Are you looking for a true cursive sans serif? Stile is a true cursive with moderate inclination. Its cursive character has mainly to do with writing-speed. Therefore it may serve also as copy font and not only for emphasizing purposes. Stile has a good readability and is really flexible and universally applicable. Stile is a sans serif and renounces to an excessive use of ligatures and other explicit calligraphic shapes in order to ensure a contemporary style and a homogenous text color. The whole font family consists of 8 weights (from ultrathin to black) and offers a wide range of Western and Eastern European special characters, typographical ligatures, uppercase, oldstyle and fraction figures. In addition Stile features a very complete and specifically tailored range of numberings and arrows. Bring a personal style into the artwork, with Stile. Download a free trial version of Stile with a reduced character set. Check it out!

Western Europe is Luxurious Bold Signature! Cool, confident, and captivating fonts, designed to give a very luxurious feel to any of your designs. Ligatures: With 29 ligatures included will make the letters look more natural. Alternate (Alt): There are 2 alternates in it, namely & ampersand and r lowercase. Create perfection in every uppercase and lowercase r. Swash: 26 swash suffix found on all lowercase letters, create perfection in all your design projects. Language Support: Western Europe also supports several languages, including the following: English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian Thank you for stopping by my shop, and don't hesitate if you have any questions! 😉 Have a great day! Eko Kurniawan | Letteratom

Styling is a simple, light, sans-serif typeface inspired on old cars and planes with an aerodynamic shape. The font comes in 5 weights plus italics. Styling and Styling Alt families offer professionals a wide range of creative options. Styling was created in 2014, while its designer was 30,000 feet in the air and the plane was flying over some Latin America cities. A flight full of flavours and shapes. This typeface is the result of anxiety and speed. Keep on rollin’ and fly high with Styling!

FlorishesA are a set of flourishes, that serves well for frames and other elegant embellishments, they are beginning of last century American. Your I-found-them-somewhere type-designer, Gert Wiescher

The goal of this font design was to create forms which could be used and reproduced electronically and remain legible. Technicians from the European Computer Manufacturers’ Association and Adrian Frutiger combined strict mathematical criteria with typographic tradition to solve both technical and aesthetic problems. OCR was the resulting font and was made a world standard in 1973. The font has an objective, technical character and was created specifically for multimedia, although its distinctive appearance has also made it a popular typographical trend.

Scrolls A are a set of pictorial scrolls like signs of the zodiac, animals, dishes, flowers, symbols, decorative and Americana. They are beginning of last century American. Your I-found-them-somewhere type-designer, Gert Wiescher

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate Egyptian is a design program of classical quality, perfectly in tune with each other. Weidemann says: My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography! Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.

A set of capitals adequate for machine reading only; this barely legible pioneer sees declining use.

ION A is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION A are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

Okay-A lets you make 3D letters that look to be fastened down with screws. Inspired by the angular futuristic shapes of Japanese Katakana letters, this angular font is bold and square. Okay-A lets you easily make multicolour logos or signs as the styles can be overlaid. It features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

A Note - Handwritten Marker Note Font A Note is a handwritten marker note font that's created with a natural and unique style. A Note Handwritten note font is suitable for various design graphics projects and can be used in any size. This Note font is also great for digital notes, quotes design, book cover, logotype, poster, food menu, t-shirt, scrapbooking, comic illustration, magazine titles, kids project and much more! Features; - Uppercase, Lowercase, Number, and Punctuation - Special alternates and ligatures - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is the useful font for your projects!

Noyh A is altered from the form of the original Noyh to give an addition to the Handmade type. It’s delightful being used alone or in combination with Noyh. You may find it on art publications, in fancy cafes, or even on marriage invitation card. Features include Bistro which has rough edge and the smoother edge Cafe with options of texture to add variations to the type. It also comes with Manuscript and Handdrawn designs that match to them and support caption texts. Element and Handdrawn patterns are available to complement the 17 letters of Noyh A.

This is a free abridged edition of the full-featured Gutenberg B and Gutenberg C fonts. Although (as the name suggests) it was originally conceived as the first release in the B42-type series, it actually represents the colophon to this series. In addition to having a narrower scope, the font differs from its full-featured predecesors in both letter and word spacing, as well as in glyph design, using exclusively straight lines for every glyph and providing a significantly rough appearance at medium to large point sizes. The font includes the usual standard characters for typesetting modern texts, as well as a few special characters, alternates and ligatures that can be used for typesetting nearly as in Johann Gutenberg’s 42-line Bible and later incunabula. Please note that the use of this free font is subject to the same terms and conditions as those for Alter Littera’s pay fonts. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg A” Font Page.

In ancient Greece, the inhabitants of the Aegean islands and the northwest coast of Asia Minor were called "Eolia". Eolia is a family of sans serif fonts that combine grotesque style with certain geometric characteristics. This family composed of six weights harmonically controlled, has blunt strokes, perfectly defined with subtle modulations as a result of careful optical corrections. The control of the counterforms and accurate kerning gives it great readability, personality, aesthetic value and visual impact.

Guilloches were – in the old days – used to make the falsification of banknotes more difficult. The engraving of these intricate lines was done by a highly specialized mechanical machine, which was operated by an equally highly specialized engraving artist. Once the settings for a specific curve were changed back to zero it was very difficult, if not impossible to set them back to the old design. I have designed a useful set of Guilloches that join to form ribbons that create a kind of op-art 3d effect. Under the keys A-U and a-u you find joining pieces. Under the keys V-Z and v-z I placed start- and endpieces. 0-4 are different lenght straight extensions and 5-9 are not quite so straight extensions. All other keys are corner pieces that can be used as stand-alones or put in rows to make for superb decoration. With a little bit of experimentation and maybe colored overlays you can achieve super-phantastic designs. Your elegant type designer Gert Wiescher.

A Pompadour is an elegant retro font family, inspired by vintage advertising. It includes two styles (plus variations!) that go together nicely. The fonts include OpenType features such as ligatures, small caps, and swashes. A Pompadour is perfect for short and long texts. Use it in magazine layouts, posters and advertising, branding and packaging, business cards, resumes, etc.

Corner A is a part of Corner type family. This subfamily is designed with square shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters (Corner A) to the shape of diagonal ( Corner B ), curvature ( Corner C ), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Ornata A is the first of a series of old ornaments that I am trying to save from oblivion. I am not just scanning these, I am completely redesigning the ornaments from scratch, thereby eliminating imperfections. Your digitizing type-designer, Gert Wiescher

Scripio A was the first font which I submitted to MyFonts.com. It is a decorative font. Little bit technical. I wanted to make a font which would be interesting to all. To some extent it has justified my hopes.

Side A – Bauhaus-inspired Experimental and spiky type in 3 sizes (1 - 1/2 - 1/3), designed by Benoît Bodhuin (An ideal use could be: Side A unit in 48 pt, half in 24 pt and A third in 16 pt, then bars would have the same width and spaces between the forms would be equal, but it’s just an ideal use)