an art deco font based on brazilian Rio's lettering old publish lettering style

Venetian 301 is the Bitstream version of the Centaur type family. Centaur was designed by the American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde who was an American calligrapher and typography researcher was added as Italic to Centaur. Adapted for mechanical composition by English Monotype in 1929. Its lettershapes owe much to pen-drawn letters of Italian humanist minuscule and cursive. This elegant humanist face is useful for the finest typography both for book text and display matter. Cyrillic version included small caps was developed for ParaType in 2003 by Dmitry Kirsanov.

Byte 305 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

Notted is a beautiful and elegant display font. It is fresh, clean, and elegant. This font will look amazing in a great amount of projects, both formal and informal. Notted is the perfect font for making many original project and outstanding designs. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Comes with a full uppercase, lowercase, numbers and punctuation + standard multilingual support. It’s great for branding, logo designs, lettering, logotype, craft, posters, packaging and much more. We recommend using Adobe Illustrator or Photoshop.

Dom was designed by Peter Dombrezian for American Type Founders in 1951–52. It is an informal unjoined script typeface that looks brushwritten. Its letters are almost monotone, freely or casually drawn. Vertical strokes of them have irregular ending at different heights, and oval axis have slightly different slopes. This typeface is to create a friendly, informal look in signs, advertising, and invitations. The Cyrillic version of the Bitstream digital font was developed by Dmitry Kirsanov for ParaType in 2008.

Introducing DDT, the epitome of modern typography that exudes professionalism and authority in every stroke. With its unique superelliptical shape, DDT strikes the perfect balance between clarity and seriousness, drawing inspiration from the time-tested classics like Univers and Eurostile. Not one to compromise on functionality, DDT offers a wide range of numeric styles, including monospaced lining numerals, proportional lining numerals, and proportional old-style numerals. And that’s not all—DDT is equipped with OpenType fractions and numeric ordinals, making it an ideal choice for all your design needs. DDT is available in both condensed and regular widths, each boasting seven different weights and italics. So whether you’re looking to create an impactful heading or a sleek body text, DDT has got you covered. Elevate your design game with DDT—the ultimate neutral-sans typeface that blends form and function seamlessly, leaving a lasting impression on your audience. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

The BOT font package includes two character sets, BOT-Regular and -Stencil. The futuristic looking characters are designed to work in both large scale and small sizes; it works very well as a comfortable, readable lettering on machines of any kind as much as in print and screen publications. In addition, the BOT-Stencil letters can easily be cut out and work as a template for painting type on any surface.

Dom is an informal brushwritten typeface published by SoftMaker.

INTRODUCE ! Motting script - a new modern calligraphy font, fresh, cute, eye-catching, with a joyful heart. Great for greeting cards, branding materials, business cards, quotes, posters and more! Motting script too - includes lots of alternate characters. Encoded with Unicode PUA, which allows full access to all additional characters without any special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people with opentype-enabled software: Alternate can be accessed by turning on the "Alternate Styles" and "Ligature" buttons on Photoshop's Character panel, or through any software with a glyph panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape. Files include: - Motting script. OTF - Motting script. TTF Thank you for buying!

A playful slab-serif font. This typeface is versatile enough to be used in any type of design work, be it serious or fun.

Rot is clunky, clumsy, and utilitarian. It comes straight from a second rate oracle’s prognostications of a not-so-distant dystopian future. A place where film noir meets twenty first century computer cards; and rainy melancholy nights meet global warming. It speaks of a world that welcomes everyone; provided that they are romantically inclined to living life at the short end of the stick. Metaphorically, Rot is a shot of hard liquor served in a dirty glass. Rot has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Dotee inspirit by lettering from soviet book. Dotee is fat decorative font with numerous cut style ligatures and alternatives.

The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.

Dox is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Say hello to new serif font, The Beatrix! The Beatrix is a serif font that offers the perfect combination of modern and retro feel to each letter. Bold and well-contoured in character, The Beatrix embodies a boldness and charm that cannot be overlooked. The design exudes classic serif elegance but with a touch of fresh, up-to-date style. The Beatrix accentuates uniqueness with a variety of stylish alternatives. Each character alternative provides an interesting creative dimension, presenting a fun combination of modern and retro styles. You as a designer have the freedom to explore and express your unique ideas through captivating typography. The Beatrix is an ideal choice for a variety of design projects. With a modern and retro feel, this font is suitable for use in headlines, logos, branding, marketing materials, posters, and many more. Whether it's a project that wants to convey a contemporary feel or explore the charm of the retro era, The Beatrix has the flexibility to adapt and deliver a strong message. Here's what you get: The Beatrix Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Olap Metric is a modern, one-of-a kind font that will make your designs stand out against the competition. With 9styles and Multi-languages support, this stylistic display type has what you need for all sorts of projects! The family has been developed as a modern playing system allowing the mixing of infinite combinations. Perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, digital and more.

