Monroe was designed in 2010, but in 2013 the font’s designer stopped selling it. Eight years after its initial release, Monroe returns in a new and upgraded version—with improved drawing and spacing—which includes more weights as well as alternate glyphs. Each font style has 819 glyphs and the whole set contains 394 characters which support 207 Latin-based languages. Monroe also includes 5 stylistic sets that offer a wide range of signs, swashes and discretionary ligatures, all specially made to add aesthetic value to your designs. The family comes in 5 weights: Thin, Ultra Light, Light, Regular and Bold. Monroe was designed by Daniel Hernández with the collaboration of Alfonso García.

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

A vintage metal sign saying "No Dogs Allowed" was the model for the ultra-bold Art Deco-influenced lettering comprising Informational Sign JNL.

Getone is an exotic font, based on the Sereno font made by the same designer. It has a modern touch which makes it to stand out, all the glyphs are designed "out of the box" to combine each other in harmonious way. Getone is coming in ten styles : thin, ultra light, light, regular, bold and italics. Is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design.

The October 5, 1935 issue of “Universal Weekly” (a publication detailing current film releases from Universal) was promoting the film “Remember Last Night”. Hand lettering used for this advertisement was an ultra-bold sans serif design with chamfered corners and some stylized characters. This is now available digitally as Road Work JNL in both regular and oblique versions.

Thin, Ultra Condensed, Burned. Bonewire is distressed, shaky, rough, hand drawn. Title with it. Create graphics with it. Create patterns with it. Backgrounds. Frontgrounds. Double page spreadgrounds with it. Design with it. Headline with it. Text copy with it… no. Let it disappear like a signal at small sizes with Bonewire Burned (some call that Thin, or Ultra Condensed?) Bonewire Regular is the heavy version and Burned is the vampire thin version.

In 1932, the great American type designer, Morris Fuller Benton was busy directing the creative departments of ATF and designing type. Big on his plate during that period was the development of the Bank Gothic® family among other typefaces like Raleigh Gothic. Bank Gothic and Raleigh Gothic share some very similar design traits. The most obvious difference being the ultra condensed style of Raleigh Gothic. Although the Bank Gothic family was released with a condensed, Raleigh Gothic could have originally been planned as an ultra condensed Bank Gothic but for reasons we can only speculate, the Ultra Condensed Bank became its own design. So, If you like Bank Gothic, you may also like Raleigh Gothic. Separated at birth? Fun to speculate.

Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.

Cattleman JNL is a reinterpretation of a classic ultra-condensed wood type in the French Clarendon style often associated with Western-themed fliers and posters.

Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.

This font titled "Punchado" original was designed in light of its sharp angels and bold impact type. This font would theme in the realm of: engineering, technology, science fiction, science, futures, etc... This font could be described as energetic, and motivational.

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Ultra Condensed!

The Tempo font family was designed by R. Hunter Middleton and released between 1930 and 1931. The instant success of Futura in 1927 led to many similar designs, and Tempo is the version produced by the Ludlow foundry for large headlines in newpapers. Like Futura, Tempo font is basically geometric, but shows some humanistic influence. Tempo is popular for newspaper and commercial printing, and the heavy condensed font is excellent for headlines.

In the Dynamic Seventies, "prismatic" typefaces were all the rage, and few were more popular than variants of Paul Renner's Futura and the Herbert Bayer-inspired Bauhaus. This family of fonts features Futura-like forms in the uppercase and Bauhaus-like forms in the lowercase, so you can mix or match to create just the perfect headline. As always, all versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

The appearance of the 'IA War Bot' speaks for itself. It is a futuristic stenciled robotic font family that would be suitable for lettering comics, computer games, toy packaging, and the like. Many of the glyphs have alternatives. The widest set of font files, from Thin Ultra Condensed to Black Ultra Expanded, and the expanded character set (including Cyrillic) will satisfy all design needs. And the most demanding can turn their attention to the variable font.

Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980's science fiction movies, it features thin letterforms with a ultra wide spacing - perfect for minimal logo design and editorial display use. It features sci-fi themed alternates as well a set of lined small caps and word ligatures, and covers over forty languages using the Latin alphabet as well as Greek and Cyrillic.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

Inspired by architecture and hand-lettered posters of the 1940s, JY Koliba makes a statement that is very 21st century. With an ultra-light weight plus an elegant book and bold, Koliba was designed to be flexible. Fine-tuned with a full Latin glyph complement, and Windows kerning support for designer Jure Stojan’s Slovenian mother tongue, Koliba is set to be one of the foundry’s best-loved sans serifs.

