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  1. Fourth by J Foundry, $25.00
    Fourth is a contemporary roundhand script with a classic feel. It draws inspiration from classic Americana – baseball scripts, sign painting and branding. The family consists of seven weights with ornament extras for good variety in layout and logo development. The forms are rational and refined for consistency and legibility. Contextual alternates are included for smooth initial and ending forms. Stylistic alternates are available for the commonly substituted forms; s, r, l, f, k, and z. Fourth also features Swash capitals, swash lowercase, underlines and catchwords for custom styling.
  2. Fourties by Aestherica Studio, $12.00
    Fourties is an elegant bold hand-brushed display font with capital letters. With a cool style, it will add a bold and powerful touch to your projects, inspiring you to create something bold too. Fourties is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.
  3. Fourth Reign by Mans Greback, $39.00
    Fourth Reign is a royal medieval typeface. With diamonds, borders and ornaments, this decorative typeface brings us to glorious worlds in the golden times of epic knight sagas. Fourth Reign is the typeface of queens and kings. Use it for a Middle Ages game, a fantasy headline, or as a logotype for anything of historical theme. To make heraldic symbols, copy these icons: 🐉 🐎 👑 🗡 🦁 🦅 🦌 + ♖ × ✝ ⚓ * ⚔ † ‡ Alternatively write %A %B %C ... etc to create the heraldry. (Download required.) Dragon, Horse, Crown, Sword, Eagle, Deer, Cross, Anchor are some of the logos. Use [ ] for side borders. Example: [Magic⚔Thrones] The Fourth Reign family consists of four styles: The regular Plain style, and the beautiful Borders, Diamonds and Combo styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering Greek and Cyrillic, as well as all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.
  4. Bolded by We Make Font, $16.00
    Bolded is a new complete type family, designed and developed by creative professionals. Contains geometric and rounded features, optimized for both long texts and small screens and texts. The complete family offers seven weights divided between the basic, italic, condensed and condensed italic family. Created in 2022, Bolded has a modern and functional look, designed for the most diverse uses and projects. Bolded is a geometric rounded family that can meet the needs of the most varied professionals looking for a clean and elegant font family with a wide set of Latin characters.
  5. Bolde by Figuree Studio, $18.00
    Bolde is a powerful sans serif font family with modern touches. A balance of hard lines and smooth curves makes them able to stand on their own dynamically Features: five all caps font, Numbers & Punctuation / Extensive Language Support Bolde works great in any branding, logos, magazines, film. The different styles give you the full range to explore a whole host of applications. Thanks for having a peek at Bolde. As always, if you have any questions just send me a message!
  6. Slab Four Rounded Bold by Wooden Type Fonts, $15.00
    An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version.
  7. Mounth by Linecreative, $16.00
    Mount is Modern Slab Serif Font Mount is a bold slab-serif font for titling, captions and logo. this font is similar to Simple Note font, but it comes in round and rough shapes. Mount offers you: 1. Upper and Lowercase characters 2. Multilingual Support (Latin Western Europe) 3. Numbers and Punctuation
  8. Sourta by HansCo, $15.00
    SOURTA is a sharp italic and bold font with unique style that will make your design looks modern and futuristic. You can use this font for any purpose, especially to make logotype like a technology or sports logo brand. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, etc also support multilingual. Highly recommended to use it in OpenType capable software - there are plenty out there nowadays as technology catches up with design. The OpenType features can be accessed by using programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, Afinity and more. Enjoy!
  9. SF Fourche - Personal use only
  10. Fourt Carsey by Reyrey Blue Std, $16.00
    Introducing, Fourt Carsey Typeface. Fourt Carsey is an elegant and modern font that take classy and fashionable touch family typeface. Fourt Carsey Typeface is perfectly suitable for layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations. logotypes, and much more. Don't wait to add this luxury font family to your collection and explore the uniqueness of this typeface! Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!
  11. Mouth - Unknown license
  12. Farthing by Device, $39.00
    "Classy eccentricity" — Farthing evokes elegant traditional serif styles, playful but poised. Farthing is a serif face in five weights, with alternate characters and both lining and old style numerals. Suitable for both headline and short paragraphs of text.
  13. Fouras by Prime Graphics, $45.00
  14. Fortis by GroupType, $19.00
    Formerly named Atlas, Fortis is a 21st century contemporary Latin. Also categorized as a Glyphic, the design was first introduced in the last half of the nineteenth century and is characterized by large, sharp, triangular serifs. Latins were very popular for posters and as a newspaper headline font. Fortis is a Latin with attitude. It is bouncy and much more animated than its predecessors. As a display font, it brings motion and playful personality to a design. Great for party invitations, packaging, headlines, and children's books!
  15. North by Trine Rask, $40.00
    North Family is a small type family designed for books and pages of text in smaller or bigger sizes. It has been designed with special care for the Scandinavian languages, their letter combinations and special characters, but contains accented characters for all european languages. North is a soft and warm typeface, legible and friendly, very suitable for setting text that you just want to be read as easy as possible. Also very usable for children books with its simple forms.
  16. Gorthe by Letterena Studios, $17.00
    A serif modern and classic typeface that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. **Uppercase
  17. Worthing by Greater Albion Typefounders, $14.00
    Worthing aims to combine Victorian charm with modern-day requirements for legibility and clarity, and we hope, demonstrates that traditional elegance still has its place in the modern world. Meanwhile, for those who are curious about the naming of our fonts, Mr Lloyd our designer was reading Mr Wells (H. G.) War of the Worlds recently. No doubt some of you will remember the part that Worthing in Sussex played in that story. Worthing is offered in three styles: regular, alternate and shaded. It's ideal for Victorian and Edwardian era inspired design work, posters and signage, as well as for book covers, chapter headings and so forth.
  18. North by Wilton Foundry, $29.00
    North is an elegant Light Condensed that provides some interesting surprises to conventional condensed fonts. Ideal for fashion, cosmetics, editorials and premium packaging design.
  19. SF Old South Arabian by Sultan Fonts, $9.99
    Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script. Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners. My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing. About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.
  20. Karvwood bold - Personal use only
  21. White Bold - Unknown license
  22. Goulong Bold - Unknown license
  23. Chopin-Bold - Unknown license
  24. Belta Bold - Personal use only
  25. Writers bold - Unknown license
  26. Helena-Bold - Unknown license
  27. Pullchain Bold - Personal use only
  28. Boneribbon Bold - Unknown license
  29. Charlemagne Bold - Unknown license
  30. Bamf Bold - Unknown license
  31. Lein Bold - Unknown license
  32. Prescript Bold - Unknown license
  33. Present Bold - Unknown license
  34. Chizzler Bold - Unknown license
  35. Zado Bold - Unknown license
  36. Alako-Bold - Unknown license
  37. XPED Bold - Unknown license
  38. Spylord Bold - Unknown license
  39. andre bold - Unknown license
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