M Curvy’s design breaks the mould of traditional Chinese characters to construct a brand new style. Referencing a traditional Chinese calligraphic style that is written with the brush suspended in mid-air, the flow between strokes within each character is free and smooth in this typeface. With an even stroke density. M Curvy is legible, gentle, yet stable, combining tradition and innovation.

Norline™ is a new bold sans-serif typeface created to be used for bold titles with 3 shapes into a display fonts way to make it legible for contemporary use. This type features a Latin Pro character set, covering multiple languages written with the Latin script.

This family was created inspired from two French (one so common and a very rare large one) "toy print" boxes, named Le petit imprimeur, with rubber stamp characters from the 1920's. The big difference from our 1920 My Toy print is that this font is complete, with upper and lower cases, accented, complete punctuation and some symbols. The doubly of each usual character in each style (A-Z/a-z and numerals) allow to give a rich and variously uneven appearance, looking like the results of the real use of those old rubber stamps, with bad kernings and alignement. The font is containing West (including Celtic), Central, East European, Turkish and Cyrillic characters. The bold style may be used as a reinforcement, mixed with normal style without disadvantage, allowing finally four choices for each usual letter... The original size is 6mm (about 17 pts).

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

Couldn't you really use a wish right now? Girly. Swirly. Quirky. And utterly adorable. This Pro version of one of Kimberlys latest cutesy handwriting fonts has received lots of corrections and tweaks to the outlines - to remove autotracing artefacts, stroke width inconsistencies and create a better flow. Finally the character set was completed and expanded. Job done! Back to stargazing.. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This is the classic style of Vilna font with Nikud and Taamim.

In predator, a fantastic sci-fi movie. My version of the fantastic script used to write the alien language, adapted into Old Hungarian runic script. Other versions are Anglo-Saxon Runic and Old Turkic Runic.

Runde Wien Pro, the rounded sans serif by Ekke Wolf. Typeface lovers looking for a modern, well-developed sans serif font with a touch of retro and warm, individual lettering will get excited about a new addition to the font market. The more than complete Runde Wien Pro front comes in three styles and four different weights. In addition to the upright Runde Wien Pro there is the Runde Wien Pro Oblique with a moderate 6° slant and the Runde Wien Pro Superoblique with an 18° slant. Available weights are light, regular, medium, bold and black. These fonts are equipped with extended Latin alphabet for Central and Eastern Europe and also Cyrillic and Greek alphabet. The set of characters includes nine different sets of numbers, plus its own set for the small caps, as well as alternative characters and groovy ligatures. In addition, all Runde Wien Pro styles are also available as unicase with upper case and lower case x-height alignment. The style, metrics and proportions of Runde Wien Pro combine perfectly with the Liebelei Pro and the script fonts of the Calafati Pro.

Droid Sans Pro Font Family (2 fonts) are a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. The Font Family is an approachable, friendly set of typefaces optimized for display on screen. It was designed to provide optimal quality and legibility. It features upright stress, open forms and a neutral appearance. The font was optimized for user interfaces and to be comfortable for reading on a mobile handset in menus, web browser and other screen text. The font family contains Old Style Figures (requires an application that support advanced OpenType typographic features) and extensive character set coverage including Western Europe, Eastern/Central Europe, Baltic, Cyrillic, Greek and Turkish support. Contains: Droid Sans Pro Regular & Droid Sans Pro Bold

This typeface is inspired by the angular shapes of runes; the early writing of Northern European peoples. The letters have been given an eroded finish, as though they were carefully carved a thousand years ago, and weathered over time. This font includes at least two versions of every letter one simple, one more ornate, with all alternate characters for other European languages. The Alternates Font includes additional variations of some characters as well as Ligatures, astrological and elemental symbols. More Nordic symbols are available in the Valknut font.

This font provides a variety of symbols for decorating maps simulating those of the sixteenth to nineteenth centuries. For fans of piracy, there is a range of skull and crossbones imagery. The font also includes cartouches, scrolls and symbols for mountains, hills and castles of various sizes.

Arcs for framing curved lines of text, in a style common on Victorian posters and almanac covers, and still seen on modern food packaging.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length.

