7,074 search results (0.017 seconds)
  1. Crème de la Rue by Benedict Herr, $39.00
    Crème de la Rue is an urban-art-influenced stencil font. Cut outs and spraying or painting in huge sizes are possible as well as display use for headlines or short paragraphs in mid and large scale. The Stencil cut is available with 246 glyphs, numbers, accents, arrows and ligatures.
  2. Sans Serif Shaded - Unknown license
  3. Annifont - Unknown license
  4. Habibi by Habibi Shaikh, $99.00
    Its Indian language Hindi/Marathi mixed with English alphabets for exp. A mixed with Hindi type (A)
  5. Space Up Yer Life - Unknown license
  6. KG Les Bouquinistes de Paris - Personal use only
  7. KG Les Bouquinistes De Paris by Kimberly Geswein, $5.00
    Tall, masculine, French-inspired handwriting.
  8. Designer's page on Abstract Fonts.
  9. LUCKY TYPEWRITER - Personal use only
  10. ChunkFive Roman - 100% free
  11. GoodPeace - Personal use only
  12. d puntillas A Lace - Personal use only
  13. Sagoma by Stefano Giliberti, $15.00
    Sagoma is a font family expression of conscious opulence. It supports 111 languages, features a total of 311 glyphs and includes an italicized version for each of the 3 weights.
  14. KlausBFraktur - 100% free
  15. Afrobeat by Resistenza, $39.00
    Inspiration The pounding tribal rhythms of Afrobeat music is expressed through this psychedelic brand new font, Afrobeat. Every letter becomes art as every letter is elegantly placed side by side, like music notes, creating music for the eyes. Afrobeat is a musical style performed by many African artists such as Fela Kuti, Femi Kuti, Antibalas and many more, which is a fusion of jazz,funk, and psychedelic rock, originating from the 60s and was based on the political movements of Nigeria. The Font This font is perfect for when you want to use eye-catching big texts for anything from posters and flyers for concerts, events, parties, to CD covers, advertisements, and art, but it’s especially striking for printed projects. Check out also ‘Afrobeat light’
  16. Font - Unknown license
  17. Parco by Stefano Giliberti, $15.00
    Parco is a font family inspired by the laconic way of living. It supports 111 languages, features a total of 311 glyphs and includes an italicized version for each of the 5 styles.
  18. DeRoos - Personal use only
  19. Lux by URW Type Foundry, $35.99
    Many times, when a new creative process is starting, it is triggered by an everyday action or item. In this case, the looks of a lady’s watch inspired Michael Herold to create his new typeface LUX. The sight of the chronograph sparked associations of the 1950s in Mr. Herold: While this decade was predominantly dominated by brush and feather scripts, there was also a bloom of strict and modern architecture. This special mix of strength and retro style is exactly what Michael Herold is trying to capture in his LUX. The result is a typeface which is perfectly suitable for use on book covers, posters and claims – thanks to its striking impression. The name LUX, Latin for light, is inspired by the high bright-dark contrast within the individual characters. Oft sind es alltägliche Gegenstände, die das Bestreben eines neuen kreativen Prozesses auslösen. So entspringt auch die Inspiration zur Erschaffung der LUX von Michael Herold dem Anblick einer Damenuhr. Der Chronograph löste bei Herrn Herold Assoziationen zu den 1950er Jahren aus: Während diese Zeit hauptsächlich von Schreibschriften aus Federn und Pinseln beherrscht wurde, nahm auch die streng und modern anmutende Architektur starken Einfluss auf die Epoche. Diese Mischung aus Strenge und 50er Jahre Retro-Stil soll in der LUX zum Ausdruck kommen. Das Ergebnis ist eine Schrift, die sich mit ihrer plakativen Wirkung perfekt für Buchumschläge, Poster und Claims eignet. Namensgebend war der starke hell-dunkel Kontrast innerhalb der Schrift – festgehalten in dem lateinischen Wort für Licht.
  20. Faux Sanskrit by Page Studio Graphics, $24.00
    This simulated font is based on the characteristic Hindi calligraphy and includes upper and lower case alphabets, numerals, and a collection of Indian symbols and border components.
  21. Omega Pixel by João Henrique Lopes, $-
    OmegaPixel Font Description I created this font for the game Hyper Ninja Blast (but made it useful to all kinds of games!). While creating the game, I searched for pixel fonts, but could not find a suitable one. The fonts were generally ugly and lacking the basic variations (italic and bold). So I decided to create my own pixel font. Just as pixel art can be better than a high-resolution painting, so pixel fonts don’t need to be always worse than traditional fonts. In OmegaPixel I tried to achieve elegance, readability and flexibility within the limitations of a 6 pixel x-height. With 4 versions (regular, italic, bold and bold italic), and a neutral feel, OmegaPixel can be used in any genre of games. Considering the general lack of money among indie game devs, I’m giving the regular version for free! For inspiration, I often remebered Minion’s lowercase ‘a’, Galliard italic lowercase ‘g’, and the calligraphy of Chinese emperor Huizong.
  22. Pie charts for maps - Unknown license
  23. Ventoux by Wiescher Design, $39.50
    The highest and windiest mountain of Provençe is the Mont Ventoux. That is where I saw a pretty windy signpost in a very windy typeface that inspired me to design Ventoux. I recently added a Small-Caps style to it and overhauled the font a little bit without destroying its shaky appearance. Your not so windy Gert Wiescher
  24. Alcohole - Unknown license
  25. Wooden Log - Personal use only
  26. Sansation - Unknown license
  27. Xenippa - Unknown license
  28. Xirwena - Unknown license
  29. WirWenzlaw - Unknown license
  30. Popfork by PizzaDude.dk, $20.00
    Popfork is super handy for massive texts!
  31. Durianik - Unknown license
  32. Deloise - Unknown license
  33. CrashTest - Unknown license
  34. Tipo Metro CDMX by Ixipcalli, $-
    La tipografía “Tipo Metro CDMX” fue desarrollada por Lance Wyman como parte del proyecto “Metro” desde los años setenta, y es uno de los elementos clave de la cultura visual del transporte del Sistema de Transporte Colectivo Metro (STC Metro). Este estilo se ha convertido en el icónico fundamental del trasporte público para los residentes de la Ciudad de México. En esta edición, los tipos minúsculas son una adaptación “no oficial” para el Tipo Metro CDMX, enriqueciendo la tipografía a un estilo visual de altas y bajas, por lo que se prescinde del diseño base como trabajo propio para enfatizar los tipos minúsculas exclusivamente, además de que se han añadido algunos caracteres de acentuación extendiendo su uso a otros lenguajes. Los tipos son una nueva propuesta por Ixipcalli en el presente año 2023. The “Tipo Metro CDMX” typeface was developed by Lance Wyman as part of the “Metro” project since the 1970s, and is one of the key elements of the visual culture of transportation of the Metro Collective Transportation System (STC Metro). This style has become the iconic fundamental of public transportation for the residents of Mexico City. In this edition, the lowercase types are an “unofficial” adaptation for the Tipo Metro CDMX, enriching the typography with a visual style of highs and lows, so the base design is dispensed with as my own work to emphasize the lowercase types exclusively, In addition, some accentuation characters have been added, extending their use to other languages. The types are a new proposal by Ixipcalli in the current year 2023.
  35. Addict - Unknown license
  36. Amerika - Unknown license
  37. BradburySans-Light - 100% free
  38. Happy - Unknown license
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