6,972 search results (0.024 seconds)
  1. The Bazar font by Olinda Martins is a strikingly unique typeface that embodies a blend of whimsical charm and artistic flair. At first glance, Bazar presents itself with a lively irregularity that im...
  2. As of my last update, Futured doesn't appear to be a widely recognized or standardized font in the realms of typography or design that I can directly reference or describe. However, hypothesizing bas...
  3. The Half SunBurst-w4-02 font embodies a blend of creativity and radiant energy, reminiscent of the glowing aura of a setting or rising sun. This font stands out for its unique design, which combines ...
  4. The Psacstroj font, designed by Milos Kunst, is a captivating typeface that embodies a unique blend of artistic innovation and functional elegance. This font, while fictional in this context, can be ...
  5. The 02.10 font by Fenotype, crafted by Finnish type designer Emil Bertell, is a unique display font that combines modern aesthetics with functional versatility. This particular typeface, 02.10, stand...
  6. Optien, crafted by the talented typographer Måns Grebäck, is a font that stands out for its sleek and modern design, imbued with a sense of sophistication and versatility. This typeface is a testamen...
  7. The Peninsula font, crafted by the talented type designer Vladimir Nikolic, is a distinctive typeface that stands out for its unique characteristics and versatile application. This font can be catego...
  8. Stylo, created by the talented Russian type designer Nikolay Dubina, is a distinctive and versatile font that beautifully marries the aesthetics of classic typography with modern design elements. Dub...
  9. Digital Counter 7, designed by the prolific foundry Style-7, is a digital font that encapsulates the essence of digital displays from the late 20th and early 21st centuries. This font is distinguishe...
  10. Ganz Egal, masterfully crafted by the enigmatic designer Nihilschiz, is not just a font; it's an adventure in typography that refuses to take itself too seriously. Picture this: if fonts were people,...
  11. The font Skeemat, crafted by the imaginative mind of TeA Calcium, represents a profound fusion of artistic vision and typographical innovation. At its core, Skeemat is a manifestation of the creator'...
  12. Robotaur, crafted by the innovative minds at Iconian Fonts, is a font that captures the imagination and propels it into a science fiction realm. It is not just a collection of characters; it's an ens...
  13. The font named "abc" by Weknow is a distinctive typeface that showcases the creativity and artistic versatility of its creator, Weknow. Weknow is well-known for his prolific output of unique fonts, o...
  14. Hadriatic, a distinctive font designed by Iconian Fonts, stands as a testament to the ingenuity and creativity of contemporary typeface design. This font is characterized by its innovative approach t...
  15. Cubicle is an intriguing font style that exudes a blend of modernity and meticulous design, tailored for both digital and print mediums. It plays a pivotal role in delivering messages with a crisp an...
  16. Rosango is a captivating font that emerges from the creative mind of Josep Patau Bellart, a name well recognized in the typography community for crafting fonts that blend artistic innovation with fun...
  17. As of my last update, the MDRS-FD01 might not be widely recognized in mainstream typographic circles or it's a new or specific creation that hasn't fully entered the common design lexicon yet. Howeve...
  18. PTF NORDIC Rnd is a fascinating typeface that embodies a sleek, modern aesthetic while drawing inspiration from the simplicity and functionality inherent in Nordic design principles. Its round, soft ...
  19. "Linearmente," a font crafted by the creative minds at Jambo!, is a striking embodiment of modern design principles merged with minimalist aesthetics. At its core, Linearmente is built on the foundat...
  20. Drum Komputer by Channel Zero! is not just a font; it's an ode to the era of early digital experimentation and the pioneering days of electronic music and computer technology. This unique typeface em...
  21. The MUMIA DEMO VERSION font is a captivating and unique display typeface that immediately captures one's attention with its distinctive characteristics. Its design embodies a compelling blend of mode...
  22. "Presa ANTIPIXEL.COM.AR" by Antipixel is a distinctive font that embodies a unique blend of contemporary aesthetics and functional versatility. Designed with a creative flair, this font showcases the...
  23. Ah, the 20th Century Font by Ray Larabie, a typeface that's as ambitious and forward-looking as its name suggests, yet marinated in the nostalgic vibes of the past century. Imagine a font that decide...
  24. The Vector Battle font by Freaky Fonts is a unique and striking typeface that draws heavy inspiration from the retro video gaming universe, particularly the arcade games of the 1980s. This font seems...
  25. Imagine a font that embodies the sleekness of modern design and the openness of futuristic concepts, all while maintaining an ease of readability that makes it perfect for a wide range of application...
  26. The Tork font exists as a compelling and dynamic creation by the renowned type designer Ray Larabie, who is revered for his ability to craft fonts that carry unique character and stylistic flair. Tor...
  27. Bree by TypeTogether, $37.50
    The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards
  28. As of my last update in 2023, "Sharpies Are Fun" designed by Skydog is a font that captures the spontaneous and energetic vibe associated with using Sharpie markers. The font embodies the spirit of c...
