Once upon a time, in the mystical land of AEnigma, there was a font that decided it didn't want to play by the rules. Its name? Bandwidth Bandless BRK. This font was the digital equivalent of that qu...
The Circus Ornate font, created by Dieter Steffmann, is a typographic delight that harkens back to the golden age of circus posters and Victorian decorative arts. This font stands out with its detail...
The Telegrama font, crafted by the design house YOFonts, is a modern sans-serif typeface with a distinct character that combines functionality with a touch of industrial charm. Its design is inspired...
The Tenby Five font is a distinctive and versatile typeface that draws inspiration from the geometric shapes and clean lines characteristic of mid-20th-century design. Its name, suggestive of a numer...
The Crystal Radio Kit font, designed by the prolific typeface designer Ray Larabie, stands out as a distinctive and nostalgic tribute to the DIY electronics and amateur radio kits of the mid-20th cen...
The font named 4077th, crafted by Cambridge Fontworks, is an intriguing and unique typeface that boldly stands out with its distinctive characteristics. Inspired by the vintage aesthetics and the nos...
The font "Kings of Pacifica" created by Dirt2 is an evocative typeface designed to capture the essence of majesty, adventure, and the uncharted territories of the Pacific islands. Its design intricat...
The Electric Hermes AOE font, designed by Astigmatic One Eye, stands out as a distinctive and energetic typeface that captures the essence of classic signage and retro futurism. Astigmatic One Eye is...
Garbageschrift, a font that is as unique and eclectic as its name suggests, takes typography on an adventurous journey, challenging the traditional boundaries of design and readability. The genesis o...
The IndochineNF font, crafted by the talented type designer Nick Curtis, stands as a vibrant testament to the allure and timeless beauty of early 20th-century typefaces, with a unique flair that draw...
The Verzierte Schwabacher font, skillfully crafted by James Arboghast, represents a captivating blend of historical resonance and artistic finesse in typographic design. This font finds its roots in ...
The font Sofachrome, crafted by the renowned typeface designer Ray Larabie, is a glimpse into the future through the lens of the past. It's a font that embodies the spirit of the high-speed, technolo...
Space Rave, crafted by the imaginative Darrell Flood, is a font that doesn't just communicate; it invites you into a universe where typography meets the frontier of imagination. Its design principles...
Featured Item, brought to life by the creative minds at Font Diner, carries an unmistakable charm that harkens back to the golden era of mid-20th century American advertising. Picture a lively diner ...
Outlaw by Billy Argel is a distinctive font that embodies a bold and rebellious spirit. It is a typeface that immediately captures attention due to its unique style and character. The design of Outla...
TAPEMAN is an evocative and versatile font that embodies a nostalgic balance between retro aesthetics and contemporary design innovation. The font draws its inspiration from the analog era, particula...
WMLeaves1, though not recognized universally in the realm of typography, seems to evoke a niche but artistic attraction presumably based on its name. In a world abundant with fonts, each brings its u...
The font Retro Stereo Thin crafted by Thessalos Design captures the essence and nostalgia of a bygone era, while seamlessly blending with modern design aesthetics. This particular typeface is charact...
Ah, Louvaine by Paul Lloyd Fonts – the typographic equivalent of that one friend who insists on wearing a monocle and top hat to every casual brunch. In the grand garden party of fonts, where Helveti...
The Willow font is a unique and eye-catching typeface that finds its roots in the Art Nouveau movement of the late 19th and early 20th centuries. Born out of a desire to break away from the rigid con...
The OrnamentalInitial font by Manfred Klein is a distinctive and visually arresting typeface that captures the essence of historical and artistic flair combined with modern design sensibilities. Desi...
Font enthusiasts and designers looking for a cool and quirky addition to their typography toolbox will find Vic Fieger's "Refrigeration" an interesting choice. This font stands out for its unique app...
Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
Kremlin Starets, designed by Bolt Cutter Design, is a font that captures the essence of Russia's rich historical and cultural past. This typeface stands out with its distinctive characteristics, draw...
Heavy Heap, designed by the talented Ray Larabie, is a font that truly stands out in the dynamic world of typography. Its design channels the bold spirit of the 1960s and '70s, particularly drawing i...
Ballade, a captivating typeface designed by Dieter Steffmann, is a font that transports its audience back in time through its stylistic elements and ornamental flair. Steffmann, known for his prolifi...
The font named ALCATRAZ, created by the designer known as SpideRaY, is a distinctive typeface inspired by the infamy and intrigue surrounding its namesake, the Alcatraz Federal Penitentiary. This his...
The Riesling font, developed by Bright Ideas, encapsulates the essence of vintage elegance and chic modernity, making it a standout choice for various design projects. Its design is inspired by the c...
The Air Conditioner font by Font Diner evokes a cool, retro vibe that seems to whisk you back to the golden era of the 1950s and 1960s, a time when diners, drive-ins, and Americana culture were at th...
LittleLordFontleroy, crafted by the talented Nick Curtis, is a distinctive font that harkens back to the epochs of early 20th-century aesthetics, encapsulating an old-world charm that is both nostalg...
Velocette is an elegant and highly distinctive script font that exudes charm and sophistication. Its design is notable for its fluidity and grace, capturing the essence of vintage calligraphy while i...
The POLLUX9200 font, meticulously crafted by the imaginative junkohanhero, stands as a testament to the confluence of futuristic aesthetics and typographic ingenuity. At the heart of its design lies ...
The font Offshore Banking Business, designed by Vic Fieger, is a distinctive typeface that effortlessly encapsulates a sense of modernity while echoing a nod to the industrial and utilitarian styles ...
As of my last update in April 2023, "MeninBlue" is a distinctive font crafted by Digital Empires, a creator known for their innovative and unique approach to digital font design. This particular font...
Oh, Little Days! This font by West Wind Fonts is like a delightful journey back to those carefree days of childhood. Imagine the gentle, playful essence of a sunlit afternoon, the laughter of friends...
Pea Kristin, a font designed by Fonts For Peas, embodies the charm and playfulness often sought after in casual, handwritten typography. This font stands out due to its unique character shapes and th...
Certainly! Florimel™, as crafted by The Scriptorium, weaves a tapestry of elegance and whimsy, inviting you into a realm where typography meets artistry at its finest. This font is like a delicate da...
As of my last update in April 2023, the FatBoy font crafted by Flop Design is a standout typeface that captures attention with its bold and voluminous character. It embodies a playful yet robust aest...
The "Crayon" font, created by Utopiafonts, evokes a sense of nostalgia and artistic whimsy, reminiscent of the days spent coloring outside the lines in one's youth. This typeface stands out for its d...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.