❧ Useful links: Luther’s Manuscripts at the UNESCO Memory of the World at Google Arts and Culture Martin Luther font on Kickstarter (with Film about the creation) Each letter of the Martin Luther font is strictly based on original samples found in Martin Luther’s 500 year old handwritten manuscripts. Letters that occur more often for example vowels have two or more different versions stored in the font. (➶ Figure 4) These alternative forms are exchanged automatically by the font as you type, and create a vivid look that comes close to actual handwriting. The font avoids that two identical letters are placed next to each other like, for example the two “o” in the word “look”. ➸ What Historic Sources is the Font based on? Two historic documents were used to base the font on. The notes Luther took before giving his speech in Worms in 1521 and a 6 page letter he wrote immediately after to Emperor Charles V., summarising his speech (➶ Figure 2). Both documents have been added to the UNESCO “Memory of the World” and can be seen at the Google Arts and Culture website. ➸ The Creation of a Handwriting Font The creation of a handwriting font is very different from the creation of a regular font. Harald Geisler has specialised in recreating handwriting in preceding projects with Albert Einstein’s, Sigmund Freud’s and his own handwriting. His experience working with Archives and Museums has gone into this project. First Geisler analyses the movement in the writing to understand how each letter is drawn. This involves partially learning how to write like a person. In this process not the outlines of the sample are reproduced but the original movement path of the handwriting (➶ Figure 3). In a second step width and contrast is added to reproduce Martin Luther’s characteristic impetus and the writing tools used at the time. (Link: Youtube Playlist showcasing the creation of individual letters) How about signs that can’t be found in archives? Some Glyphs can not be found in 500 year old manuscripts, for example the @-sign. Towards the end of the creation one collects a profund amount of details about how a writer moves on paper and addresses certain tasks moving the pen. Keeping this knowledge in mind an improvisation can be based on similar letter forms. For example the @ sign is based on of the movement of a lowercase a and parenthesis. ➸ Features of the Martin Luther font ❶ Extensive Documentation of the creation of the font, including high quality reproduction of the used manuscripts. ❷ Additional texts from Historian Dr. Henning Jürgens and Palaeographer (and Luther handwriting expert) Prof. Ulrich Bubenheimer ❸ Alternating Letters - in handwriting every word looks a bit different. To avoid that two identical letterforms are placed next to each other (for example in the word look) the font actively changes between different versions of letters as you type. ❹ Ligatures - characteristic writing forms when two letters are combined (for example “ct”) (➶ Figure 5) ❺ Terminal Letterforms - renders a special letterform when letter is at the end of a word. (➶ Figure 8) ❻ ‘’’Initial and Medial Letterforms''' - some letterforms are different when placed in the beginning or middle of a word, for example the lowercase s. ❼ Luther Rose - is a seal Luther used to authorise his correspondence. Today it is a widely recognized symbol for Luther. When you enter the numbers of Luthers year of birth and death 14831546 using the Martin Luther PRO font, it will render a stylised version of the Luther Rose. (➶ Figure 7) ❽ Historic letter-forms - letter-forms that are specific to medieval writing around 1500. For example the long-s or h with a loop at the bottom. (➶ Figure 6) ⚑ Multi language support - see the technical information tab for a full list of supported languages. (➶ Figure 11) ➸ The different Styles explained ❋ Martin Luther PRO - this includes all features listed above and is geared towards writing texts that are more readable today. It features alternating letters to create a natural handwriting look as well as two stylistic sets accessible through the OpenType menu. Historic forms are available through the glyph picker. ❋ Martin Luther Historic - this font creates a historically correct reproduction (i.e. with long-s) of Luther’s medieval latin handwriting. It features alternating letters to create a natural handwriting look as well as two stylistic sets accessible through the OpenType menu. ❋ Martin Luther Expert-1 - Dedicated access to the first set of letters only. ❋ Martin Luther Expert-2 - Dedicated access to the second set of letters only. ❈❈❈ Family Pack - recieve all fonts at a discounted price. ❈❈❈ ➸ Kickstarter The creation and development of the Martin Luther font was financed by 500 supporters on ➸Kickstarter.

Martin&Hellen will be perfect for wedding lettering, beautiful frame for your home, book covers, greeting cards, logos, marketing, magazines or anything that requires cute handwritten lettering :) What's inside: Martin&Hellen.otf Multilingual support Cricut support Swashes If you have any questions, please contact me directly or in instagram @superdizigner

Martin Kamila is a lovely script hand drawn font. Martin Kamila is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Martin Kamila has also multilingual support. Lowercase font Stylistic Alternates Ligatures Symbols & Punctuation OpenType Features. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Yes, it is a clear reference to one of my all-time favourite movies: “The Wedding Singer”, but it is also a handmade, rough, organic looking ALL CAPS font. The letters are simple and legible, but vary in roughness and because of the Contextual Alternates, you get 5 different versions of each letter - leaving the text more lively and organic!

MVRX Maverix Brush Font Give your designs an authentic brush handcrafted feel. "MVRX Maverix Brush Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, flyer, clothing, branding, packaging design and more. Thanks for use this font. MaulanaCreative

Martin Crantz (or sometimes Krantz) of the three, including Ulrich Gering and Michael Friburger, that set up a press at the Sorbonne in 1470 was likely the fellow who had the technical know how how to cast the type itself, hence the name of this new face that is based on his work. This font has been expanded to meet the demands of modern day use but it also contains a number of specialized glyphs that allow for the recreation of text in the manner of his day with such characters as the -rum abbreviation and other handy Renaissance oddities. Since this face was designed prior to 1501 there is no italic variant in keeping with the spirit of historical accuracy.

Introducing Metria Street - Art Deco typeface Metria Street is bold, Art Deco typeface with 4 weights, ligature glyphs, alternates and multilingual support. It's a very versatile font that works great in large and small sizes. Metria Street is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Light Regular Bold Black Alternate glyphs Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!