SK Falcon is a geometric semi-serif font. Inspired by the anatomy of mechanical structures, it was designed by Salih Kızılkaya in 2020 in accordance with modern design needs. SK Falcon contains 24 fonts and a total of 11,232 glyphs. Offers full support for Latin letters.

The cover of the 1908 sheet music for "When the Meadow-Larks Are Calling, Annie Laurie" has the title hand lettered in a semi-formal Art Nouveau Roman type design with gentle spurs. This is now available as Meadowlark JNL in both regular and oblique versions.

Neueral is a semi-round and geometric sans serif font, with flexibility and modern every glyphs, neutral font variable so it is very functional in making logo designs, article, wayfinding, system fonts, branding, business cards and many others. There are 18 fonts including Latin simple ligatures

In the last scene of the movie trailer for 1937’s “Varsity Show”, the movie’s title is hand lettered in a bold, condensed chamfer font with semi-serifs. This is now available digitally in the namesake font “Varsity Show JNL” – in both regular and oblique versions.

Hardren is a semi condensed sans serif typefamily. It has 20 weights 10 uprights and 10 italics. Each weight includes 500+ glyphs, extended language support, fractions, tabular numbers, arrow sets, alternative characters (stylistic sets) Please see the pdf specimen for more information. PDF Specimen: https://cutt.ly/Swg5M3r4

"TheMix" is a semi-serif typeface with low-contrast – i.e., the differences between thin and thick strokes are not very pronounced. Yet the reference to writing with the broad-nibbed pen is still present, giving the letters a diagonal stress and a forward flow that facilitates reading.

Helvetian Times is an unusual typeface. It clearly thinks it's a standard text font, but the offbeat letter shapes and inconsistent serifs combine to form something that defies conventional categorization. Helvetian Times works well at any size, but generally evokes the impression that something's not quite right.

Childlike, sure; utterly affable, yes, but ultimately actually very cool. Yup, that’s Gambino. This chalky, super textured, semi connected script is a kooky playground pal and a grown-up technically savvy typeface all rolled into one. Upright yet tumbling, these simple, crayon-like letterforms are a delight.

Frames and borders of various types. Also includes a series of words perfect for accenting Instagram photos.

Drawn with a pointed brush, these have greater contrast and weight variation than the PR-Swirlies series.

Sign Designer JNL was inspired by a set of 1960s-era gold foil embossed self-adhesive letters.

Lettering Guide JNL from Jeff Levine further continues his series of stencil fonts made from original sources.

Dovshan contains an assortment of 78 ornaments inspired by the style, look, and feel of the Victorian era.

Adrenalin font for the most daring and uncompromising projects. Rock, extreme, drive, fear. Based on the famous series.

a classical wood type era box ornament using blackletter... a beautiful arrangement for publishing edition and other jobs

Sophiazoya contains an assortment of 72 ornaments inspired by the style, look, and feel of the Victorian era.

Ellaroza contains an assortment of 78 ornaments inspired by the style, look, and feel of the Victorian era.

German type designer Erik Spiekermann, American type designer Christian Schwartz, and New Zealand type designer Kris Sowersby created this slab FontFont in 2009. The family has 14 weights, ranging from Thin to Ultra (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Unit Slab provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Rounded.

Magsen is a modern sans serif font that offers a perfect combination of elegance, minimalism, and a semi-technological vibe. This font has been crafted with a focus on simplicity, clean lines, and a contemporary aesthetic, making it an ideal choice for designers seeking a modern and minimalist look.

Say hello for our first debut "Jello Chlour " with Modern Elegant Style this is perfect for branding, logos, invitation, masterheads and more. Jello Chlour Features : Multilanguange Ligatures Alternates PUA Encoded Files Includes : Jello Chlour Light Jello Chlour Regular Jello Chlour Semi Bold Jello Chlour Bold Jello Chlour Script

Ebura is a funny and fashionable sansserif (or semi-serif?) type. Extended Latin, extended figures and SmallCaps are supported in OpenType. OpenType features: Ebura contains 740 Glyhps Standard Ligatures Discretionary Ligatures Denominators Ordinals Scientific Features Superscript Slashed Zero Small Capitals Old Style & Lining Figures Proportional Numerals & Tabular Figures

A vintage metal stencil from a saw mill with the term "reusable skid" was the model for Saw Mill Stencil JNL. Although the original was what would be termed a semi-stencil (some letters did not have 'breaks' in them), the font was designed with a more traditional look.

The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year’s greetings and other cards, of course!

Banister looks both contemporary and vintage. It contains a total of 12 styles including two main styles (Normal and Loaded), and for each style it comes with two widths (Semi-condensed and Semi-Expanded) and three weights (Light, Regular and Bold). The 40’s inspired style is subtle in banister, so it comes across more contemporary. Also, slightly curved strokes can be found on some letters, which gives a more organic feeling overall. To gain full advantage of banister, you can toggle “Fill” and “Stroke” on any editable applications to experiment the style, also layering normal and loaded styles let you discover something unexpected. Banister is versatile, simple and organic looking typeface, and good for headlines, logos, tiles and any large texts.

Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.