This bold, bodacious blackletter typeface is based on an offering from the 1832 Boston Type Foundry catalog. Although it generally appears to be a sober Old English font, there are a few quirky turns here and there, which make it a lot of fun. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Everland Script is a hand painted bold script font inspired by old signage and sign painting. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Everland Script comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include OpenType alternates, and common ligatures to let you customize your designs.

Just call me CHAKIE. I'm born from the old natural brush chalk look from the 60's and 70's. Use meto create very bold and strong design! Great for posters, t-shirt designs, branding, packaging, labels, and more. Bring back me to the 60's brother! :D And why you must grab me? - Simple installation - Support for 23 languages (WOW!) - Compatible with MAC or PC - PUA encoded - Lots of fun!

WallAxe Typeface is the first commercial typeface from illusletra Co. A Victorian font with a classic, elegant, vintage, luxury, and clean feel. It comes in 2 styles, inline and bold. Released since 2018. FEATURES Standard Ligature Stylistic Alternate Fraction, Numerator, Denominator Number Styles, Lining Figures, Old Style Ordinals Multi-lingual Characters WallAxe Typeface is suitable for various purposes like logotypes, signage, labels, posters, titles, letterhead, book covers and more. Thank you!

An online reproduction of a trade ad circa the 1950s for comedian-actor Paul Gilbert featured his name in the hand-drawn lettering that serves as the basis for Stand Up JNL. While the style of the typeface is derivative of the Latin Spur faces used popularly since the 1800s, the playful – almost awkward angles create a casual design that evokes good times. It should be noted that the extremes of such angles might appear ill-spaced unless kerning is turned on within the application where the typeface will be used.

Heraklion letters are drawn with their gravity in the metric vertical – instead of resting on a baseline, they dance acrobatically on a string. This allows for a more drastic variation among the glyphs, which no longer have a fixed x-height. In order to create a simplistic and mathematic character, shapes are constrained to circles and straigh lines. The design principles result in a playful expressive set that is surprisingly clear. “A choreography where the individual actors freedom of expression is enclosed in foundational rules that create interconnectivity and belonging.”

The Federal Art Project division of the WPA (Works Progress Administration) employed numerous artists, musicians, actors and other creative sorts in a effort to help many survive the Great Depression of the 1930s. One of the posters created by this project was for a "Card Party and Barter Benefit" with proceeds going toward the Nassau Art Teachers Benefit Fund - taking place at the Coca-Cola plant in Rockville Centre, New York. East Village JNL was derived from this poster, and is available in both regular and oblique versions.