Evocative of paint on weathered wood, Nelson’s engraved capital letters are as rustic and confident as the Old West. Combine the engraved face with bold and rough versions to create handsome wordmarks, or use Nelson to captivate customers of food packaging, restaurant menus, and roadside attractions. See what’s included! Engraved • Ornaments • Rugged • Bold *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Introducing Mother Serif Typeface - 5 fonts Mother is named after all the moms and children left behind. This typeface is feminine, fragile typeface with 5 fonts loaded with ligature glyphs, alternates and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Mother is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Light Regular Medium Bold Black ligature glyphs ab ac ad ae ag ai al am an ap ar as at au ba be bi bl bo br ca cc ce ch ci cl co cr cs ct cu da de di do dr ea ec ed ee ei el em en eo ep er es et eu fa fb ffb fh ffh fj fk ffk ft fft ga gi gl gn go gr ha he hi ho hy ic id ie il im in io ip ir is it iv ka ke la le li ll lo lu ma me mi mo mp na nc nd ni no nt oc od ol om op or os ot ou pa pe pi po ra rc rd re ri ro sh si sm sp su ta te th ti to tr ts tt ul um un ur us ut ff fi fl ffi ffl st alternates Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Hello, Start good day for new font! present to you, Morgana! A unique modern & classic ligature font that is a mix of old and new. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. Equipped with epic ligature, great in layout design for quotes or body copy, and will be unique to the use of the logo design. And also multilingual support.

Circus Wagon is a revival of the old circus style font named Big Top in the Dan Solo catalog. This version has been freshened up with a new matching lowercase. Our original release of this font was named Buckhorn, this 2020 updated release changes the name and adds additional accented glyphs plus Opentype case sensitive forms. You will need an Opentype aware application to access Opentype features in this font.

Sheet music for the 1915 song "Is There Still Room for Me Neath the Old Apple Tree" had the title hand-lettered in a condensed, square sans serif. Although far from the more decorative lettering styles of the Art Nouveau period, this type of simple understatement was also a popular choice for the illustrators of the day. It is presented digitally as Nouveau Square JNL in both regular and oblique versions.

Hello Sunday Funday! Best day of the week.

This is a new barely modulated, slightly narrow, sans serif font family. It has eight styles: thin, thin italic, regular, italic, bold, bold italic, black, & black italic grouped into two 4-font families: Amico Thin with the Bold; and Amico with the Black. Amico has the standard feature set developed at the end of 2007. It has many OpenType features and 654 character/glyphs: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters, ordinal numbers (1st-infinity): lining and oldstyle), and so on. It is designed for text use in body copy. However, Amico really shines as the choice for heads & subheads when using Amitale or Brinar for the text family.

Cervo Neue Condensed is the new perfected and Condensed version of Cervo Neue, containing 18 variants. It differs from the previous version of Cervo with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. Recently, Cervo Neue Condensed has started being used as a display text in „Przekrój Magazine” which was published in years 1945–2013 in Krakow (2002–2009 in Warsaw) as a weekly and again from 2016 as a quarterly journal in Warsaw.

The Swedish designer/typographer Anders Bodebeck designed the Bodebeck type family in 2002. The family, which includes five different styles, is primarily intended for use as a titling, or display face, and belongs to the neo-transitional style of typefaces. Transitional style type first appeared in England during the late 1750s, when John Baskerville released his first sets of type. Bodeck bears similarities to another, later transitional style typeface as well - Eric Gill's Perpetua (originally released by the British Monotype Corporation in 1928). Like these two previous English stonecutters turned masters of typography, Anders Bodebeck has given us a modern re-interpretation of classic letterforms. Bodebeck, which is fitted with old style figures, is available in the following styles: Regular, Italic, Bold, Bold Italic, and Extra Bold."

Peach Crush is a bold vintage style serif font with a soft charm and smooth features. Peach Crush delivers a reminiscence of a familiar and warm nostalgic feeling. Peach Crush is equipped with Contextual, Swash, Stylistic and Titling alternates as well as Discretionary Ligatures and even more extra alternates. All these features can be accessed by OpenType controls or straight from Character or Glyphs window. Contextual Alternates and Standard Ligatures are automatically on and they simply do small changes to prevent certain character collisions. Other features are optional and can be used for bolder design solutions. Peach Crush has a total number of 115 alternate characters, even Swash Alternates for certain Standard and Discretionary Ligatures such as ch, ck, sh, sk, ff, fl and fi. Peach Crush is a great typeface for contemporary graphic design with that certain feeling of familiarity. It works well on logos, packaging, restaurant graphics, or any display use, as well as in headlines or shorter texts. Try Peach Crush with reduced tracking for tighter word images, or if you want to use it in really small sizes add some tracking. Peach Crush is based on another Fenotype font, Tomato Ketchup but has more contrast and sharper serifs.