This is our first font, based on Peter's own personal way of writing uncials, The rounded letters of the fourth to eighth centuries. The characters in the caps position are more closely related to the classical Roman forms, and the lowercase position has letters that are the more rounded, medieval forms, at the same size, so they can be freely mixed, for a hand lettered appearance. This typeface is currently used for the titles in the TNT Television show "the Librarians". It was originally designed in 1998, and is now available in Open Type Format.

A sequel to my own Herakles font, with multiple faces, and more to come, so the name refers to his second labor, slaying the Hydra. The straight lines and sharp angles make it suitable for evoking the feel of many ancient civilizations where writing was cut into stone. Whether your heroic deeds include slaying mythical monsters, or making the best spanakopita in the city, this font is for you.

This is a perfect font for historical or fantasy titles. It is influenced by ancient Nordic runes. the strokes flare slightly, to a concave terminal for a finely carved appearance. There are two sets of capitals in PR-Vanaheim-DC (Dual Capitals); one set of narrow letters, more closely related to Runic forms, and one set which includes wider and circular letters, which can be freely combined with the narrow letters for the variety associated with hand lettering. There is one version with dots placed in the centre of large counters and one version without the dots. The broad caps character set includes characters which allow for tight spacing; a dropped L, and a tall T. There are also two different lowercase sets, one modern, and one archaic, all of which can be freely mixed to fine tune the appearance of your text. Here is the brief description of the available faces: PR-Vanaheim-Med-DC-01 Duplex Caps PR-Vanaheim-Med-DC-02 Duplex Caps, Dotted counters and dot space PR-Vanaheim-Med-DC-03 Duplex Caps, Dotted counters PR-Vanaheim-Med-LC-04 Broad Caps, with modern style lower case. PR-Vanaheim-Med-LC-05 Narrow Caps, with modern style lower case. PR-Vanaheim-Med-LC-06 Broad Caps, with archaic lower case. PR-Vanaheim-Med-LC-07 Narrow Caps, with archaic lower case.

This font includes the symbols Valknut, Triple spiral, Triquetra, and Horn Triskelion, associated with Odin, and ancient Norse and Celtic cultures. Each of these symbols is presented in outline and solid forms, and in vertically and horizontally mirrored forms. For text, use it with PR-Viking.

The Irish monk Columbanus founded early monasteries across Western Europe starting in the Sixth Century, bringing literacy in his wake. As the Patron Saint of Motorcyclists, the adventurous Columbanus is both gallant and respected. The font is Classical Roman with a Celtic accent, great for a range of applications from the sacred to the profane.

Whether your subject is scary, or just ancient, this font can help get the right feeling across. PR-Cauldron has capitals based on Uncials, and lowercase based on Celtic Minuscule. “Potion” has a rough finish, and “Curse” has the same letters dripping with gore, suitable for Halloween. Letters are size matched in both fonts, so you can put in as much, or as little messiness as you like. Combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Swirlies 01, PR Swirlies 05

The Miramonte™ Pro Family was designed by Steve Matteson in 2006 as a friendly sans serif design suitable for user-interface design, corporate branding and publishing. The name means 'behold the mountains' in Spanish, suggesting the rustic, unrefined type design. Miramonte™ Pro Family is based on Stanislav Marso's humanist sans serif released by Graphotechna in 1960. This revival includes a cursive style italic rather than a sloped roman. Miramonte Pro Family includes an extensive character set for publishing Central and Eastern European languages. Its OpenType features include the euro symbol, alternates, old style figures, proprtional lining figures, diagonal fractions, stacked fractions, superscript/subscript and scientific inferiors. Character Set: Latin-1, CE, OpenType Pro features. View Miramonte Pro Type Specimen (PDF)NOTE: An OpenType-savvy application such as Adobe Creative Suite, Mellel or QuarkXPress is required to access the OpenType typographic features.

P22 Allyson is based on an old metal font by Barnhart Bros. & Spindler named Hazel Script. This font is perfect for elegant invitations and certificates and has been expanded to meet the needs of today's computer user to include a full character set. Allyson Pro contains OpenType features.