Hello Introducing, stangith - Ligatures modern Serif is an elegant, unique font that uses ligatures to smoothly link letters. Perfect for adding a unique twist to word-mark logos, monograms or pull quotes. stangith has 45 ligatures and 10 Alternates as well as numbers and punctuation making it super fantastic.Ligature can be turned off if required standard writing needs.

Ki is a monospaced display typeface inspired by older VCR / camcorder OSD (on-screen display) fonts. It is peculiar for its diagonal angles being restricted to 45°, which results in a specific textural effect perfectly legible in small type sizes. Ki comes in 7 weights with corresponding italics, and features extensive language support with over 500 glyphs, including Cyrillic.

Adlibitum is a display typeface designed as a contemporary restyling of old textura medieval script characters. It features a strong vertical accent and a geometric design, with 45 degrees angles and soft round corners. It comes in three weights and features an extended character set with support for European languages, and open type support for ligatures.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura , Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to ExtraBlack.

Moreva is a new casual modern script font. This font describes about girly, feminist, elegant, catchy, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Automatic stylistic alternates am an ar at att bb bl cl ct dd fl el elt em en er et ett ff gg gt hh il im in ir it itt kk ll lt mm nn nt oo ol olt om on or ot ott pp rr ss se sh sk sl so st tt the um un ur utt yl yt Sl Sk St Sh Gl Gh Kl Kh Ch Cl Bl Bh - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Moreva works great in any branding, logos, magazines, apparel, wedding designs, social media posts, advertisements, quotes, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. Enjoy using! Thanks. HIRO.std

Jetlab is a typographic time machine that drops you squarely into the techno-futuristic optimism of the 1960s, 1970s and 1980s! While certain weights may conjure familiar space race-era logos from the sci-fi movies, board games, sports teams, new wave bands and sneaker brands of the late 20th century, the complete 45-weight Jetlab font family is loaded with modern features to power your retro-futuristic designs with near-infinite versatility. Features: 45 weights provide widths from squeezed to stretched and weights from light to heavy, plus reverse-stress (that's thick horizontal strokes with thin verticals) high, medium and low crossbar options upper and lowercase letters provide two distinct styles a four-axis variable font provides precise control of width, vertical & horizontal weight, and crossbar height 500 glyphs support 223 languages, including Western & Central Europe and Vietnamese

Modern typeface for projects for videogames, furutis, space, action,...

Ironwood is an Adobe Originals typeface designed by Joy Redick in 1990. Ironwood font is a homage to the old woodtypes made popular by the wanted posters in Western films. Adrian Frutiger designed his typeface Westside with the same idea in mind. Ironwood font is reminiscent of the Wild West and its shoot-out heroes, and its robust figures are particularly good for headlines.

Ergo is a relatively new font oriented on the form philosophy of Univers and Frutiger, namely, that a font which the eye should see as correct cannot be constructed. The eye tends to enlarge horizontals and to perceive verticals as weaker, and the stroke differences of Ergo are therefore designed to accommodate this tendency. Ergo makes a dynamic and modern impression and is extremely legible.

Old Town No. 536 is a homage to the old woodtypes. These became especially popular through their use on wanted posters in Wild West films. Adrian Frutiger also designed his typeface Westside in this style. Due to its robust figures, Old Town No. 536 is particularly effective when used in headlines. It belongs stylistically to the Italienne typefaces, whose serifs are thicker than the strokes.

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market. Seol Sans has over 18,000 glyphs, and supports the Adobe-Korea1-2 and KS X 1001:2004 character sets.

In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th century in a typeface that would portend aesthetics of the 21st century. He succeeded handsomely. In doing so, Frutiger added a bit of organic humanism to the design, freeing Avenir from the rigid geometric overtones of the earlier designs. Avenir is employed on signage at Dallas Fort Worth and Hong Kong international airports. The city of Amsterdam adopted Avenir as its corporate typeface in 2003. The original Avenir family is made up of designs with gradual weight changes in order to satisfy the needs of specific text applications. While the book and light weights have similar stroke widths, the book weight is well suited for body text, whereas the light was designed for captions and subhead text. Featured in: Best Fonts for Resumes

Inspired by a futuristic cyberpunk and Neo-Tokyo vibe, UNHUMAN is a typeface that embodies the essence of technology and innovation. With its simple shapes and wide form featuring 45° cuts, this font brings a sleek and hi-tech aesthetic to your designs. Created by AN Górski, UNHUMAN is the perfect choice for projects that require a modern and cutting-edge look. **Uppercase

