Pronto is a fast and breezy calligraphic handwriting font that moves to a timeless beat. Its catchy rhythm and casually artful forms make it a choice font not only for packaging, but also for signs and café bistro boards and menus. Alternative forms for almost every letter are provided within the font. Pronto is a single feature-rich font that includes extra alternate characters, as well as a wide range of Latin-based languages, including Turkish and the languages of Central and Eastern Europe and the Baltic region. To take advantage of all the OpenType features included in the font, please use within programs that support such advanced typography. Designed by Koziupa and digitized by Ale Paul.

Country Western is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells. This version combines the best of both versions and adds something new. New to this font are the lowercase, italic, swash and script versions plus Greek and Cyrillic character sets. Keeping with the original theme from 1859 Fill fonts are available for the Ornamented and Open faced versions of this font. Greek, Cyrillic, Central and Eastern European characters sets are supported in the Windows TrueType and OpenType formats. The Windows and Mac PostScript Type1 versions of this font, however, do not support Greek, Cyrillic, Central and Eastern European characters sets.

Country Western is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells. This version combines the best of both versions and adds something new. New to this font are the lowercase, italic, swash and script versions plus Greek and Cyrillic character sets. Keeping with the original theme from 1859 Fill fonts are available for the Ornamented and Open faced versions of this font. Greek, Cyrillic, Central and Eastern European characters sets are supported in the Windows TrueType and OpenType formats. The Windows and Mac PostScript Type1 versions of this font, however, do not support Greek, Cyrillic, Central and Eastern European characters sets.

Belle Helene is a script and symbols font based on handwritten brush letters. The name is inspired by the famous french dessert with the same name (wine cooked pears with vanilla ice cream and chocolate syrup). This soft and smooth shaped font is suitable for restaurants, cafes, shops, bakeries, menus, wedding stationary or wherever a warm and informal feeling is required. It comes with open type features such as standard ligatures and alternate end/initial letters. The symbols font has 62 cute symbols to play around with to spice up your designs. Multilingual support is included for almost all European languages (Diacriticals). Please Note! Test the font in the Font Preview before purchase.

Shyness is a handwritten bold script font with a classic and authentic background in a variety of elegant styles. fonts made with various references to create a strong and sharp impression, so that when you use it in a project, the message will be conveyed strongly to all audiences. This font is designed to create portions and compositions that suit your needs, also designed with a natural hand touch, has alternative features, ligatures and also supports multi-language, So this font is suitable for crafts, outdoor activities, logotypes, posters, titles, banners, wedding invitations, product packaging logos, quotes, social media page covers, book covers and more. what are you waiting for start creating special projects with this font!

Introducing our newest font called Giroji, this font is designed with a bold, strong, and unique handwriting theme, so that when used it can create a relaxed, elegant and charming impression when applied to your design project so that it can give the viewer a distinctive impression. Start using this font to create an ideal and balanced design for each of your projects. In addition, this font is designed with a natural handwritten touch that is refined to create portions and compositions to suit your needs. So this font is perfect for crafts, children’s writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Churek is a elegant and classy chic serif font for brand, logo and quotes design. Based on our experience as a graphic designer, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for Branding and Logo design. You will get classy, elegant, and certainly unique logos with this font. Don't Worry! you also can use this font for quote design or display text. Churek is also included full set (oblique and regular) of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

The Octa fonts are primarily intended for heading, display and decorative use. A close relative to Alert, Octa is angular by its structure but soft-outlined typeface with modern industrial strength expression. The Octa group fonts consist of five families - Octa, Octa Stencil, Octa Mono, Octa UniMono and Octa Tile: Octa and Octa Stencil - each family carry two weights of complete characters. Kerning pairs feature is included in both fonts. Octa Mono - two weights font of upper and lower case monospaced characters. Octa UniMono - two weights font of unicase (caps) monospaced characters. Octa Tile - single weight of capital letters, numbers and ornamental dingbats placed on tile squares with white and black backgrounds.

