Monoreal, a basic coding font. Unlimited Single Fractions can be had. The GOTHIC STYLE is NOT monospaced and is kerned, designed for subtitles and other various applications.

Condensed Oldstyle Gothic with flair. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Okay Berry is a connected script with naturally beautiful handwritten style. Okay Berry is extended, containing is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Vikive is a family of Sans Serif fonts, better known in its origins as "Gothic" in America or "Grotesque" in Europe. Some authors divide them into three categories: Grotesque, Geometric and Humanistic. Probably, it can be defined that Vikive has some characteristics of the first two: Grotesque and Geometric, high x-height, slight squareness of the curves, wide set, open tail, simple construction. The family concept provides several weights and widths for one face and its matching italics, therefore this family of types is more suitable for text settings, enriched with strong contrast fonts (condensed thin or expanded black) for headlines.

Blacken is a contemporary blackletter with some fraktur flavour and a deep dark spirit. With its 420 characters covering 219 Latin-based languages, this font is ideal for your posters, book covers, logos, tattoos, and to play with its strong and thick characters. Among its inspirations are the gothic-cholo style, Mexican sign painting (the one in tacos and tortas, of course) and some delicious Belgian beer! Besides the Regular width, Blacken comes with Condensed and Expanded versions and Mix, which combines the three widths as OpenType features. You can also get Blacken Variable to create your own ideal width!

I used to be an exchange student in Canada. I noticed my handwriting was quite different from the handwriting of people who are from countries where the roman alphabet is used. So, I thought why not make a font based on my natural handwriting. This font can be used whenever a cute and different style like mine is needed. "Exchange Student" is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Enjoy!

SK Sofuto is a bold display typeface inspired by graffiti culture. Striking and unusual forms of the font distinguish it and do not allow you to forget about it. SK Sofuto is a typeface that cannot be unnoticed. It is bright, wicked, and screaming. The typeface supports multilingualism, namely Latin, both classical and extended, as well as Cyrillic! The SK Sofuto typeface will make your work noticeable and will fit perfectly in both poster and printing design, as well as in web design.

Introducing TT Commons™️ Pro, version 3.300! We’ve extended our bestseller and made it even better by adding the Greek alphabet and updating the OpenType features. The TT Commons™️ Pro typeface currently includes: 5 different subfamilies: Standard, Condensed, Compact, Expanded, and Mono; 102 font styles + 2 variable fonts: TT Commons™️ Pro Variable and TT Commons™️ Pro Mono; 1546+ characters in each Mono font style set and 1656+ characters in each Standard, Condensed, Expanded, and Compact font style; 275+ languages support, along with the Vietnamese and Greek alphabets (in all subfamilies but Mono); flawless kerning and manual TrueType hinting; 32+ OpenType features.

Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.

The name Angryhog came out of nowhere out of free association. "When you're working on a typeface on the Mac it demands a name from you which I find a bit confrontational" says Donaldson. ITC Angryhog brings together Roman and Gothic influences in a quirky and sophisticated display face. Characteristic of this typeface are its sharp, pointed forms, especially noticeable in the serifs, which give ITC Angryhog a restless, almost aggressive feel. It is as though the letters have a mind of their own and ignore all rules and regulations. ITC Angryhog is a perfect typeface for comics or satire, best suited to short to middle length texts and headlines.

Every face tells a story but this font is 77 stories high (1,046 feet with antenna included)! A lofty companion to Empire State Gothic , Empire State Deco is a tall, stately font containing four different styles, sometimes contradictory, united by the desire to be modern. Those familiar with the Exposition Internationale des Arts Décoratifs et Industriels Modernes will notice a post-postmodernism combined with the fine craftsmanship and rich materials for which those awfully nice chaps at Comicraft are known. During its Art Deco heyday, Comicraft represented luxury, glamour, exuberance, and faith in social and technological progress -- this new font recaptures those halcyon days in letter form.

The design of Silverspoon reproduces classic antiqua with rounded contours, and is ideal for many uses including headlines, neon signage, and stencil. Silverspoon supports Extended Latin as well as Extended Cyrillic.

