Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. Shoe companies have a foothold in the geometric sans serif styles as well, and range from straightforward to full of techno styled play. Nonetheless, these logotypes all lack an expansive family which shows off all the logotypes are and what they "could" be and do. And that's where we come in. The Midsole SC Family finds its origin of inspiration in the CONVERSE shoe company logo, or an older version of their logo, and from there we expanded it into a 40 font family of weights, widths, and obliques. Midsole pays homage to the styling of the earlier logotype, including unicase variations to match the original look, while further evolving beyond the brand inspiration to yield a family that pulls on modern and historical styles. It adopts a sturdy yet approachable and recognizable style with its uniform stroke forms and curves, and goes on to include smallcaps, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here’s what’s included with the Midsole SC Family bundle: 489 glyphs per style - including Capitals, SmallCaps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 10th graphic for a preview of the characters included) Stylistic Alternates - alternate characters and unicase variants for a less standardized text look. 4 weights in the family: Light, Regular, Medium & Bold. 4 obliques in the family, one for each weight: Light, Regular, Medium & Bold. Here’s why the Midsole SC Family is for you: - You’re in need of stylish sans font family with a range of weights and obliques. - You’re love that older CONVERSE letter styling, and want to design anything within that genre. - You’re looking for an alternative to Eurostile & Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. Shoe companies have a foothold in the geometric sans serif styles as well, and range from straightforward to full of techno styled play. Nonetheless, these logotypes all lack an expansive family which shows off all the logotypes are and what they "could" be and do. And that's where we come in. The Midsole Family finds its origin of inspiration in the CONVERSE shoe company logo, or an older version fo their logo, and from there expanded it into a 40 font family of weights, widths, and obliques. Midsole pays homage to the styling of the earlier logotype, including unicase variations to match the original look, while further evolving beyond the brand inspiration to yield a family that pulls on modern and historical styles. It adopts a sturdy yet approachable and recognizable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here’s what’s included with the Midsole Family bundle: 489 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 10th graphic for a preview of the characters included) Stylistic Alternates - alternate characters and unicase variants for a less standardized text look. 4 weights in the family: Light, Regular, Medium & Bold. 4 obliques in the family, one for each weight: Light, Regular, Medium & Bold. Here’s why the Midsole Family is for you: - You’re in need of stylish sans font family with a range of weights and obliques. - You’re love that older CONVERSE letter styling, and want to design anything within that genre. - You’re looking for an alternative to Eurostile & Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Sergury is an ultra-bold typeface formed by cutting circular elements from rectangular blocks. It is caps only and is so bold that it is almost unreadable. The three tall styles were added in 2021. Sergury is a variation of Porker, another experimental typeface.

Business Lunch JNL is an extra bold hairline serif font based on Monotype’s Falstaff, which in turn was greatly influenced by Bodoni Extra Bold. Great for posters, menu headers and other forms of headlining, Business Lunch JNL is available in both regular and oblique versions.

No, I don’t need therapy - at least, not that I’m aware of. I needed a bold and rough name for this bold and rough font. Rough Therapy is a strong display font. Comes in a clean and a dirty version, so take your pick!

RSVP Brush is a fresh, bold, confident brush font. The bigger the better... great for posters, signs, a headline or a small block of copy. Versatile and quirky. Turn on Contextual Alternates in supporting programs so multiple letters do not repeat. Big. Bold. Brush.

Explore Wonders is a bold handwritten font that will make all your project more unique and handy. With bold touch, this font will make your artwork feels more natural. This font is suitable for quotes & instagram post. Comes with number & symbol! Also support multi language!

Fluro typeface is Sans Serif hybrid, designed to look modern & minimal in any setting. It is offered in 5 weight styles - Light, Regular, Semibold, Bold + a bonus "Bold Outline" style.The Typeface also includes special characters, language supports and specialized Kerning. Designed by: KAZER STUDIO

Kirens is a brush font made in a modern, bold, classic and textured handwriting style, suitable for all your design needs that require display typeface to make your design appear bold and stylish. Kirens brush is equipped with: - Allcaps Font - Alternate - Numbers - Symbols - ligatures - Multilingual

Blue Typewriter is a bold typewriter font and scans pack (with graphics, text, paper) sampled from old documents, for an authentic vintage look. Use this set in any designs that needs a vintage touch: in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Included in this product: Blue Typewriter font with variations: underlined, dashed, crossed-out and dashed underline, in SVG and vector versions (with the vector versions created separately, so that the two versions include subtle differences)

Fanchy Created from our explorations inspired by retro 70s style and pop culture visual designs such as comics, cartoons, and old posters. Strong bold character with groovy style makes us feel the retro vibe and brings us to the 70s. Fanchy Comes with beautiful characters and curves consisting of 6 sets of styles. Contains 2 regular and italic styles, 2 shadow styles and 2 outline styles. This font is best used for headings, logotypes, quotes, apparel designs, posters, flyers, packaging, book covers, and much more.

To break from the rigidity of a typical monospaced font, Alloca includes weights that go above and beyond. From the wire-thin to the ultra-bold, you’ll be able to do a lot with one monospaced family. With OpenType features like slashed zeros, old style numerals, and case-sensitive forms, Alloca is versatile. It's great for displaying code, showcasing data, or even flowing your body copy. It has broad language support, too, with localized forms for Vietnamese, Polish, Catalan, and Dutch, to name a few.

This font is for architects everywhere. This all cap font was created for use with CAD programs. It gives the handlettered look of old to computer generated blueprints. Architectural Lettering Bold is the heavier weight for Architectural Lettering. This additional weight makes a best selling font even more versatile. It has all the international currency symbols. Architectural Lettering Regular was redesigned in 2006 to include the same. It can be found in the book “Indie Fonts 3, a Compendium of Digital Type from Independent Foundries”.

Introducing our new retro style font, designed to take you back to the good old days. With its bold and playful design, this font is perfect for creating eye-catching designs that evoke nostalgia and fun. Inspired by the groovy typography of the 60s and 70s, this font features thick and rounded letterforms, playful curves, and a distinct retro feel. Its versatility and legibility make it a great choice for a wide range of projects, from branding and packaging to posters and social media graphics.

Introducing Killuminati - Gothic Type, created by ikiiko. Killuminati is a simple english old type with modern blackletter style. This typeface is inspired by gothic & classic rock band logo. killuminati has a bold font with a combination of sharp and curved corners. This font is perfect for an poster event, stencil, logotype, magazine layout, fashion stuff, quotes, and so much more. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing Holakia, a monoline script font based on the condensed style that is trendy, elegant and stylish. Supported by many OpenType features such as discretionary ligatures, swashes, contextual alternates etc. It has the potential to create interesting, beautiful and eye-catching typography combinations. Halokia is available in upright and italic versions. This font is perfect for use on packaging designs, quote prints, wedding invitations or personal logos. It is ideal for displaying something that is old-fashioned to make it look more modern and bold.

Around the turn of the 20th Century, the Inland Type Foundry produced a display face named Studley. It was a variation on a design by another foundry called Florentine. A condensed face with a bold, clean look, the design resembled the warmth and feel of a classic wood type. Best applied to headlines and titles, the font reads amazingly well at even 18 point renderings. Jeff Levine had added his own personal touch to his digital version of this old favorite and renamed it Bayview JNL.

Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries. A little extragerrated decorative stylization of letterforms in the spirit of Modern Serif, with elements of an irony. For use in headlines, in advertising and display typography. Improved and added with Extra Bold, old style figures, ligatures and other symbols in 2010 by the same author.