Birdcage was designed from a very short lettering sample in Rob Roy Kelly's American Wood Type book, from the image I created a complete font plus a regular version with lowercase. In the past banner style fonts would limit you to a monospaced look, so how do you kern a banner font? Well, with today's OpenType font format the solution is simple, draw the kerning pairs together as one character glyph and place them inside the font then use auto substitution to access those characters when needed. Birdcage (OpenType version) includes 249 auto ligature kerning pairs, to use this feature you will need an application that takes advantage of OpenType features such as Adobe CS products.

Stencil Round Ends, is just that, a stencil typeface with rounded terminations to each line rather than the squared terminations found in your typical stencil font. This design was developed while designing a typeface for engraving. The end mill tools used to engrave a font are round, thus the lines will all end with a rounded edge. While designing the engraving font I also designed this font to make sure that the single line version will have the desired aesthetic. Unlike many stencil fonts that have a limited range of glyphs I made this to contain the majority of letters, accents, ligatures, and mathematic symbols commonly used in most latin based languages.

PARIS is a new Vintage Sans Serif font that perfect for Headline needs with all uppercase characters ready. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a graphic with a vintage feels and modern style. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for show off in historical style and vintage vibes but with small space. You will get vintage, modern, and certainly unique style with this font. PARIS font is also included full set of: All Uppercase letters Multilingual characters Numerals Punctuations Wish you enjoy our font. :)

Straits is an oddball fun ALL-CAPS font, a modern take / re-imagining of some old Art Deco signage and a sister to my other font Penang. The font is available in 2 weights for now, a light and a medium. In general I think ALL-CAPS steal 26 characters from you, so each letter in each case is a little different, however subtly. This being an ALL-CAPS font I imagine it will work best in Headlines and other bold statements, but buy it and find out. The font is loaded with plenty of extras and glyphs. This was designed to be fun, so I hope you can have some with it.

Totem Forms is based on a series of aluminum and rubber wall constructions currently showing in Europe and the United States. Mirek's work has been shown internationally for many years and this is his first foray into type development.

Based on some script in the 19th century. Inky texture gives realistic handwriting appearance. Smooth writing feeling creates antiqued and nostalgic atmosphere. There are two other script designed by in the same concept. -Daisy Lau -Lily Wang -Pansy Bo

A bold spur serif design found within the pages of the 1934 French lettering instruction book “L'Art du Tracé Rationnel de la Lettre” provided the inspiration for Railway Depot JNL, which is available in both regular and oblique versions.

Terazza Tiling was brought to mind by old-fashioned tiled fireplace surrounds. It's a system of geometric tiles intended for constructing page borders and rules. Their geometric nature makes them adaptable for any sort of period or modern look.

Hallway inspired from vintage script combined with modern style, suite for adventure or classic feeling sport, sign painting, labeling, suitable for logo, product names packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times.

Typesetter JNL is based on an old-style 'grotesk' (or 'grotesque') text face popular with printers and rubber stamp makers since the 1800s. The nonconformist character shapes and line widths are reminiscent of hand-cut type of the era.

Amidst the pages of the 1946 foreign-printed "100 Alphabets Publicitaires" ("100 Advertising Alphabets") was an example of a beautiful vertical script type design with a somewhat calligraphic look. This became the work model for Script Spot Initials JNL.

The Crew Pro is based on the logo of the seminal punk band 7 Seconds. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

Poca is made up of right angles and regular strokes. It is a De Stijl typeface provided by Peret. We devised the lower case letters and added some Peret dingbats. Fifteen years later we added a fun bitmap version.

Quatrain is a hand-drawn, all caps typeface based on Bodoni. It is a little rough, a little uneven, but lively and elegant as well. Quatrain looks good on packaging, or in headlines. Comes with an abundance of diacritics.

Mariner is based on hand lettering originally done by Willy Pogany for his illustrated edition of Coleridge's Rime of the Ancient Mariner. It's a variation of classic medieval lettering with decorative elements and alternative versions of almost every character.

A set of symbols was designed for ParaType in 2002 by Dmitry Kirsanov as a part of PT Mas d`Azil™ family. Based on the images on stones discovered in a prehistoric cave of Mas-d`Azil, France.

Second Impression JNL is the solid version of Lasting Impression JNL by Jeff Levine. It emulates the look of ink-stamped letters and numerals. Based on a 1930s-era set of rubber stamps, there is a limited character set.

