This is a connected script font with a trendy flair. You can add little flourishes to the beginning or end letters for a whimsical touch.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

Zumbo is a capital letter font, hand designed. The letters can be freely combined: with or without decoration. 2022 by German typeface designer Joachim Frank.

Cantika is a beautiful font suitable for wedding invitations or souvenirs. Cantika is also suitable to use for other purposes that require an attractive appearance.

Chorettan is a hand-written script. This is perfect for branding, wedding invitations, cards, social media, or maybe for your logo products, and also websites.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short ascenders and descenders, serifs triangular.

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

Gusto comes in three related variants that go from hot-dog to melted chocolate, a gastronomic combination not to be passed up (or thrown up).

After 13 months of hard work, Iza W and Intellecta Design are proud to announce Penabico. This is a free interpretation of the copperplate script styles to be found in the Universal Penman . London, 1741 , the monumental publication of engraved work by George Bickham (along with collaborators Joseph Champion, Wellington Clark, Nathaniel Dove, Gabriel Brooks, William Leckey and many others). This enhanced OpenType version is a complete solution for producing documents and artworks which need this kind of calligraphic script: 100s of stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; 250 ornaments and fleurons (mostly in the copperplate roundhand renaissance style) encoded in the dingbats range and accessed with the glyph palette (plus a special set with over 50 of these ornaments accessed with the ornaments feature); an extensive set of ligatures (100s of stylistic and contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; complete, intricate, ready-made calligraphic words; abbreviations (in many languages). The principal font contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish with all diacritic signs, punctuation marks (including interrobang ). The German ‘ß’ (germandbls, eszett, sharp s) even has over six different alternate forms. And we don't forget to add the unconventional germandbls uppercase. In non-OpenType-savvy applications it works well as an English commercial script style font. Because of its high number of alternate letters and combinations (over 1500 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette. Two last things — we have placed some of the ornaments, catch-words and other material in supplementary fonts, for easier access in non-OpenType-savvy programs. They are: Penabico Words (see the pdf user guide in “Gallery”), Penabico Abbreviations (free font), and Penabico Extras (free font). And, when buying Penabico you get the 'Penabico EPS Bonus Set", a gift pack containing various highly intrincated frames in EPS format, easy and ready to work with your preferred vector design software like Corel or Illustrator (see the pdf in the Gallery). Know too our other superscript font : Van den Velde Script at http://new.myfonts.com/fonts/intellecta/van-den-velde-script/

Solantra is a solidly crafted handwritten script. I’ve long felt that beautiful writing is more pleasing to the eye than the more attention grabbing swashes and flourishes. That being said, both have their role in design and Solantra has a large slice of each. Solantra combines vintage style handwriting with all its quirks and English Roundhand of that same era. The result is a solid setting script filled with charm and personality. With default Adobe Illustrator settings for Ligatures and Contextual Alternates active, the vintage charm is in full display. Want to add more flair? There are loads of more embellished letters inside the full version. Solantro takes into account how scripts are actually written so that connections from letter to letter are more fluid and rhythmic than the average script font. In natural script/handwriting most letters end at the bottom right and move up to connect with the next. Some letters like o, v, and w, however; end at the top right. Rather than force these letters to dip down and go back up they should ideally connect from that upper right point. This is accomplished through a series of alternate letters and ligatures with extensive contextual feature programming. So, for example, you might get one version of a ligature in the middle of a word and a different one at the beginning or end of that word. Solantra also takes into account another often overlooked feature of natural handwriting. When you write you inevitably pick your pen up from the paper at times. This is often just to reposition the hand, but in the days of writing with dip pens this was also needed to attain a fresh supply of ink. Having these occasional breaks in connections makes the writing less static and more rhythmic. While the Basic versions are limited to a standard character set and several ligatures and alternates for better settings of text, the full pro versions contains 1292 glyphs and an abundance of features. Even with numbers there are options like Oldstyle numbers, fractions, and ordinals. Central European language support is included as well as some select ligatures that use accents. To see more on the technical aspects and instructions on using Solantra, please check out the user’s guide in the Gallery section. **Note: The Pro versions of Solantra which do not have the word “Basic” attached to the title, have everything in them. So if you license a Pro version there is no need to get the Basic versions.

In the typedesign industry the terms ‘nova’, ‘neue’, ‘next’, ‘new’ are often used to refer to a typeface that has been modified in different ways: redesign, technical readjustments, greater number of characters, etc. At Latinotype we are now starting to use the word ‘niu’ to refer to these kinds of typefaces. Niu is an adaptation of the original word ‘new’, i.e., we have adapted this English word to the phonology and spelling of our own language but keeping the original meaning. Race mixing, diversity, change and adaptation are part of the essence of Latin American culture and, at Latinotype, we are all constantly expressing these elements in everything we do. Latin Power! Hernández Niu was designed by César Araya and Daniel Hernández. The font is based on the design of Hernández Bold: the thickest weight has been adapted to fit small text better. Five new styles have been added, ranging from neutral to more expressive fonts. Hernández Niu is a display slab serif font of thickened serifs, functional expressive ink-traps and true italics. Detailed forms and counterforms allow this typeface to be used in very large sizes. Hernández Niu is well-suited for publishing, small text and headlines. A wide variety of weights make the font a perfect choice for hierarchical type-setting, branding, logotypes, magazines, etc. This font consists of 6 weights, ranging from Extra Light to Heavy, each with matching true italics. Hernández Niu comes with a set of 397 characters, making it possible to use the font in 212 different languages.

Braniella is a dainty, flowing handwritten font. Sweet and playful, this font is great for logos, titles, posters, magazines, books, comics, or any creative design project.

2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

Handletter Signature is a gorgeous, elegant and unique handletter-based signature font with a modern look. Improve your design or make it as your own signature!

The presidents busts in a typeable format. Use a Glyph palette or Character Map for quick navigation. Who knows, one day it may come in handy.

A great font for crafters and scrapbookers. This font can be used to design and layout samplers, or to just create that Home Sweet Home look.

Cap off your project with this all capital letter font. Bold and stylish with hand lettered appeal. Great for any paragraph or headline that demands attention.

Funkywarp is a simple distorted font, a warped sans-serif typeface. The package contains both OTF and TTF versions - install either OTF or TTF, not both.

A sans serif with splayed ends, descenders and ascenders of the lower case dropping below the baseline, or above the x-height, very tall x-height.

This Little Piggy is a cute, kiddy-style font. A little haphazard, a little messy, but funny and happy. Great for wishing-well cards or books.

this is a cool sans serif font with a casual and complete with unique icons that you can make a logo or decoration on your design

Nosi is a quirky serif display typeface designed for fun titles, children's books or posters that wants to capture the restless spirit of the oddball mind.

Bronco Valley is designed with vintage style or you can say “American Rodeo” for classic look branding, logotype, poster design, t-shirt design, and much more.