Neue Farmero is an ultra condensed Type Family that includes 3 styles: Regular, Rounded & Vintage versions. This family is an All-Caps family with each version contains alternates. With 3 styles and iconic alternates, Neue Farmero can give a diverse set of aesthetics. With light giving a much more simple modern vintage look, fashionable feel and the bold giving a more rugged vibe for Simple Coffee shop logo, Brewing Company logo.

David Berlow drew Romeo Medium Condensed during winter of 1990, basing the design on the Estrecha Fina weight of Electra, a spectacular art deco sanserif with an unusually fine condensed series. Carlos Winkow designed it circa 1940 for the Nacional typefoundry of Madrid, the leading typefoundry in Spain. Jill Pichotta drew the ultra-light Skinny Condensed, a digital tour de force released with Medium Condensed; FB 1990–91

Bambino Font Family is a typography project by Milos Mitrovic and affiliates. Bambino has an influence of 1920s Futura-like fonts and art deco look and feel. Combining its vintage character with clean geometric form and organic flow, Bambino is shaped to fit modern aesthetics. There are 12 fonts (six weights with italics) included in the family. Bambino weight range spreads from almost hairline lightness to extreme bold style.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

Here’s another offering from the Baltimore Type Foundry, originally called Airport Tourist, which was obviously influenced by Paul Renner’s Futura Display, designed in 1932 for Bauersche Gießerei. This version features tight sidebearings and aggressive kerning, so your headlines will pack a punch. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols. OpenTypeFeatures Ligatures, alternates, old style numerals and fractions. Enjoy! VVDS

Rock it! is a type family that let's you create instant graphic design for any ROCK, PUNK, HARDCORE, HORROR and so on -gig, poster, logo, and whatever you need. Just type your texts and combine all the tree versions for authentic look! Rock It! includes three ultra condensed sans fonts with different eroded textures and partially different letter shapes. Different versions of Rock It! are set as "Light," "Regular," and "Bold", where Light and Regular have eroded holes in them whereas Bold has "dirty print stains" all over the characters.

A retro seventies idea of the Futuristic typeface, Automatic is a reflection on the simple and innocent ideas of the future from our past. To reach to moon, to colonize other planets, feed and clothe the earth, and spread peace throughout the universe and our own planet. Those ideals of the future are now changed forever by genetics, and the progression towards automation, amongst others. Will the future still be an innocent place for our children, or something out of a Terminator or Matrix like film...? Put the retro techno edge into your designs, and bring the dreams of yesteryears future back into our future!

A single weight rounded font, similar to the popular Futura font with several new twists. Usage recommendations include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

Robert Hunter Middleton drew the original design of Stellar for the Ludlow Typograph Company in Chicago. Work began in the late 1920s, when Middleton was asked to create a sans serif type family to compete with European imports of Futura and Kabel. Stellar was Middleton's attempt to raise the ante. Where Futura and Kabel were geometric in design and monotone in weight, Stellar was based on roman character proportions and stroke weighs were stressed. In the late 1990s, Dave Farey took on the task of reviving the Stellar design. While Ludlow cut Stellar in a full range of point sizes, the family was limited to just a roman and bold design. Farey's revival is twice as large a family. It ranges from a very light called Stellar Nova to a very bold called Zeta In between are Lyra and Epsilon.

Squarity JNL is an ultra-bold font derived from Jeff Levine's Yorso Square JNL. Use the font at large point sizes to emphasize messages with power, punch, strength or toughness.

PODIUM Sharp is Extended version of DUDU typeface designed in 2012. After many years I’ve decided to rebuild and develop this typeface by adding new masters and weights. Finally PODIUM Sharp consist of 234 styles: from ultra compressed hairline to extra expanded heavy. Main purpose of this project was idea to make hybrid between different modular and geometric woodtypes that I found in old polish specimens: Rex, Blok, Bacarat etc. Thanks to big range of different styles, PODIUM will be perfect choice for visual identities, posters and display usage. For better comfort of using PODIUM I’ve prepared new idea of styles naming based on Frutigres’s Universe and Climbing evaluation. First digit means width and the second weights of style. (So for example style 1.1 is ultra compressed hairline, 6.5 is something like regular and 9.13 is ultra expanded heavy.