Idiom is an extra-condensed, tightly spaced display face with congruent forms exuding a strong sense of rhythm and elevation. The basic stenciled geometric shapes are reminiscent of the decorative style found with P22 Albers and Futura Black. Careful consideration of each letter's construction, relative to all characters, lends Idiom a decided sense of cohesion and sophistication. The included non-traditional 'weights' (Medium and Bold) are completely blacked out, creating entirely new letterforms that exhibit a very stark, contemporary sense. Increasing the versatility of the Idiom family, a selection of OpenType features allow access to a set of contrasting linear punctuation forms, unconventional ligatures, case-sensitive punctuation and more. Features include: Basic Ligature set including 'f' ligatures (ae, oe, fi, fl, ff, fh, fj, ft, fa, ct, st, rt, ot, ta, sa, mi, si, vi, su, oc, oo, ru, ib) Alternate characters (M, W, T, ß, _, $, @, (), {}, [], /, \, |, -, –, —, +, -, ±, ≤, ≥, , «, », and more) Case forms (shifts various punctuation marks vertically to a position that works better with all-capital sequences, in this case the numerals or letters with ascenders) Slashed zero Full set of numerators/denominators and superscript/subscript Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Inspired by the early days of video games where the graphics were made of squares (pixels), Wahyu Wibowo comes up with pixel based typeface design, Jogan, but instead of having medium width, he decided to make it narrow which is rarely exist in pixel style font. The style were expanding in the development process, so the family have 4 subfamilies: Jogan (regular, bold and monospace) Jogan Soft (regular, bold and monospace) Jogan Round (regular and monospace) Jogan Slab (regular and bold) Each Jogan font style contains 280+ glyphs which covers Western Europe languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Filipino, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Retro, retro-futuristic, futuristic, modern, techno theme projects fit perfectly with this typeface, any works from logo, poster, video, headlines, titles, and more!

A practical font family with 5 weights for all your day by day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.

A practical font family with 4 weights for all your day by day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.

A practical font family with 8 weights for all your day by day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended serif typeface with elegant endings that provide unique softness appearance without losing legibility.

"Summer Island" is a unique and elegant display font. This font is equipped with uppercase, lowercase, numerals, multilingual support, and punctuation. Very suitable for stickers, banners, posters, social media, summer, spring, teacher, back to school, father's day, mothers day, and others.

"Father Love" is a beautiful and unique handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, ligatures, and multilingual support. This font is perfect for Christmas, Father's Day, Memorial Day, the 4th of July, teacher appreciation, graduation, and others.

DT Augustina Slab is an original Clarendon's style slab serif font family of 98 styles including 7 weights, 7 widths plus Italics. There is no such a big choice of Clarendons with a wide range of styles on a market. Super wide range family will satisfy almost any request. Ultra Lights and Light styles will add elegance and lightness to your headlines, especially with using Italic swashes. Regulars, Mediums and Semi Bold will make your text blocks readable and stylish. Combine with Italics and Small Caps for sub-headers and highlights to get an incredible result. And finally Bold and Extra Bold for massive and heavy text headers. Strong, stable and reliable. The whole family has been working well in almost any type of a project: Websites, Apps, E-Books, Books, Magazines, TV broadcasting, Packaging. The family has an Open Type Features like a Ligatures, Italic Swashes, Small Capitals, Case Sensitive Forms, Tabular Figures, Old Style Figures, Tabular Old Style Figures, Circled Figures, Black Circled Figures, Fractions, Superscripts, Subscripts, Stylistic Sets, Localisation forms for Moldavian / Romanian, Catalonian and Turkish.

Risoluto is an italic font made to mimic the beautiful italic typefaces used in the 19th and 20th century by music publishers. It was based on an italic typeface found in a publication by Max Eschig from the 1950s. Hundreds of specimen for each glyph were studied and carefully drawn in a way to have a sharp rendering without losing any of the old charm. The oblique "g" is one of the characteristics of such old typefaces. Risoluto covers a large range of languages and symbols and offers stylistic alternates for numerals, contextual ligatures and music accidentals.

A bold but nevertheless pleasant black-letter font which was released for the first time about 1840 by the Haenel'sche Printshop and Letterfoundery in Berlin. Haenel Fraktur contains a bunch of useful ligatures, and by typing 'N', 'o' and period you get an old style number sign by activating the Ordinals feature.

Because ebooks will not normally accept .otf fonts, and they don't support Opentype features, this font family was designed to be used for the ebook conversions of print books. It uses old style figures. The italics are slanted a bit more. And Heavy is a little bolder than the bold in Contenu Book.

Ouch! Bishops Stinger is a unique isometric display typeface, perfect for bold headlines and logotypes. The blunt serifs and terminals that appear on select letters help ground the faced-paced look. When used for a block of text at smaller sizes the style resembles old script writing but with a retro futuristic twist.

True bold font, only available in uppercase but with different styles. This font of 106 characters is really easy to use in your design and takes his inspiration from the old school post graffiti. The name comes from the movie "Natural Born Killers" by Oliver Stone. UPPERCASE 
lowercase 
Numerals 
Punctuation 106 characters

Designed after the sixties neon sign of an arthouse cinema in downtown Zurich, Studio 5 is now a typeface for many applications. The three different styles include old style numbers and alternate characters for titling. All styles have the same metrics. Bold and open styles can be layered for neon sign effects.

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.