An elegant, yet informal Roman alphabet with Art Nouveau influences was found amidst the pages of the 1922 edition of “The Expert Sign Painter”. It is now available digitally as Sign Expert JNL in both regular and oblique versions.

Introducing Regave, a typeface inspired by Danish style lettering based off the work of Knud Valdemar Engelhardt (1882–1931) who designed the street signs for the Copenhagen suburb of Gentofte. The Engelhardt's design was loosely based on the lettering of two Danish architects of the time: Thorvald Bindesbøll (designer of the Carlsberg logo) and Anton Rosen. The signs were so successful that they’re still in use today. The most noticeable characteristic of Danish style are: a flat apex of the A the widening of diagonal terminals a double-storey g with its loop terminating before it forms the bottom most stroke (Erik Spiekermann coined this a Danish g) a single-story g with a stumpy tail a K with an almost laterally moved crotch, connected to the stem by an extra horizontal stroke widened diagonal connecting strokes forming flat apex or baseline strokes Regave comes in 11 weights from Thin to ExtraBlack with matching italics and also available in Variable Font format for more flexibility in weight selection. This family also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Regave will be suitable for many creative projects. This masculine, strong and unique typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Funky Sign - Groovy Hipster Font is an eye-catching display font that exudes retro charm and groovy vibes. With its pop, fancy, and colorful styles, this font offers a fun and playful typographic solution. It comes in two versions: clean and textured/rough, providing versatility and creative options for various design projects. Funky Sign is the perfect choice for creating captivating posters, logos, landing pages, titles, headlines, stickers, branding materials, cards, and any project with a music or funky theme. The Funky Sign font stands out with its funky and hipster-inspired style, bringing a sense of nostalgia and vibrancy to your designs. The clean version offers a polished and sleek look, while the textured/rough version adds a touch of authenticity and edginess. Whether you're designing a poster for a music event, creating a logo for a trendy brand, or crafting a funky landing page, this font will infuse your designs with a unique and dynamic flair. With Funky Sign - Groovy Hipster Font, you have a versatile and lively typographic tool at your disposal. Its retro and groovy styles, along with the clean and textured versions, offer endless possibilities for designing captivating visuals. Whether you're working on a music-themed project, creating funky branding materials, or designing eye-catching posters, this font will bring a unique and vibrant touch to your designs, setting them apart with its distinctive and playful appeal.

Oxford Street is a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster in Central London. The nameplates were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger’s Univers typeface, a curious combination of Univers 69 Bold Ultra Condensed, a weight that doesn’t seem to exist but which would flatten the long curves of glyphs such as O, C and D, and Universe 67 Bold Condensed with its more rounded lobes on glyphs like B, P and R. Letters were then remodelled to improve their use on street signs. Thin strokes like the inner diagonals of M and N were thickened to create a more monolinear alphabet; the high interior apexes were lowered and the wide joins thinned. The crossbar of the A was lowered, the K was made double junction, and the tail of the Q was given a baseline curve. K-Type Oxford Street continues the process of impertinent improvement and includes myriad minor adjustments and several more conspicuous amendments. The stroke junctions of M and N are further narrowed and their interior apexes modified. The middle apex of the W is narrowed and the glyph is a little more condensed. The C and S are drawn more open, terminals slightly shortened. The K-Type font adds a new lowercase which is also made more monolinear so better suited to signage, loosely based on Univers but also taking inspiration from the Transport typeface both in a taller x-height and character formation. The lowercase L has a curled foot, the k is double junctioned to match the uppercase, and terminals of a, c, e, g and s are drawn shorter for openness and clarity. A full repertoire of Latin Extended-A characters features low-rise diacritics that keep congestion to a minimum in multiple lines of text. The font tips the hat to signage history by including stylistic alternates for M, W and w that have the pointed middles of the earlier MOT street sign typeface. Incidentally, Alistair Hall (‘London Street Signs’, Batsford, 2020) notes that when the manufacturer of signs was changed in 2007, Helvetica Bold Condensed was substituted in place of the custom design, “an unfortunate case of an off-the-peg suit replacing a tailored one” and a blunder that has happily since been rectified, though offending nameplates can still be spotted by discerning font fans.

