Pro Smile typeface This font describes about funny, dynamic, humanist, easy going, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Pro Smile works great in any branding, logotype, social media posts, advertisements, product packaging, product designs, label, invitation, stationery and any projects that need handwriting brush taste.

Retro is in again! The distinctive font Kabif will give your work a vintage, extraordinary look. With its erratic, rounded, and geometric shapes, this font typifies popular culture from the 1960s and 1970s. A cool and simple font with an easy-to-see and easy-to-read typeface is called Kabif. The Kabif font works best for text, headlines, headers, signage, greeting cards, posters, flyers, invitations, packaging, book covers, printed quotes, album covers, and other visual elements.

Agistra is an elegant and modern Ligature san serif font . Comes with 83 unique ligatures . Agistra font is a multipurpose font that is perfect for any project, with high contrast glyphs, giving it a feminine and masculine quality, modern, and easy to read. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations, and others. This font is easy to use and has OpenType features.

Hello Aluyeaholics! Boulevard Signature, an exclusive handwritten signature font. Coming with 100+ stunning and super easy to use alternates and ligatures. Very suitable for your wedding invitation, packaging, apps, magazine, headline, website, ads and all type of design project you have. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 k.3 b.4 t.h c.c etc. To get results like the preview just type Boul.4evard.3 Sig.4nature

Beanstalk is a cute, cuddly, handwritten typeface. Its casual appearance is charming and easy to read. Beanstalk has an expanded character set including European letters and symbols!

With 2 full alphabets & a full array of symbols & decorations this style can look elegant or insane. New English is easy to customize for infinite unique looks.

Revorioum has a classical bold contemporary typeface with a dynamic and flexibility touch, it is equipped with lots of opentype features making it easy to play with.

With 2 full alphabets & a full array of symbols & decorations this style can look elegant or insane. New English is easy to customize for infinite unique looks.

Drawn by George Ryan and named after Robert Givens, the co-founder and first president of Monotype Imaging, the Givens Antiqua™ typeface speaks with elegance and subtle authority. The design's open proportions, generous x-height and soft serifs lend Givens Antiqua a gracious quality that invites reading. I didn't work from any single design model," Ryan recalls. "The face grew out of my experimenting with several characters from a hand-lettered headline in a magazine. I worked on the shapes and forms for some time before I put the drawings in a drawer." At that point Ryan had finished the basic alphabet in two weights, but had not yet tackled the italics. A new project came along that demanded his full attention, and it was two years before he revisited the drawings. He liked what he saw and decided to finish the job. "The italics were the most problematic designs in the family," says Ryan, "but once I had their basic shapes and proportions, the rest was basically a production project." Another year of sketching, testing, editing and reworking characters ensued before Givens Antiqua was ready for release. The result is a four-weight family of roman designs and small caps, with complementary italics for the lightest three weights and a suite of swash caps for the italic designs. Givens Antiqua and Givens Antiqua Light show a modest stroke weight stress and a light, even text color. Givens Antiqua Bold is an effective emphasizer for text copy and an authoritative communicator at display sizes. The Black weight performs best at large sizes and makes a powerful statement without shouting, while the italic swash capitals possess enough vitality to serve as standalone initial letters."

Carilliantine updates the organic curves of Art Nouveau typefaces typified by John F. Cumming's Desdemona, designed around 1886. A contemporary monoline sans reinterpretation rather than a more traditional serif, its high-waisted emphasis lends it an elegance and class. Carilliantine is replete with hundreds of two- and three-letter ligatures that bring a customised uniqueness to any headline. These are on by default, and can be toggled on or off in the Opentype palette of Adobe apps, or chosen individually according to taste from the Glyphs menu. Suitable for upmarket food packaging, wine labels, restaurants, folk bands, sword and sorcery trilogies, cosmetics and fashion brands that nod to the refinement of yesteryear, but are very much of today.

"Portiere" is a natural handwritten font, we created this font using a marker pen, the natural emphasis of the pen makes the round size random. We write one by one on the paper and then we select each glyph to be the font. This is how we get a natural impression. To sharpen the natural impression we made several ligatures because in natural writing you will not find the same composition. Activate the ligature and feel a natural writing sensation. This font is very suitable for writing quotes and short sentences. Even more so for text animations such as on YouTube and other social media. Its unique shape also allows it to be used for logos.

Stettinum Nicodemus Pro is a project to revitalize lettering from tenement houses in Szczecin. The project includes the digitization of letter remains from ul. Kaszubska in Szczecin to form functional fonts. The main idea of the project was to preserve the disappearing remnants of Szczecin's typographic past, which, despite the span of glyphs limited by time, can be an inspiration for many future extensions of the already established family. Stettinum Nicodemus Pro Sansum is a family of typefaces consisting of 7 variations. The block structure with a regular structure and a relatively high minuscule allows for many different applications. Versions 700, 800 and 900 are intended for titles, headings and emphasis, typefaces 300 to 600 are text typefaces.

Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is... Well, it’s probably best if see for yourself. These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic. Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support. Coming soon!

Hummingbird is reminiscent of old-fashioned cursive penmanship found in treasured letters bundled together by silken ribbons or in worn leather-bound ledgers. Hummingbird is graced with an impressive number of contextual alternates (214!) that bring a flowing randomness to the typeface, creating a more natural handwritten appearance. The font also has 266 swashes including an entire set of decorated uppercase letters that add personality, emphasis, and beauty. See what’s included! http://bit.ly/2cdVw4d *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Linotype Sansara, from Swiss designer Grégoire Poget, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This fun font is a type experiment behind whose oriental facade hide Arabic letters, recognizable only at second glance. This font displays generous, pointed ascenders and descenders as well as a bar-like emphasis on the upper third of the figures which connects lines and words and gives them a decorative look. Linotype Sansara reveals an astounding variety of details which bring to mind 1001 Arabian Nights, flowing gowns and snake charmers. This font is best for display in point sizes of 14 or larger.

Luba is a multi-script text family designed by Hendrik Moeller. The family includes four weights: Light, Regular, Medium, and Bold. Each of these fonts may be purchased with both Latin and Cyrillic script coverage, or with support for just the Latin script. Moeller initially developed Luba to assist speakers of languages using the Latin script who are just embarking upon learning a language that uses the Cyrillic script, i.e., French, Germans, or Italians who are learning Russian or Ukrainian. Luba's letters place significant emphasis on their identifying elements; clear forms and a relaxed style help familiarize the reader with the foreign glyphs. The typeface makes clear distinctions between Latin and Cyrillic letters, without covering up their shared heritage.

Basilio Calafati (1800–1878) worked as a magician under the name of Salamucci in the Wiener Prater. Later he obtained the license for a roundabout and other amusement facilities in the Wiener Prater. Calafati typeface family is characterised by little contrast and strong emphasis on the horizontals. It is a robust font that has many applications. Its character shapes are simple and relatively unembellished. With regard to metrics and proportions it combines perfectly with the Wien Pro and the Liebelei Pro. Calafati is available in weights light, regular, medium, bold and black. In 2022, Calafati received a major update. The recent family, Calafati Soft, is an 100% offspring of sharp-edged Original Calafati.

Slip into something a little more sophisticated with Belluga - A stylish, fresh new handwritten brush script. Oozing with Opentype Features, this script comes to life as if you are hand-brushing it yourself. Belluga Script was created to look as close to a natural handwritten script as possible by including over 80 natural-looking opentype ligatures, and a full set of lowercase alternates. From the Glyph Palette you’ll also find 11 swashes that can be used as underlines and for emphasis. Perfect for bold statements and sophisticated branding , Belluga helps set your designs apart by adding a custom-lettered look. A smooth , solid version of the font is also available for those who require a less textured look.

Greatest Fortune is an incredibly realistic and perfect handwritten font duo. The combination of various ligature (uniquely designed letter combinations) makes the font look more natural. In addition, the Greatest Fortune font also includes an all-caps version, complete with an alternative to the letters A-Z. Suitable as emphasis in a word or as a standalone font. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. This font also contains 61 ligatures which make the font look very natural. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Michael Hoffmann manufactures digital fonts for 30 years. At URW++ he contributed to the technological progress. Over the years, he also specialized in the ideal representation of fonts on screen and the complex assembly of international fonts with scripts of all countries. In his latest project he put the emphasis on developing a highly readable typeface. Less interested in the design as in the functionality of this typeface, he designed Arsapia which he has now installed as a system font on all his computers. Michael Hoffmann studied Japanology at the University of Hamburg and traveled in the early years of his professional activity frequently to Japan, there to train the IKARUS font production tools to Japanese customers. In his spare time he plays guitar or golf depending on the weather. The typeface Arsapia has been designed in such a way that all three font styles Light, Regular and Bold have the same width. When a user therefore opts for the use of Arsapia Light, even though he has already written his text in Regular, nothing changes with respect to the letter tracking. When choosing the Bold for emphasis: Nothing changes except the blackness of the letters. A font change does not engender unwanted line and page breaks of itself. All letters can be clearly distinguished from each other. 1 l I O 0 are all different. For programmers and lovers of monospaced fonts Michael Hoffmann has developed a fourth typeface: Arsapia Mono. This is the perfect terminal font.