Decorative extended characters font.

Mymra fonts – an upgraded version of Mymra Forte and Mymra Mono (2009), with a careful re-dress of glyph shapes, and the extension of glyph amounts – which enables support of more Latin languages. One more weight – Black – has been added to the original three of Mymra Forte fonts. Fonts are intended for use in a vast variety of publications.

I noticed this font for its versatile techno look - it makes wonderful logotype word images. Every letter combination is perfectly kerned so that the letters fit together nicely... Also includes some alternate letterforms, but only in their basic forms (not made in combinations with diacritics). These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates"/"ss02" and "Swash"/"ss01". Technique BRK Pro is the perfect companion for Technique Outline BRK Pro (it exactly fills the "holes") but also a nice techno font in its own right. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Melcheburn is a classic late-medieval gothic font based on original lettering by Samuel Welo. It has strong, formal lower case letters and extremely ornate and decorative capitals.

A slightly wide gothic with just a touch of flair. This font will add a nice elegant touch to all your designs; works great for text and headlines.

Designed at ParaType in 1989 by Vladimir Yefimov based on Advertisers Gothic, 1917, by Robert Wiebking, inspired by Art Nouveau lettering. For use in advertising and display typography.

Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts such as Bebas Neue SemiRounded and Bebas Neue Rounded. Bebas Neue Pro has lowercases and Italics. When you need more impact for titling, please try Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

This face is a bit of a time traveler. It combines the lowercase from a font called simply Square Gothic from the 1888 James Conner’s Sons specimen book with the uppercase of Morris Fuller Benton’s 1932 monocase masterwork Agency Gothic, resulting in a high-tech typeface right at home in the twenty-first Century. Available in three weights. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set

The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to emphasise the machine aesthetic. Register also provides the lower case missing from Bank Gothic. Available in two main widths, each in five weights plus reweighted italics with cursively-derived letterforms, plus a bold condensed, Register has been used for the Sochi Winter Olympics, Source magazine and releases from Transient Records.

Extended sans serif display face.

The Lastring is a decorative font. It is perfect for tattoos design and has a gothic and vintage style that will turn any project in a piece of art!

Rough Rider is a handcrafted bold italic typeface. Intended as a rough display style typeface it’s perfect for illustrative titles, logotypes and small texts. Initially developed for a logo design, Rough Rider was expanded to a full Central European character set.

Refrankt is a multifunctional sans-serif type family with 18 styles, ranging from Thin to Black with matching italic styles. The key visual feature of Refrankt is its wider characters and expanded proportions, which accentuate the character of the type family and extend its application. Refrankt works well as a display font but can also be used comfortably in headings and larger bodies of text. Refrankt offers a clean and thoughtful take on the functional grotesque sans-serif style and can be used in a wide variety of projects, from UI/UX design to packaging and branding. It can also be employed as a font for logos and word marks. Whether you're looking for bold, sturdy letterforms or dynamic flexibility, Refrankt readily adapts to any task. Refrankt would look at home in projects related to technology, athletics, industrial design and many more. The functionality of Refrankt is defined by its multilingual support (200+ languages) and its extensive OpenType features, such as Case-Sensitive Punctuation and Stylistic Alternates, among many others. In addition to a standard set of figures, Refrankt includes tabular figures, old-style figures, superiors, inferiors, and fractions. The entire character set comprises over 800 glyphs. Free trials available on our website: https://groteskly.xyz/ Refrankt Features: • 18 Fonts (9 Upright & 9 Italic) • Variable Font • 800+ characters/font • 200+ languages supported • Extensive OpenType Features • Versatile and Multifunctional