  29. As of my last update in April 2023, the FatBoy font crafted by Flop Design is a standout typeface that captures attention with its bold and voluminous character. It embodies a playful yet robust aest...
  30. The Circoex font, created by Antipixel (ANTIPIXEL.com.ar), is a remarkable display typeface that embodies a playful yet sophisticated aesthetic. Imagine the whimsical charm of a vintage circus poster...
  31. SF Espresso Shack Condensed by ShyFoundry is a distinctive font that captures the essence of modern café culture with a nod to vintage aesthetics. This typeface embodies a unique blend of casual char...
  32. The font "Rounded, two." designed by Fran Board is a delightful exploration of geometry and softness, blended into a cohesive typographic form. As its name suggests, this font is characterized by its...
  33. Imagine a font that decided to go on a cosmic journey, stretching and bending through the universe's elliptical orbits, that's "Ellipsoideogram" for you. Hailing from the imaginative galaxy of Cybape...
  34. SFT Sushka by Schrifteria Foundry, $35.00
    About SFT Sushka SFT Sushka is a narrow headline typeface that will look particularly good on the packaging of something delicious. 10 different widths and a variable font make it possible to fit the font into various limited spaces. Soft shapes and rounded notches make SFT Sushka cozy, friendly, and appetizing. But if you need a more concise and readable version, the Flat Subfamily without notches is available for you. The family forms a gradient from very narrow and quirky to wider, softer, and more fluffy styles. Therefore, the variation is not just in width and thickness, but in the overall mood as well. You can use the variable font without any concerns about unexpected intersections in the letters! Its structure is no different from static fonts. And last but not least, SFT Sushka allows for a very tight line spacing even in languages with diacritics! SFT Sushka has wide language support: 200+ Latin and 60+ Cyrillic languages. Language support Latin: Abenaki, Afaan-Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese-Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir-(Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape-Verdean-Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean-Creole, Gwich’in, Haitian-Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese-(Latin), Jèrriais, Kaingang, Kala-Lagaw-Ya, Kapampangan (Latin), Kaqchikel, Karakalpak-(Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish-(Latin), Ladinlatinlatino-sine-Flexione, Latvian, Lithuanian, Lojban, Lombard, Low-Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam-Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese-Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami-(Inari-Sami), Sami (Lule-Sami), Sami (Northern-Sami), Sami (Southern-Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish-Gaelic, Serbian-(Latin), Seri, Seychellois-Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio-(Latin), Somali, Sorbian (Lower-Sorbian), Sorbian (Upper-Sorbian), Sotho (Northern), Sotho-(Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok-Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen-(Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni. Cyrillic: Adyghe, Akhvakh, Aleut (Cyrillic), Altaic, Andi, Archi, Avar, Bashkir, Belarusian (Cyrillic), Besermyan, Bosnian (Cyrillic), Bulgarian (Cyrillic), Buryat, Chechen (Cyrillic), Chukchi, Chulym, Chuvash, Dargwa, Dungan, Enets, Even (Lamut), Gagauz, Godoberi, Ingush, Kabardino-Cherkess, Karaim, Karakalpak, Karata (Karata-Tukita), Karelian, Kazakh (Cyrillic), Ket, Kildin Sámi, Kirghiz, Komi-Zyrian, Koryak, Kumyk, Lak, Lezgian, Macedonian, Moldavian (Cyrillic), Mongolian, Mordvin-moksha, Nanai, Nganasan, Oroch, Ossetian, Russian, Rusyn, Saami, Serbian (Cyrillic), Soyot-Tsaatan, Tabasaran, Tadzhik, Tatar Volgaic, Tindi, Touva, Tsez, Turkmen (Cyrillic), Udege, Udmurt, Uighur (Cyrillic), Ukrainian, Ulch, Uzbek (Cyrillic), Veps, Yukagir.
  35. The MetroDF font is an intriguing and dynamic typeface crafted by the talented typographer Harold Lohner. This font takes its inspiration from the modernist sensibilities that were prevalent in the e...
  36. Ah, "Future Earth" by Yautja – a font that's not your everyday Helvetica or Times New Roman. No sir, this font is what happens when typography decides to go on a space odyssey and ends up at a rave p...
  37. As of my last update, Saarland, designed by Uwe Borchert, might not be a widely recognized or extensively documented font in mainstream typographic resources or among popular font libraries. However,...
  38. The font ETIAW v3 is an intriguing and dynamic typeface that stands out for its unique style and character. It is a font that seems to transcend traditional typographic boundaries, offering a fresh p...
  39. Font design frequently embodies the cultural and technological zeitgeist of its time, serving as a bridge between the expressive intentions of the creator and the aesthetic reception of the audience....
  40. Valley is a distinctive typeface meticulously crafted by Barry Schwartz, a designer renowned for his dedication to reviving classical typefaces for the modern age. Schwartz's work often breathes new ...
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