Izmir is a modern, geometric font family. Izmir font family consists of 44 fonts in two widths, normal and narrow where each width consists of regular and italic styles in 11 weights. Each weight is equipped with useful OpenType features. A local ampersand has been added to use in Turkish in normal weights and italics. The combination of normal and narrow weights can be an excellent choice for any graphic design and display use.

ResotE-Pastels family was created inspired by the poetry of natural colors: the elegance of Pearls, the freshness of Mint, romanticism of Lavender and Cherry Blossom. Fully vector color Letters allow you to create any size headers, banners or advertising slogans. Because of the predefined pastel colors, of course, fonts work best on darker backgrounds. Automatic contextual alternates and ligatures built into the fonts compensate for whitespace area differences. Normal OTF ResotE (AllCaps) font is included in the package, which allows you to create text in smaller sizes in style of the ResotE family. Technical info to use: The package contains 6 color font variants in OpenTypeSVG TTF format and a normal TTF font in Black White. To be able to use the color files you need to have installed Adobe Photoshop CC2017, Adobe Illustrator CC2018, Mozilla Fire­fox or Microsoft Edge.

Volken is a heavy bold sans-serif font. This font is perfect for various projects, clean, and easy to read. what you get: · Alphabet · Number and Punctuation · Lettering format font · Include Multilingual support.

The goal of this font design was to create forms which could be used and reproduced electronically and remain legible. Technicians from the European Computer Manufacturers’ Association and Adrian Frutiger combined strict mathematical criteria with typographic tradition to solve both technical and aesthetic problems. OCR was the resulting font and was made a world standard in 1973. The font has an objective, technical character and was created specifically for multimedia, although its distinctive appearance has also made it a popular typographical trend.

Tidy Hand is a clean and simple hand-written font, reminiscent of classic Swiss type. Perfectly suited to annotating sketches, UX / UI wireframes and architects drawings, where a slightly more formal, but still hand-drawn aesthetic is needed. Available in light, regular and bold; with Greek, Cyrillic and full extended Latin character sets.

Stenblak is a rough, stencil blackletter design created by Terrance Weinzierl. There is just the right amount of grunge and texture to make Stenblak stand out from other formal blackletter designs. Stenblak would be great for any printed Halloween materials as well as posters, flyers and greeting cards. Stenblak is available in OpenType and TrueType font formats and is best used in medium to large headline sizes.

Circus stars is Vladislav Ivanov font with a retro touch, inspired by the look of old circus and movie posters. It works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design.

Aremic is a bold display font created to be used for bold headings coming in 2 shapes Regular and Rounded including Oblique. This font is inspired by the shape of the letters on sports posters. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Conseration is a condensed font family. This family has 5 styles: Light, Regular, Medium, Semi Bold, and Bold. You can use it according to your needs. Luxury, classy yet still looks fun and playful in the same time. This font is perfectly made to be applied especially in logos and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels or any type of advertising purpose.

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.