Chip 01 was originally designed for a high tech transparent anniversary telephone card, to give this card its own identity with a slight technological reference. Chip 02 is an adapted version with slightly increased legibility.

The Barry family combines two opposite weights. This display face has a great effect if the two fonts are used together. If you want to make your design ordinary, Barry is not the right choice.

Sanderling is irrepressibly cheerful. Turn on discretionary ligatures to access double-letter ligatures for both cases, plus more chirpy ligatures designed to give flight to Sanderling’s lively character. Sanderling has the legs to make waves!

A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.

Two attractive cast metal door signs reading "Men" and "Ladies" from back in the Art Deco era inspired the idea for Nameplate JNL. The left parenthesis key starts the border decoration, and the right parenthesis key closes it off. Nameplate JNL has just a basic A-Z and numeral set; the letters "floating" within the parallel lines of the border to form complete nameplates, apartment numbers or any similarly encased words. A period, comma, apostrophe and dash are on their respective keys. A small blank space is on the left bracket key, a medium space is on the right bracket key and a large space is on the left brace key. There is a small, complete frame on the right brace key. For names such as "MacDonald" or "McIntyre", the small "ac" is on the colon key and the small "c" is on the semicolon key. No kerning has been applied in order to give the type more of an antique, "mechanically assembled" look.