Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Widwinter Fire: A Gothic Fantasy Font A decorative serif font inspired by tales of gothic fantasy and horror. Inspired by gothic cathedrals, ancient myths and campfire horror stories, Midwinter Fire is a font for the coming of Autumn when our days become shorter, darkness closes in and the snow begins to fall. It's for those chilling tales of terror and fairy tales that caution us not to go into the woods. Midwinter Fire is a versatile serif font, classical in style that can be applied to book covers, movie titles, rock albums, arcade games or even a vintage ale! It's the perfect choice for a decorative gothic look that remains readable at smaller sizes. Midwinter Fire is an all-caps serif font that includes lots of alternative characters and underlines along with numerals, punctuation and language support.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces. Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Brittes is a fontface inspired in a formally English round hand, also called anglaise or Copperplate script. The calligraphy was the dominant style among 18th-century writing masters, whose copybooks were splendidly printed from models engraved on copper. In the mid-1800's, the Spencerian form of penmanship became a standard. An elegant handwriting was much prized. Today, in our computer age, a fine, beautiful, and legible handwriting brings a warm personal touch to your graphic design and visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals ornaments and tails.

Flash was designed in 1953 by the designer Enric Crous-Vidal, as part of the graphic trend “Grafía latina”. It is a three-dimensional typography, which seeks optical and relief effects, similar to those of wood engraving. It gives a handcrafted look to any printed piece. Flash is a Trademarks of BauerTypes SL

The decorative title typeface was designed at Polygraphmash type design bureau in 1967 by Iraida Chepil. It is a decorative variant ('open', or 'engraved') of classical serif typefaces. For use in magazine headlines, title and display typography. The revised and completed digital version was designed for ParaType in 2005 by Victor Kharyk.

Once I found a pretty H letter initial on an ancient book. The letter was illuminated by beautiful engraved leaves. Based on it, I designed A-Z and 0-9 sets and assembled Medieval Leaves font. Medieval Leaves font family has Regular and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/03e7i78j4bz4mnm/MedievalLeaves-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Quarkwell™ by The Typeworks is a line based typeface ideal for use in designs that require a modern and highly legible appearance whilst still retaining a classic feel. The Quarkwell font family is inspired by lettering from twentieth-century pantograph engraving machines. The letterforms give a nod to the signature copy sets used on many computer mechanical keyboard keycaps and vintage typewriters, plotter engraved plastics signage fonts and others using modified Gorton lettering. Quarkwell font faces include many stylistic alternates for its uppercase and symbols characters sets. Need a different "Q" design? Use access all alternates or insert symbol to select a different "Q" form! Vector lines for plotting machines are also available to purchase on request at TheTypeworks.com So take Quarkwell home today! It's a perfect fit for all sorts of projects.

Oksana Sans is a gothic sister of the Oksana Text typeface. Supports all European Latin and Cyrillic codepages.

Tomahawk - american authentic layered typeface. A typeface inspired by American ethnic motives, with a touch of gothic spirit.

The "C Elle F" is a typographic family, as a stencil letter, originally intended for cutting and engraving to carry out marking and signaling work. But of course, the very characteristic shape of these letters evokes much more. This typographic family can therefore be used for communication in various fields, commercial, import-export, military, etc.

Madisonian has been found in a catalogue of the New York Bruce type-foundry, dated 1859. The lower cases have the feeling of a Bodoni Italic and the initials have a "spencerian" touch. This font did exist originaly in a single weight. The family has been extended with a bold and an engraved version.

Morris Fuller Benton's 1917 typeface named Invitation provided the pattern for this elegant and endearing face. Classic Engravers Roman style caps are exquisitely balanced with a sinewy lowercase, adding warmth and charm. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

The American Type Founders 1923 Specimen Book and Catalogue called the inspiration for this typeface Engravers Text; it could easily be called elegant, enchanting and erudite, as well. The inline version of this font includes the complete 1252 Latin and 1250 Central European character sets; the Solid version includes the Turkish 1254 set in addition.

The Clog font family is represented by four different outlines - Normal, Open Face, Shadowed and Engraved. Each of them could be your best choice when designing a wine label, package or magazine headline. By using Open Face and Shadowed outlines you will discover how easy it is to produce unique design of its own style.

This Gelora font is luxurious and classic engraved that is suitable for any design such as book covers, posters, quote designs, apparel, etc. This font is inspired by a colossal theme from the Roman Empire or something like a Gladiator story, but I found this font also looks suitable for a western cowboy theme.

Karara Shadow, a complete font set and additional font style of Karara. The word Karara means patience & steady. The style is achieved by practicing and studying the modern techniques to deliver high-end professional font. This specific font had a tint of wall chalking & texture. Carefully engraved and stenciled to delivery clean cuts and design.

Isis is the work of type designer Michael Gills, an all capital, classical looking display roman typeface with an open engraved effect. It can be used alone or in combination with most established classical roman typefaces. Isis is ideal for a wide range of headline applications and gives text a look of quality and excellence.

An animated gothic with just a slight bounce, a nice fun font with many applications from headlines to text.

Handel Slab, designed by Ralph M. Unger, is a new offering which ideally enhances and extends the existing Handel Gothic family. Even so, Handel Slab can very well be used on its own. Obviously, Handel Slab is closely based on Handel Gothic, which was designed by Don Mandel in the mid 1960s and which has been popular and successful amongst users from day one. Even today, it is a futuristic sans serif, and it is used for a wide range of typographic tasks, for example in computer games. Handel Slab provides a perfect enhancement to Handel Gothic, and the combination of both families offers more flexibility to designers and typographers.

A casual gothic easy-to-read font. Relaxed Fit works for so many applications: text, Headlines and anything in between.

In 1913, Leipzig-based foundry C. F. Ruehl released a hot-metal font called Caesar-Schrift which was cut by the engraver and medalist Georg Schiller (1858-1937). This humanist sans combines successfully traditional classic forms with the flowing lines of the Art Nouveau period. Now revived as Caesar Pro, this font was carefully extended and made multilingual.

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.

Mercurius Script font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1957 for the Monotype Corporation. The expressiveness of this bold script typeface is the result of Reiner's use of a bamboo pen for Mercurius Script's elemental shapes. Used sparingly, Mercurius Script font gives even the dullest headlines genuine spirit and excitement.

Goudy Titling was designed by Steve Matteson. It is based on the 2" wood engravings Frederic Goudy made for his book ‘The Trajan Capitals’ - a seminal book about the history of the Roman letter. These letterforms predate the work of Father Catich’s exhaustive study of the Trajan Column and, while remarkably faithful to the inscription, have Goudy’s interpretive fingerprints.

Based on script handwriting and engraving used in formal announcements and invitations, the Flemish Script font lends itself to typesetting in which an elegant mood is desired. Flemish Script, Citadel, Florentine Script, and Old Fashion Script have similar lowercase letters but unique flourished capitals. Flemish Script makes a very decorative choice for labels and packaging, greeting cards and invitations.