Strait passages second part… I tried in this fifth (that's why she took the name "Pentathlon Pro”) consecutive font family to give her a character style with again a strait way of writing. Walking on the same considerations as the previous series (Khamai, Aeolus, Corset & Artios) I tried to give some sense of diversity for the strait passages of character: those fourteen style are the result. And in this family, the “Bold” with "Inlier" and “Bold Italic” with "Inlier Italic” engage in the same way as did the “Layered font families” in the previous series. Also I added a design statement for the twelve zodiac signs, only presented in the Bold, Inlier, Bold Italic and Inlier Italic style. This series is composed of fourteen styles with 628 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

This series of free fonts features symbols and icons for use in information graphics. Glyphyx One includes symbols related to transportation, while Glyphyx Two includes symbols related to leisure activities.

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

Introducing the new serif and sans serif typeface SKYSCAPER. Inspired by NY city this elegant, simple, yet distinctive styles look great in posters, leaflets, books, magazines, presentations as well as logos and blog posts. The font also has two additional styles with different design of serifs. What is included in the pack of font family: Skyscraper Condensed Skyscraper Condensed Serif One Skyscraper Condensed Serif Two The font family is Latin multilingual and has uppercase letters, lowercase letters, numbers and basic punctuations.

Looking for something between a Serif and Sans Serif font? Try the DT Skiart font. This high quality, versatile font has the professional feel of a Serif, but has the open readability of a Sans Serif. A smart crisp font with smooth simple lines. It has a medium to strong stroke contrast, with the vertical line being heavier than the horizontal line, and no serifs. The DT Skiart family is made up of 5 weights in both italic and normal.

Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family with asymmetrical serifs available in 8 weights. It features rich language support, 6 sets of figures and small caps.

Calserif is a serif font combined with a calligraphy serif font. With its blend of classic elements and contemporary designs, this serif family has two versions, a choice of regular serif styles and italic calligraphy styles. These fonts are perfect for your design needs such as making nostalgic but still clean and elegant designs such as headlines, magazines, logo designs, packaging, editorials, invitations.

This contrast serif typeface is good for display use. Bandera Display Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with Bandera Cyrillic (slab serif), Osnova Cyrillic (sans serif) and Bandera Text Cyrillic (serif) fonts. Bandera is Spanish for 'flag'. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Cartesian is a modular typeface that gets its namesake from Descartes’s cartesian coordinate plane and Conway’s Game of Life. Each character is composed of cells that each can be considered either on or off (alive or dead.) The Cartesian family includes Cartesian Serif and Cartesian Sans Serif. Furthermore, both Cartesian Serif and Sans Serif letterforms feature two-to-one stroke contrast.

Marvis is a vintage collection of fonts that includes serif, true italic, script, sans serif and slab serif each of them has two style - Clean and Rough style. Also for the script includes Alternates and Swashes. This collection was inspired by vintage signage, logos and this fonts are perfectly suitable for any vintage project and will make it at a high level. This fonts is easy to use has OpenType features. Font collection includes: Full Capital alphabet A-Z for Sans and Slab Full alphabet Uppercase and Lowercase A-z for Serif, Italic, Script Numbers, fractions for Serif, Italic, Script, Sans and Slab Punctuation and symbols for Serif, Italic, Script, Sans and Slab Alternates for Uppercase for Serif and Script Alternates for Lowercase for Script Swashes for Script Ligatures for Serif and Italic "Tb, Th, Tk, Tl, ct, fb, ff, ffi, fi, fh, fk, fl, st"

Introducing the stunning modern serif font family, Aroxima Serif. This font family takes the traditional serif design and puts a fresh, contemporary spin on it. Avenir Serif features clean, crisp lines and sharp edges that give it a sleek and sophisticated look. Its high contrast between thick and thin strokes create a beautiful visual rhythm that draws the eye in and makes for easy reading. Aroxima Serif comes in a variety of weights, from Regular to Black, making it a versatile option for any design project. Its elegant and refined appearance makes it the perfect choice for branding materials, editorial layouts, and websites. Avenir Serif also includes a range of special characters and ligatures for added flair and customization. Overall, Aroxima Serif is a modern serif font family that combines classic design elements with a contemporary twist, making it a timeless choice for any design project.

In 2011, while tutoring an exercise on Slab Serifs, Josema discovered Robert Thorne’s work for Thorowgood. Specifically, he was fascinated by the extraordinary density of the 6-line Egyptian Pica from 1820-21. As a simple exercise, he wanted to test the limits of readability within the context of a contemporary alphabet. Rothwood Ultra is the result of this experiment. As a way of developing the series, he found it interesting to go to the opposite end of the spectrum and discover how to evolve the extra-black Ultra’s DNA into a super lightweight model. The Hairline and Thin styles are her slim sisters. The third challenge has been the creation of the text version. Light, Book, DemiBold and Bold, including italics and Small Caps close the Rothwood cycle for editorial use.

A bold new look great for headlines, magazines very powerful yet very distinguished works extremely well for many applications.

Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

Polias Varia is an all-caps uniwidth variable weight typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great’s inscription, only that this is its first datable appearance.” In Polias Varia, the letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias Varia is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias Varia is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias Varia can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias (family) is one of the seven typeface designs in Esintype’s ancient scripts of Anatolia project, Tituli Anatolian series.

The inspiration source for Semicirculus Monogram is a stylish sans serif letterset from a vintage embroidery publication which combines to create a semi-circular form monogram. Originally intended to adorn handkerchiefs, it has so many other possibilities. Ornaments from numerous antique specimen books were combined with the letter set to accent and complete its form. This is one of many monogram designs for the early 1900s which fall into a two letter format that is either adorned or interwoven with ornamentation. Download and view the MFC Semicirculus Monogram Guidebook if you would like to learn a little more.

Introducing, Fright Maiden - A serif typeface font with bold and horror feel. This font has unique shape, very suitable for horror, thriller and spooky theme design. This font also perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, novels, labels or any type of advertising purpose. Features : altermate and ligatures numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.