Rex Stephane, designed by Mans Greback, is a striking blackletter font that artfully blends medieval influences with modern geometric shapes. Inspired by the tall stature of Gothic architecture, merged with sharpened edges, this font captures the essence of strict ruling while having an elegance of the Middle Ages. First imagined while exploring an abandoned castle, the typeface is based on ancient manuscripts adorned with calligraphic lettering. These texts became the foundation for Rex Stephane, as Mans Greback aimed to recreate the rich history and grandeur of the medieval era while adding his own contemporary twist. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer with a passion for creating unique and versatile fonts. With an extensive background in design and typography, Mans has built a reputation for his meticulous attention to detail and prolific craftsmanship. His many fonts are widely used by designers around the world, making his work synonymous with creativity and innovation.

Jackalope is a new original script font from LetterPerfect Fonts. The design is a hybrid of pressure-pen calligraphy infused with whimsy and curlicue terminals. Letterforms are free-spirited and edges are rough, simulating spontaneous writing on rough paper. In addition to the full ANSI western character set, Jackalope includes a full set of small capitals, both lining and old-style numbers, and swash lowercase alternate characters that can be used as terminal letters at the ends of words for additional flourish. The genesis and realization of Jackalope was also a hybrid process. In 1996, LetterPerfect commissioned type designer Kathy Schinhofen to provide pen-written source material based on her commercial handwriting style and specifically on a logo she had designed for its "Viva la Fonts" line of script fonts. This work was digitized by LetterPerfect’s Garrett Boge and later fonticized by former Hallmark Cards type maven Myron McVay who unified the design and contributed additional characters. The design sat unfinished for over 12 years until Garrett Boge revived the project in 2010 filling out the extended character set. Jackalope is released in two versions: Jackalope LP Regular, which is the base font for continuous text setting; and Jackalope LP Expert, which includes swash variants, small capitals, and old-style numerals which can be swapped into text for extra flourish and effect.

Introducing Fruitypops! A friendly, versatile script font ready for any project. Hand drawn with a real marker pen on paper, Fruitypops is bold and standout yet maintains large counter spaces with its large loops and carefully crafted letterforms. With 56 ligatures, a full set of unconnected lowercase alternates, and a bold version included, it’s designed to be a go-to script font for any design brief in need of a personal touch. The Fruitypops family includes; 1. Fruitypops Regular • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Fruitypops Bold • A bold version of Fruitypops with thicker letterforms, great for use at smaller sizes. Lowercase Alternates • A full set of a-z lowercase alternates are included with unconnected strokes. These can be accessed by turning on ‘Stylistic Alternates’, via a Glyphs panel, or pasted via Font Book/Windows Character Map. 56 Ligatures • 56 ligatures are included for lowercase letters (see image). These are uniquely designed double and triple letter combinations designed to create realistic handwriting and fix tricky character pairings. These can be accessed by turning on ‘Standard Ligatures’, via a Glyphs panel, or pasted via Font Book/Windows Character Map. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Rensor is an three weight modern geometric typeface, designed to be an easy go-to for branding, web, and print design projects. Each form is pared down to its essentials, so it's extremely versatile and can blend in or stand out as much as you choose. With it, you can create logos, labels, use in advertising, branding, packaging, magazines and book covers, posters, banners, headings, descriptions and much more. This font is easy to use has OpenType features.

SacredGeo Tiling is a Dingbat font that contains a very varied pattern of classical geometry, to play with them and combining to create beautiful backgrounds, decorating pages, posters, covers, or creating lines, repeated or alternating sequences and very useful for creating frames. Due to the wide range of patterns of possible combinations is nearly infinite number of results, especially if you create different layers of colors or shades and blend them or breaking them to be colored in sections.

Triat is modern font suitable for sport and game related themes. It is perfect for headliners, titles etc. Thanks to its variations - full, fill and shadow you can create many color combinations. Triat fill and Triat shadow contains the same metrics so using them is so simple – just copy and paste in place in different layers and then play with colors, gradients, outlines as You like :) Triat full is combination of fill and outline in one color.