A precise legible typeface inspired by the classic font Eurostile. The idea was to produce a functional text based font that would demonstrate technical interest at a variety of sizes. The typeface is ideal for use on print, web, motion, t-shirts and apparel. Details include 250 characters, manually edited kerning and Euro symbol.

The seven ways of Moki. Moki comes in seven different styles: Base, Cut, Dust, Lean, Mono, Soft and Uni. Moki is a display expert – with a wide range of languages covered, the family offers a style for every purpose. You are a SciFi movie director and are looking for an alternative to the inevitable Eurostile? Now you have!

Attempting to marry the warm friendliness of the Cubano typeface with the versatility, functionality, and geometry of Eurostile has resulted in Cubenzis. After finishing the regular weight, I realized that it reminded me of old Soviet military hardware, something you might see on the outside of a tank or rocket, so i made the decision to include a full Cyrillic alphabet as well. It feels very sci-fi to me and i can imagine it being used as signage on a ship or as a warning label on machinery.

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov . They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). The original version was developed by Kryukov at the end of the sixties for Russian railways. The proportions and elements of construction were inspired by Eurostile (1962) by Aldo Novarese. It is intended for use in advertising and display typography. In 2009, Dmitry added the new styles, corrected the old ones, and enhanced them with extended character sets.

Kaisar is a geometric sans serif typeface that draws inspiration from Eurostile or similar typefaces, with less boxy feels. It comes with 9 weights and matching italics and contains 400+ glyphs that support broad latin language. Kaisar was designed to give a corporate, technological, futuristic look, great for many contexts from web to print, as a headline or as a body text.

Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.

Taca is a typeface built around a shape that Portuguese designer Rúben R Dias calls a “squircle” — neither square nor circle. We usually associate the rounded, convex box with the television screens of the 1960s and Aldo Novarese’s classic typeface, Eurostile. But whereas Eurostile is cold and machined, Taca is warm and rugged, as if it was molded from clay or carved from stone. Taca’s organic nature is also derived from another unique feature: rounded crotches at the right angles where perpendicular strokes meet. This subtle finish, along with blunt stroke endings, softens the otherwise rigid skeleton. With such a strong conceptual vision, Taca could be relegated to the bin of experimental designs, severely limited in their application. But that fate is usually born of a less experienced maker. As a teacher, designer, and letterpress printer, Dias is a type user, keenly aware of the functional requirements of good type. Taca is therefore not a slave to its concept, but a working font family, effective in various sizes and environments. Its lettershapes break away from the base shape whenever it makes sense for legibility, while still maintaining the flavor of the design as a whole. That said, a set of squircle-shaped alternates give the user the flexibility to get more stylized if the situation calls for it. Fitting to its functional aims, Taca has many of the features one expects of a proper text font: upper and lowercase figures, case-sensitive punctuation, and Extended Latin language support. The simplicity, openness, and squareness of Taca’s forms also make it an ideal design for the pixel grid of screen displays.

Toffee Display is a sans serif project inspired on Gill sans, Helvetica and Eurotstile italics. This project is designed for food packaging, candies, commercial, and fast food. I recommend combining it with a light and calligraphy font to get absolute contrast. That is it, Thanks for buy it and work with it!