Inspired by futuristic vehicle print designs like seen in Star Trek, Blade Runner, Altered Carbon and the Alien franchise. The goal was a clean, abstract design where horizontal, vertical and diagonal 45 degree lines are the primary guidelines. Features : uppercase and lowercase numbers and punctuation multilingual Ideal for: Logo design Movie promotion Book & magazine print Package design Vehicle print designs Game design

Allegroost is a handwritten font that uses a large brush in a horizontal position, so that the brush strokes vertically make the size large, opposite the horizontal strokes the size becomes small. To add to the natural impression, we complete many ligatures that adjust handwriting such as: ob, oc, od, og, oh, oi, oj, ok, ol, om, on, oo, op, oq, or, os, ot, ou , ov, ow, ox, oy, oz, bo, bd, bg, bi, br, bu, by, ee, ii, ll, tt, th, tl, lt, it, ti, iti, ld, ts, st , mm, nn This unique handwriting is perfect for logos, quotes, posters, fun letters, for clothing, or any design project. Equipped with 28 language support makes your brand can appear in various parts of the world

Taiko is a strong headline typeface based on a design by Otto Arpke from 1928. Taiko Std is the basic version with 235 glyphs. The full version with over 650 glyphs includes the following OpenType features: - central European glyphs - small caps - tabular & mediaeval numerals - dynamic fractions

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

An ad spotted in a 1960 issue of Billboard magazine promoting a 45 rpm release by Randy Lee doing the old song "Did You Ever See A Dream Walking?" featured the song title in a casual, brush lettered style. While the ad made a perfect model for a digital font design, the record itself tanked. Quick Titling JNL is available in both regular and oblique versions.

Inspired by a scrolling banner led lamp display and monospace fonts like OCR-A/B. A modular typeface that come from an arranged octagonal shape module, with 45 degrees sides slope which can gives it a casual digital-look font. Designed for headlines, posters, and medium size body copy. Delko come with 2 styles, regular and lined. Languages support, ligatures, stylistic alternates, and symbols are available.

SQUADZONE it’s a young & sportive unicase style font, having both uppercase and a few smallcase alternating letters that gives it a unique look. It’s geometric anathomy of the letters may have two different types of endings or detail: straight and sharp cut out angles at 45 degrees. This offers a few alternatives in headlines or even logotype purposes that are realy encouraged to use for.

This big family summarizes and develops the tradition of boldface squared-off 45° shear sanserifs. Known from the middle of 19th century and actively used in different times (1920s, 1970s) is still usable now, thanks to its brutal expression, monumentality and possibility to fully maximize the flatness without loss of readability. This font is especially good for filling letters with photos or to create geometrical “constructivist” compositions.

Introducing Headson Headson combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts. - Simple installation - Work for PC and MAC - Multilingual Support Thank You! GRSMN Std. 2012

Iridium™ was designed by Adrian Frutiger in 1972 for Linotype. It is in the modern" style like Bodoni or Didot, in that it has the sparkle created by a high thick/thin contrast and a symmetrical distribution of weight. But the sometimes harsh and rigid texture of the modern style is tempered by Frutiger's graceful interpretation. Iridium itself is a very hard, brittle and strong metal; yet the Latin and Greek roots of the word mean rainbow, or iridescence. And indeed, this font is infused with a more lustrous and complex spirit than the average rather stark modern typeface - note the stems that gently taper from waist to serif, the nicely curved ovals of the round characters, and the slight bracketing of the serifs. Iridium was originally designed for phototypesetting, and Frutiger himself cut the final master photo-mask films by hand. This digital version has all the craftsmanship of that original and includes the roman, a true italic, and the bold weight. Iridium works particularly well for book and magazine text and headlines."

Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. The systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming.

Linotype Univers is a completely reworked version of the original Univers Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. T he systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming.

Introducing! New Elegant Script Font. Just Sunday! Just Sunday is modern feminine font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: logo, photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Just Sunday also includes Regular and Bold, full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all types of printing techniques+you can do embroidery, laser cut, gold foil etc. Just Sunday has beautiful ligature following : Ju Su St af ah ak al am an as at ay ch ck cl ct dd ef eh ek el em en es et ey ff if ih ik im in il is it iy ll nn oo sh sl ss st tt uf uh uk um un ul us ut uy Contact me if you have any questions: dharmasahestya@gmail.com Thanks! dharmas Std

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Rounded and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Rounded styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Winkell family is a futuristic all caps four width opentype™ font family of 16 fonts featuring multilanguage support. Winkell is heavily inspired by dystopian futuristic settings in science fiction especially subgenres like cyberpunk and other futuristic visuals. Simple all caps display design based on straight forms connected by 45° rounded angles. Winkell Mix+Match Letters™ system allows you to mix letters from same weight but different widths.