Maestrale is a paradigm-breaking new take on calligraphy, built around a compact, serif-style core and outrageously long, flamboyant extenders. At large sizes, its confident, charismatic lettershapes are ideally suited for branding and decorative uses, whereas longer texts at smaller sizes naturally weave themselves into a flowing texture. The font comprises 1299 glyphs, including many stylistic alternates, ligatures, small capitals, and initial, terminal, and linking forms, and offers extensive OpenType programming to support them. The calligraphic form of Maestrale is complemented by a matching text font (Maestrale Text) with short extenders, available in three cuts (a serif-style Roman, an upright Cursive, and a tilted Italic). Maestrale is all about the lowercase; its capitals are deliberately understated so as not to steal the limelight. In fact, the font works very well when set exclusively in lowercase. Maestrale�s small capitals are fitted into the core space of the lowercase, allowing them to be freely interspersed with lowercase characters. Alternately, an OpenType feature is available to replace a and e in small-caps text with their lowercase equivalents for a fresh unicase look. Since alternates and ligatures play such an important role, Maestrale offers three different modes of use. The most straightforward approach is simply to start typing using Maestrale Pro � the extensive OpenType programming will ensure that collisions between extenders are avoided and attractive ligatures are substituted for common glyph combinations. A more interactive approach is provided by the font Maestrale Manual, which allows the user to manually select alternate forms and ligatures even in typographically unsavvy applications, such as PowerPoint (as long as standard ligatures are supported). Stylistic alternates are simply represented as ligatures of their base forms with one or more instances of the rarely-used by easily-accessed characters "~" (ASCII tilde) and "`" (spacing grave accent); linking forms are built with �_� (underscore), multi-character ligatures with "|" (pipe), and initial and terminal forms with the �less than� and �greater than� characters. For instance, the Maestrale wordmark in the posters above was simply typeset with the string (`ma`est|r_a```l```e)| in Maestrale Manual (The parentheses represent �less than� and �greater than� characters here.) Feel free to type this string into the test line below and see what happens! Make sure Standard Ligatures are enabled. An instruction sheet listing all alternate forms and their accessibility is available from the Gallery tab on this page. The third mode of usage is aimed at professional designers, who make use of sophisticated software with extensive OpenType support. These power users are advised to use the font Maestrale Pro again, where all glyphs are accessible as stylistic alternates. Maestrale Text is a less extravagant but more versatile variation on the design of Maestrale, replacing Maestrale�s swashes with efficiently compact extenders. It is intended to serve as a perfectly matching text companion to Maestrale calligraphy, but constitutes a full-fledged typeface in its own right. It is equally at home at display sizes as it is in pull quotes, titles, and high-impact blocks of text. Maestrale Text comes in three complementary faces: A serif-style Roman, an upright Cursive, and a tilted Italic. Maestrale is the Italian word for �masterful�. It is also the traditional Italian name for the northwesterly mediterranean wind, better known by its French name, Mistral. Acknowledgements: I am grateful to the helpful souls on the Typophile forums for extensive feedback and encouragement on Maestrale, and to the TypeDrawers forum for feedback on Maestrale Text. This font is dedicated to Simone.

SK Leshiy is an authentic monumental font inspired by ancient Slavic legends and fairy tales. This font combines geometric and natural forms, each of its symbols creates a unique image of a fabulous creature that hides in the forest thicket. The SK Leshiy font has a basic and alternative character sets that allow you to expand the font's capabilities and its decorative functions. The font supports a multilingual set and an extended table of Cyrillic and Latin characters.

Brontoburger is defined by its loose, laidback appearance but stops short of being too rough around the edges. Its softened corners produce a warm, friendly look suitable for many applications. This display font is playful enough to be featured on toy packaging but suitable for business cards as well. Try the 3D Extrude version for a book cover or poster. This 3 member family is equipped with Basic Latin, extended Latin, diacritics, Cyrillic, symbols, punctuation, and kerning.

Shababa is a hand-drawn 3-D font. The linework is fairly relaxed, mostly smooth with some distressed edges. There is lots of texturing from the pen strokes which becomes more evident at larger point sizes. This looseness enhances the smooth technicality of the properly extruded forms. With extended codepages for Cyrillic, Romanian, Turkish, Baltic & Central Europe, Shababa is suitable for multilingual environments & publications. It also features West European diacritics, ligatures & a sprinkling of dingbats for extra fun!