for both texts and headlines. Neue George is perfect companion for branding, editorial and signage, also works great for bigger applications.
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